The Assumption

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وصف القطعة المقتناة

Bernini’s artistic legacy extends beyond ‘The Assumption,’ encompassing collaborations with his son Gian Lorenzo and architectural achievements like Palazzo Barberini. His influence on subsequent generations of artists solidified his position as Michelangelo’s successor, shaping the visual language of Baroque Rome.

السيرة الذاتية للفنان

Pietro Bernini (1562-1629) was an Italian Mannerist sculptor & father of Gian Lorenzo Bernini. Known for Baroque contributions like the Fontana della Barcaccia, his work influenced Roman art.

نسخة زيتية مرسومة يدوياً

لوحة زيتية مرسومة يدوياً على الكانفاس بالمقاس والإطار الذي تفضله، تُنفذ حسب الطلب على أيدي فنانينا. ( التبديل إلى نسخة مطبوعة الانتقال إلى الصورة الرقمية)

More about this painting

معاينة الحجم الواقعي معاينة بالواقع المعزز التبديل إلى نسخة مطبوعة الانتقال إلى الصورة الرقمية مشاركة
التفاصيل دليل أضف إلى المفضلة تحميل الملف قطع مشابهة الأشعة السينية عرض شرائح Q&A الإحصائيات

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1 Step one of four

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قياسي
حسب الطلب
CM
INCH

اختر من بين أحجامنا المُعدّة مسبقاً والتي تتوافق مع النسب الأصلية للعمل الفني.

العرض
الارتفاع

أدخل العرض والارتفاع اللذين تحتاجهما ليتناسب العمل مع إطارك أو جدارك. وبما أن هذه اللوحة مرسومة يدوياً، ففي حال اختيار مقاس بأبعاد مختلفة، يمكن للفنان رسم مساحة إضافية حول الصورة أو تقليصها قليلاً — الخيار لك. سنرسل لك نموذجاً رقمياً تجريبياً لاعتماده قبل البدء في الرسم. علماً بأن الصورة المعروضة في هذه الصفحة لا تعكس النتيجة النهائية الحقيقية، فالنموذج التجريبي هو الوحيد الذي يوضح ذلك بدقة.

2 Step two of four

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Corner sample of the WhiteWrap canvas edge finish, stretched on خشب طبيعي صلب bars
White E£1
Corner sample of the BlurSideWrap canvas edge finish, stretched on خشب طبيعي صلب bars
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Corner sample of the ExtendedWrap canvas edge finish, stretched on خشب طبيعي صلب bars
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Corner sample of the P118B picture frame: بوليسترين مُشكّل, 5 cm wide and 3 cm thick
P118B E£10
Corner sample of the P118H picture frame: بوليسترين مُشكّل, 5 cm wide and 3 cm thick
P118H E£10
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P118W E£10
Corner sample of the P438Z picture frame: بوليسترين مُشكّل, 5.5 cm wide and 3.5 cm thick
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Corner sample of the P508JH picture frame: بوليسترين مُشكّل, 7 cm wide and 3.5 cm thick
P508JH E£12
Corner sample of the P508YH picture frame: بوليسترين مُشكّل, 7 cm wide and 3.5 cm thick
P508YH E£12
Corner sample of the P805H picture frame: بوليسترين مُشكّل, 5 cm wide and 3.5 cm thick
P805H E£10
Corner sample of the P805Z picture frame: بوليسترين مُشكّل, 5 cm wide and 3.5 cm thick
P805Z E£10
Corner sample of the P919BZ picture frame: بوليسترين مُشكّل, 7 cm wide and 3.5 cm thick
P919BZ E£10
Corner sample of the P919G picture frame: بوليسترين مُشكّل, 7 cm wide and 3.5 cm thick
P919G E£10
Corner sample of the P919XJ picture frame: بوليسترين مُشكّل, 7 cm wide and 3.5 cm thick
P919XJ E£10
Corner sample of the P959ZH picture frame: بوليسترين مُشكّل, 5 cm wide and 3 cm thick
P959ZH E£10
Corner sample of the P968JZ picture frame: بوليسترين مُشكّل, 6 cm wide and 4 cm thick
P968JZ E£12
Corner sample of the W106C picture frame: خشب طبيعي صلب, 5 cm wide and 3 cm thick
W106C E£8
Corner sample of the W218G picture frame: خشب طبيعي صلب, 5 cm wide and 3 cm thick
W218G E£10
Corner sample of the W218JH picture frame: خشب طبيعي صلب, 5 cm wide and 3 cm thick
W218JH E£8
Corner sample of the W218Y picture frame: خشب طبيعي صلب, 5 cm wide and 3 cm thick
W218Y E£10
Corner sample of the W307PJ picture frame: خشب طبيعي صلب, 6 cm wide and 3 cm thick
W307PJ E£10
Corner sample of the W316G picture frame: خشب طبيعي صلب, 6 cm wide and 3 cm thick
W316G E£10
Corner sample of the W316PJ picture frame: خشب طبيعي صلب, 6 cm wide and 3 cm thick
W316PJ E£8
Corner sample of the W316Y picture frame: خشب طبيعي صلب, 6 cm wide and 3 cm thick
W316Y E£10
Corner sample of the W398PJ picture frame: خشب طبيعي صلب, 5 cm wide and 3 cm thick
W398PJ E£8
Corner sample of the W4111J picture frame: خشب طبيعي صلب, 6.5 cm wide and 3.5 cm thick
W4111J E£10
Corner sample of the W500HY picture frame: خشب طبيعي صلب, 7 cm wide and 5 cm thick
W500HY E£15
Corner sample of the W500JH picture frame: خشب طبيعي صلب, 7 cm wide and 5 cm thick
W500JH E£15
Corner sample of the W692G picture frame: خشب طبيعي صلب, 8 cm wide and 4 cm thick
W692G E£12
Corner sample of the W849H picture frame: خشب طبيعي صلب, 5 cm wide and 3 cm thick
W849H E£8
Corner sample of the W940BG picture frame: خشب طبيعي صلب, 7.5 cm wide and 4.5 cm thick
W940BG E£15
Corner sample of the W953PJ picture frame: خشب طبيعي صلب, 6 cm wide and 3.5 cm thick
W953PJ E£8
Corner sample of the H24-GOLD picture frame: خشب منحوت مع الجبس, 10 cm wide and 6 cm thick
H24-GOLD E£30
Corner sample of the H24-SILVER picture frame: خشب منحوت مع الجبس, 10 cm wide and 6 cm thick
H24-SILVER E£30
Corner sample of the H36-GOLD picture frame: خشب منحوت مع الجبس, 15 cm wide and 6.5 cm thick
H36-GOLD E£45
Corner sample of the H36-SILVER picture frame: خشب منحوت مع الجبس, 15 cm wide and 6.5 cm thick
H36-SILVER E£45

Moulding: . Overall size with the frame: .

3 Step three of four

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4 Step four of four

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توصيل عالمي إلى خلال 3 إلى 4 أسابيع بدلاً من المدة المعتادة البالغة 5 أسابيع. (2 نوفمبر). جودة لا تهاون فيها.

A nameplate, as in a museum?

تفاصيل اللوحة البرونزية المحفورة

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

تفاصيل اللوحة الأكريليكية الشفافة

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

تفاصيل اللوحة الأكريليكية السوداء

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

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Your painting, as you ordered it

The Assumption

خامة النسخة المطبوعة

مقاس النسخة المطبوعة

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نخبة كبار الفنانين

مزيد من التفاصيل، والبراعة، ووقت إضافي للإنتاج

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إطار النسخة المطبوعة

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بالنسبة للأعمال الفنية أو النسخ المطبوعة التي يتجاوز طول أي من أضلاعها 105 سم (حوالي 41 بوصة)، سيتم شحن الإطار كمجموعة مفككة؛ حيث تضمن هذه الطريقة سلامة التوصيل وتمنع حدوث أي أضرار أثناء النقل.

يتطلب الأمر تجميعاً احترافياً - هذا المنتج ليس مخصصاً للتركيب الذاتي.
يجب تجميع المجموعة وشد القماش بواسطة فني إطارات محترف وخبير، باستخدام غراء الخشب (غير مرفق)، وكماشة شد القماش، وملاقط لتثبيت القضبان بشكل مستوٍ أثناء جفاف الغراء. إن التجميع غير الصحيح أو عدم توازن شد القماش قد يؤدي إلى تلف العمل الفني بشكل دائم، وهو أمر لا يغطيه الضمان الخاص بنا.

  • تتضمن المجموعة جميع القطع الخشبية الصلبة، والمقطعة بدقة لتناسب المقاسات المطلوبة.

  • يتم التجميع باستخدام البراغي المرفقة، بالإضافة إلى غراء الخشب للوصلات الزاوية، وهو غير مرفق ويجب توفيره من قبل فني التأطير الخاص بك.

  • تتطلب العملية استخدام أدوات احترافية غير مدرجة في المجموعة: مثل زرادية شد القماش (أداة شد) وملاقط لتثبيت القضبان بشكل مستوٍ أثناء جفاف الغراء.

تنبيه هام:
تتطلب الوصلات الزاوية استخدام غراء الخشب، كما يجب تثبيت القضبان باستخدام المشابك حتى يجف الغراء تماماً، ويتطلب شد القماش على الإطار المجمع استخدام كماشة شد القماش. لا تشتمل المجموعة على أي من هذه الأدوات؛ لذا يرجى التواصل مع فني تأطير محترف قبل طلب هذا المقاس.

بطاقة التعريف

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ورنيش واقٍ

ورنيش لامع (يُبرز الألوان ويحمي من الضوء والرطوبة)

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تخصيص عملي الفني

أمثلة على التعديلات المتاحة: استبدال الوجه بصورة العميل؛ إضافة حيوان أليف (مثل استبدال قطة بكلب)؛ إدراج رسالة مخفية في الخلفية؛ تغيير المناظر الطبيعية أو العناصر في الخلفية.

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شحن سريع

توصيل عالمي إلى خلال 3-4 أسابيع بدلاً من المدة المعتادة البالغة 5 أسابيع. (2 نوفمبر). جودة لا تضاهى.

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شحن سريع

توصيل عالمي إلى خلال 5 أسابيع. (9 نوفمبر).

مُضمَّن

إجمالي السعر النهائي

E£ 13756

إجمالي السعر E£ 13756

خيار الزجاج متاح فقط للمقاسات التي تقل عن 110 سم

Included with every order

  • شحن سريع ومجاني لجميع أنحاء العالم
  • قماش كتان عالي الجودة
  • تأمين شامل على الشحن
  • ضمان استرداد الرسوم الجمركية
  • ضمان مطابقة الألوان الحقيقية
  • سياسة الإرجاع خلال 100 يوم (في حالات العيوب فقط)
  • ضمان استرداد نقدي بنسبة 100%
  • خصم عند طلب كميات

The Assumption by Pietro Bernini

Pietro Bernini’s “The Assumption,” completed between 1607 and 1610, stands as one of the most iconic representations of Marian devotion within the Baroque artistic tradition. Situated in Santa Maria Maggiore Basilica, Rome—a site steeped in papal history and religious significance—the sculpture embodies Bernini's unparalleled mastery of marble carving and his profound understanding of theatrical composition. It’s a monumental work that transcends mere depiction; it strives to convey an experience of transcendent beauty and spiritual awe.
  • Subject Matter: The sculpture portrays the Virgin Mary ascending into heaven, embodying the Catholic dogma concerning her immaculate conception and glorious resurrection. This event is central to Christian theology, symbolizing divine grace and redemption.
  • Style & Technique: Bernini’s approach aligns perfectly with the Baroque aesthetic—characterized by dynamism, dramatic lighting, and emotional intensity. He employs a technique known as “contrapposto,” where Mary’s torso tilts slightly away from the viewer, creating an illusion of movement and conveying her serene dignity. The sculpture utilizes meticulous detail to capture the folds of Mary's robes, the delicate expressions on her face, and the intricate patterns adorning the angelic figures surrounding her.
  • Historical Context: Created during Pope Paul V’s reign—a period marked by fervent piety and artistic patronage—the Assumption reflects the broader cultural climate of Rome at the time. Bernini's commission was driven by a desire to elevate the basilica’s spiritual stature and solidify papal authority. The sculpture served as a powerful symbol of papal piety and divine providence.
  • Symbolism: The sculpture is laden with symbolic references. Mary’s outstretched hand gestures towards God, signifying prayer and supplication—a gesture that underscores humanity's yearning for divine grace. The radiant halo encircling Mary’s head symbolizes her holiness and divinity, while the angelic figures convey reverence and adoration. The clouds beneath Mary represent heaven itself, emphasizing the ascension into eternal glory.
  • Emotional Impact: “The Assumption” aims to inspire contemplation and evoke a profound emotional response in viewers. Bernini's masterful manipulation of marble creates an illusion of palpable movement—drawing the eye upwards towards Mary’s figure and immersing the spectator in a realm of ethereal beauty. The sculpture’s grandeur and meticulous detail serve as testament to Bernini’s artistic genius, leaving visitors breathless with wonder and reverence.
Additional Information: This relief was commissioned for the sacristy of Santa Maria Maggiore Basilica. Inspired by contemporary paintings of the subject (particularly by Ludovico Carracci), Pietro Bernini's relief illustrates his virtuoso marble-carving ability and his exploitation of pictorial affects, more skills that he passed on to his son, Gian Lorenzo Bernini. At the same time the relief is rooted in an approach to relief sculpture which differs little from the famous scenes of the life of the Virgin by the fourteenth-century Florentine sculpture Andrea Orcagna. We find in this composition the sharp linear drapery style and the extreme tenseness of the figures that characterize Pietro’s art, never entirely freed from the Mannerist limitations of his training. The work, however, is one of the earliest examples of the pictorial relief altarpieces that were to be popular during the 17th century. Source: WGAH – https://www.wga.hu/html_m/b/bernini/pietro/assumpti.html

الأسئلة والأجوبة

ما هو الطابع الشعوري الذي تعبر عنه لوحة "The Assumption" للفنان Pietro Bernini ضمن حركة Baroque؟

تندرج لوحة "The Assumption" ضمن حركة Baroque، وتتسم بنبرة Powerful.

هل يمكنني طلب نسخة زيتية مرسومة يدوياً من "The Assumption"؟

يمكنكم طلب نسخة مرسومة يدوياً من "The Assumption" للفنان Pietro Bernini مباشرة عبر صفحة نسخة زيتية مرسومة يدوياً: نسخة زيتية مرسومة يدوياً على قماش الكتان، وتُنفذ حسب الطلب.

ما هي المشاعر والأحاسيس التي تجتمع في "The Assumption"؟

في "The Assumption"، ترافقه أجواء Dramatic مع إحساس Powerful.

Pietro Bernini

Pietro Bernini

1562 - 1629, Italy

السيرة الذاتية للفنان

Pietro Bernini: Life and Legacy

Early Life and Training

  • Born: Sesto Fiorentino, Tuscany, Italy in 1562.
  • Pietro Bernini emerged during the late Mannerist period, a time of stylistic transition in Italian art. His early training likely involved exposure to the prevailing artistic trends of Florence, characterized by elegance and refinement.
  • Details regarding his initial apprenticeship remain somewhat scarce, but it’s understood he developed foundational skills in sculpture before relocating to Naples.

Naples and Family Beginnings

  • Bernini moved to Naples to contribute to the artistic embellishment of the Certosa di San Martino, a significant religious complex.
  • Significant Event: It was in Naples that he met and married Domenica Pizzuti, and their son, the future Baroque master Gian Lorenzo Bernini, was born in 1598.
  • This period marked a crucial turning point, laying the groundwork for a family dynasty of artists.

Rome and Papal Patronage

  • Relocation: In 1605, the Bernini family relocated to Rome under the protection of Cardinal Scipione Borghese, a powerful figure in the Roman art world.
  • Pietro quickly secured commissions from Pope Paul V (also a Borghese), contributing to projects such as the Pauline Chapel within the Basilica of Santa Maria Maggiore. This marked his entry into the heart of Roman artistic activity.
  • Influence: The patronage of the Borghese family proved instrumental in establishing Pietro’s career and providing opportunities for both him and, eventually, his son.

Major Works and Artistic Style

  • Fontana della Barcaccia: Perhaps his most celebrated work, the Fontana della Barcaccia (Fountain of the Old Boat) at the foot of the Spanish Steps in Rome. Completed in 1627, it’s a striking example of Baroque ingenuity, resembling a beached ship.
  • Other Notable Works: Contributions to the Fountain of Neptune in Naples (completed between 1600-1601), and sculptural work within Santa Maria Maggiore.
  • Artistic Style: Pietro’s style blended Mannerist elegance with emerging Baroque dynamism. His sculptures often exhibit a sense of movement, emotional intensity, and dramatic flair.

Collaboration and Legacy

  • Early Collaboration with Gian Lorenzo: Pietro initially collaborated with his son on projects like the Boy with a Dragon (1617), showcasing early signs of Gian Lorenzo’s exceptional talent.
  • Shift in Roles: As Gian Lorenzo's abilities surpassed his own, Pietro willingly transitioned into a supportive role, often acting as an assistant to his son. This demonstrates a remarkable level of artistic maturity and familial dedication.
  • Historical Significance: While overshadowed by his son’s immense fame, Pietro Bernini played a vital role in shaping the Roman Baroque landscape. His work paved the way for Gian Lorenzo's groundbreaking achievements and contributed to the flourishing of art during this period.
  • Death: Pietro Bernini died in Rome in 1629 at the age of 67, leaving behind a legacy as both a skilled sculptor and the father of one of history’s greatest artists.