Landscape from Maglaj
1971
100.0 x 80.0 cm
المعرض الوطني في البوسنة والهرسك
طباعة جيلي / مطبوعات فنية
طباعة جيكلي أو كانفاس بجودة المتاحف، مع سرعة في التنفيذ وخيارات متنوعة للتشطيب. ( اشترِ لوحة مرسومة يدويًا
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اختر من بين أحجامنا المُعدّة مسبقًا والتي تتطابق مع النسب الأصلية للعمل الفني.
يمكنك إدخال أبعادك الخاصة لتناسب إطاراً أو مساحة معينة. وإذا لم يتطابق الحجم الذي اخترته مع نسب الصورة الأصلية، فسنقوم إما بقص العمل الفني أو تمديد الصورة باستخدام حافة معكوسة أو بلون مصمت. سيتم إرسال نموذج تجريبي رقمي لاعتمادك قبل بدء الإنتاج.
يرجى ملاحظة أن المعاينة على الشاشة لا تعكس عملية القص أو التمديد الفعلية؛ حيث سيوضح النموذج التجريبي فقط التكوين النهائي بدقة.
وعلى الرغم من توفر أحجام مخصصة، إلا أننا نوصي باختيار أبعاد من القائمة المحددة مسبقاً للحفاظ على النسب الأصلية.
توصيل عالمي إلى خلال أسبوعين بدلاً من المدة القياسية البالغة 4/5 أسابيع. 8 سبتمبر
شحن سريع ومجاني لجميع أنحاء العالم
قماش كتان عالي الجودة
تأمين شحن شامل
ضمان استرداد الرسوم الجمركية
ضمان مطابقة الألوان الحقيقية
سياسة الإرجاع خلال 100 يوم (في حالات العيوب فقط)
ضمان استرداد نقدي بنسبة 100%
خصم عند طلب عدة قطع
Landscape from Maglaj
طباعة جيلي / مطبوعات فنية
مقاس النسخة المطبوعة
-
السعر الإجمالي النهائي
$ 62
أعمال فنية ذات صلة
السيرة الذاتية للفنان
A Visionary of the Bosnian Soul
The life and legacy of Salim Obralić (1945–2018) represent a profound dialogue between the enduring traditions of Bosnia and Herzegovina and the evolving language of modern expression. Born in Maglaj, Obralić emerged from a landscape rich with historical layers, a fact that would later become the heartbeat of his creative practice. His artistic journey was one of rigorous discipline and intellectual depth, beginning with formal training at the Secondary School of Applied Arts in Sarajevo and reaching its zenith through postgraduate studies at the prestigious Academy of Fine Arts in Belgrade. Under the mentorship of masters such as Professor Mladen Srbinović, Obralić did not merely learn techniques; he mastered the ability to translate the weight of history into the delicate textures of paint and print.
In his early years, the art critic's eye caught a burgeoning talent that danced between the dreamlike realms of Surrealism and the grounded, emotive clarity of Poetic Realism. This duality—the ability to be both fantastical and profoundly observant—became a hallmark of his style. His early solo exhibitions at the Gallery of the Kolarac People's University in Belgrade and the Art Pavilion in Sarajevo signaled the arrival of an artist capable of capturing the unseen tensions within the visible world. As a member of the influential 4S group and the Association of Visual Artists of Bosnia and Herzegovina (ULUBiH), he positioned himself at the center of a vibrant, interconnected Balkan art scene, contributing to a collective movement that sought new ways to define regional identity.
The Mastery of Medium and Memory
Obralić’s career was characterized by an insatiable curiosity toward the physical properties of art. While he was celebrated as an academic graphic artist, his spirit refused to be confined to a single medium. He moved with grace between the precision of printmaking, the tactile richness of oil painting, and the expansive possibilities of installation art. This versatility allowed him to respond directly to the environments that shaped him. His work often functioned as a bridge, connecting the intimate, personal experiences of the artist to the broader, collective memory of his homeland.
One of the most poignant chapters of his creative life was his deep, enduring connection to Počitelj. From 1978 onwards, this historic stone town became more than just a subject; it became a sanctuary and a studio. In his depictions of Počitelj, Obralić achieved a remarkable synthesis of form and feeling. His later works moved away from mere documentation toward a refined, structural clarity. He stripped away superfluous emotion to reveal the "factographic" truth of the landscape—the way light hits a stone wall, the verticality of a minaret, or the winding path of a river. In these paintings, he achieved a state of artistic maturity where simplicity and strength met, creating landscapes that felt both timeless and intensely present.
A Legacy of Mentorship and Cultural Significance
Beyond the canvas and the printing plate, Salim Obralić’s impact was felt most deeply in the halls of the Academy of Fine Arts in Sarajevo. As a dedicated educator, rising from teaching assistant to Professor Emeritus, he shaped the hands and minds of generations of Bosnian artists. His commitment to the pedagogical mission ensured that the technical rigor of his Belgrade training would be passed down, even as he encouraged his students to pursue their own modernistic explorations. He was not merely a teacher of craft, but a guardian of artistic integrity.
His contributions were recognized with numerous prestigious honors, including the Sixth April Award from Sarajevo City Hall, a testament to his role in enriching the cultural fabric of his city. Even during periods of profound historical upheaval, Obralić’s work remained a vital point of reference, capturing the essence of Bosnian identity through both beauty and gravity. When he passed away in 2018, he left behind an oeuvre that serves as a visual archive of a soul deeply entwined with his land—a legacy defined by the seamless blending of tradition, technique, and a visionary's eye for the eternal.
salim obralić
1945 - 2018 , Bosnia and Herzegovina
حقائق سريعة
- Artistic Movement Or Style: Traditional & Modern Expression
- Date Of Birth: 1945
- Date Of Death: 2018
- Full Name: Salim Obralić
- Nationality: Bosnian
- Notable Artworks: ['Uniform Tombstone Monument']
- Place Of Birth: Magalj, Bosnia and Herzegovina

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