معاينة الحجم الواقعي
إرسال
مشاركة
عرض التفاصيل
دليل الأعمال الفنية للطلاب
تحميل
قطع مشابهة
الأشعة السينية
عرض شرائح متتابع
الإحصائياتTrademarks
1970
87.0 x 250.0 cm
اقرأ المزيد
نسخة زيتية مصنوعة يدوياً
لوحة زيتية مرسومة يدوياً على الكانفاس بالمقاس والإطار الذي تفضله، تُنفذ حسب الطلب على أيدي فنانينا. (
التبديل إلى المطبوعات التحويل إلى الصورة الرقمية)
اختر من بين أحجامنا المُعدّة مسبقاً والتي تتوافق مع النسب الأصلية للعمل الفني.
يمكنك إدخال أبعاد خاصة لتناسب إطاراً أو مساحة معينة. وفي حال عدم تطابق الحجم المختار مع نسب الصورة الأصلية، سنقوم إما بقص العمل الفني أو توسيع اللوحة عبر إضافة عناصر مرسومة يدوياً. وسيتم إرسال نموذج رقمي إليك للموافقة عليه قبل بدء عملية الإنتاج.
يرجى ملاحظة أن المعاينة على الشاشة لا تعكس عملية القص أو التوسيع الفعلية؛ إذ إن النموذج الرقمي هو الوحيد الذي يوضح التكوين النهائي بدقة.
وعلى الرغم من توفر أحجام مخصصة، إلا أننا نوصي باختيار أبعاد من القائمة المحددة مسبقاً للحفاظ على النسب الأصلية للعمل الفني.
بعد إتمام الطلب، سيرسل فريق ArtsDot.com بريداً إلكترونياً للعميل لطلب التعليمات وتزويده بمعاينة تجريبية (mockup).
توصيل عالمي إلى خلال 3 إلى 4 أسابيع بدلاً من المدة المعتادة البالغة 5 أسابيع. (26 سبتمبر). جودة لا تهاون فيها.
شحن سريع ومجاني لجميع أنحاء العالم
قماش كتان فاخر
تأمين شامل على الشحن
ضمان استرداد الرسوم الجمركية
ضمان دقة مطابقة الألوان
سياسة الإرجاع خلال 100 يوم (في حالات العيوب فقط)
ضمان استرداد نقدي بنسبة 100%
عرض خصم الكميات
خيار الزجاج متاح فقط للمقاسات التي تقل عن 110 سم
Trademarks
وسيط إعادة الإنتاج
مقاس النسخة المطبوعة
-
إجمالي السعر
$ 313
أعمال فنية مشابهة
نبذة عن الفنان
Vito Acconci: Challenging Boundaries and Embracing Discomfort
Vito Acconci (1940-2017) stands as a pivotal figure in the history of performance art, profoundly impacting subsequent generations of artists with his uncompromising exploration of physicality, language, and societal norms. Born in New York City, he embarked on an artistic journey initially rooted in radical poetry—creating *0 to 9 Magazine*, a publication dedicated to examining the relationship between words and space—before transitioning into visual arts driven by a fascination for disrupting conventional perceptions of art and its role within society. His distinctive approach characterized by “existential unease,” exhibitionism, discomfort, transgression and provocation, cemented his place as an innovator who interrogated established artistic conventions.- Early Influences: Acconci’s poetic sensibilities were shaped by thinkers like Georges Bataille and Maurice Blanchot, whose explorations of the grotesque and the sublime resonated deeply with his artistic vision. These influences instilled a desire to confront uncomfortable truths about human experience and to challenge accepted notions of beauty and decorum.
- Performance Art Pioneers: Acconci’s breakthrough came in 1969 with *Following Piece*, arguably the cornerstone of performance art as we understand it today. This ambitious undertaking involved selecting random passersby on New York City streets and meticulously documenting their movements—a deliberate act of observation designed to destabilize the viewer's gaze and expose the hidden dynamics of public space.
- Seedbed: The infamous *Seedbed* (1972) further solidified Acconci’s reputation for pushing boundaries, presenting a provocative scenario wherein he masturbated under a temporary floor at the Sonnabend Gallery while visitors walked above and heard him speaking. This piece served as a powerful critique of artistic institutions and their role in shaping cultural discourse.
Sculpture and Architectural Design: Expanding Artistic Horizons
Following his initial explorations in performance art, Acconci broadened his creative scope into sculpture and architectural design—activities that mirrored his core preoccupation with space and materiality. He recognized the potential for artistic expression to transcend traditional mediums, embracing innovative approaches that engaged both physical presence and conceptual thought. His sculptural works often employed unconventional materials and techniques, reflecting a commitment to experimentation and challenging conventional aesthetic standards. Simultaneously, he undertook significant architectural projects—including *Personal Island* in Zwolle, Netherlands; *Walkways Through the Wall* at Milwaukee’s Wisconsin Center; and *Murinsel*, Graz Austria—that prioritized participatory engagement and fostered dialogue between people and their environment. These designs weren't merely buildings but spaces designed to provoke contemplation and stimulate interaction.- Notable Projects: Acconci’s architectural endeavors demonstrated his belief that art could contribute meaningfully to the social landscape, fostering connections between individuals and promoting a deeper understanding of human experience.
Conceptual Art and Linguistic Exploration
Acconci's artistic practice was fundamentally informed by Conceptual Art—a movement that prioritized ideas over visual representation—and he consistently interrogated the role of language in shaping perception and influencing behavior. He famously stated, “I’m interested in what words are doing,” reflecting a conviction that language possessed inherent instability and potential beyond conventional communication. This perspective fueled his exploration of poetic forms and techniques, as exemplified by *0 to 9 Magazine*, where he meticulously analyzed the spatial arrangement of text on the page—a deliberate effort to disrupt established conventions and expose the underlying logic of linguistic structure.Legacy and Influence
Vito Acconci’s work exerted a considerable influence on subsequent artists, including Laurie Anderson, Karen Finley, Bruce Nauman, and Tracey Emin—artists who similarly embraced experimentation, transgression, and engagement with challenging themes. His pioneering approach to performance art established new paradigms for artistic expression, prompting artists to reconsider the relationship between performer and audience and to explore unconventional methods of conveying ideas and emotions. Acconci’s legacy continues to inspire contemporary creatives who strive to push boundaries and disrupt societal norms—a testament to his enduring contribution to the history of art.
vito hannibal acconci
1940 - 2017 , United States of America
لمحة سريعة
- Artistic Movement Or Style: Performance Art
- Artists Or Movements Influenced By This Artist: ['Conceptual Art']
- Artists Who Influenced This Artist:
- Laurie Anderson
- Bruce Nauman
- Tracey Emin
- Date Of Birth: January 24, 1940
- Date Of Death: April 27, 2017
- Full Name: Vito Hannibal Acconci
- Nationality: American
- Notable Artworks:
- Following Piece
- Seedbed
- Walkways Through the Wall
- Place Of Birth: New York City, United States