The runner
1911
42.0 x 54.0 cm
Museu d'Art Jaume Morera
طباعة جيلي / مطبوعات فنية
طباعة جيكلي أو كانفاس بجودة المتاحف، مع سرعة في التنفيذ وخيارات متنوعة للتشطيب. ( اشترِ لوحة مرسومة يدويًا
الانتقال إلى الصورة الرقمية)
اختر من بين أحجامنا المُعدّة مسبقًا والتي تتطابق مع النسب الأصلية للعمل الفني.
يمكنك إدخال أبعادك الخاصة لتناسب إطاراً أو مساحة معينة. وإذا لم يتطابق الحجم الذي اخترته مع نسب الصورة الأصلية، فسنقوم إما بقص العمل الفني أو تمديد الصورة باستخدام حافة معكوسة أو بلون مصمت. سيتم إرسال نموذج تجريبي رقمي لاعتمادك قبل بدء الإنتاج.
يرجى ملاحظة أن المعاينة على الشاشة لا تعكس عملية القص أو التمديد الفعلية؛ حيث سيوضح النموذج التجريبي فقط التكوين النهائي بدقة.
وعلى الرغم من توفر أحجام مخصصة، إلا أننا نوصي باختيار أبعاد من القائمة المحددة مسبقاً للحفاظ على النسب الأصلية.
توصيل عالمي إلى خلال أسبوعين بدلاً من المدة القياسية البالغة 4/5 أسابيع. 22 سبتمبر
شحن سريع ومجاني لجميع أنحاء العالم
قماش كتان عالي الجودة
تأمين شحن شامل
ضمان استرداد الرسوم الجمركية
ضمان مطابقة الألوان الحقيقية
سياسة الإرجاع خلال 100 يوم (في حالات العيوب فقط)
ضمان استرداد نقدي بنسبة 100%
خصم عند طلب عدة قطع
The runner
طباعة جيلي / مطبوعات فنية
مقاس النسخة المطبوعة
-
السعر الإجمالي النهائي
$ 62
أعمال فنية ذات صلة
السيرة الذاتية للفنان
Early Life and Artistic Awakening
Lajos Petri, born Lajos Pick in Szeged, Hungary, on June 10th, 1884, emerged from a family deeply rooted in the nation’s entrepreneurial spirit—the renowned Pick Salami dynasty. While destined for a life within the family business, a profound artistic calling tugged at his soul, setting him on an unexpected path. His early years were marked by intellectual curiosity; he initially pursued law studies in Budapest and Berlin, immersing himself in lectures on art history and philosophy alongside luminaries like Gyula Pasteiner and Heinrich Wölflin. However, the vibrant cultural landscape of Germany ignited a passion within him, shifting his focus irrevocably towards sculpture.
Returning to Hungary with this newfound conviction, he faced initial resistance from his father but ultimately secured permission to pursue his artistic ambitions. He apprenticed under Eduard Telcs in Budapest, where he honed his foundational skills and developed a commitment to honest emotional expression in art—a principle that would define his entire career. This period instilled in him a rejection of superficiality and a dedication to the integrity of form.
Years in Brussels and Developing Style
Seeking broader exposure and an international artistic dialogue, Petri relocated to Brussels in 1909, establishing his own atelier within the heart of Belgium’s thriving sculpture scene. This move proved pivotal. He engaged with prominent Belgian sculptors like Jules Lagae and Egide Rombeaux, absorbing diverse influences that shaped his evolving style. His early work focused on portraiture, demonstrating a remarkable ability to capture character and nuance. However, Petri wasn't content merely replicating likeness; he sought to infuse his portraits with psychological depth and emotional resonance.
His time in Brussels witnessed a stylistic transformation—a move away from purely formal concerns towards a more dramatic and expressive approach. He described this evolution as prioritizing the conveyance of emotion over mere technical skill, emphasizing that an artist’s true worth lay in their ability to articulate meaningful content rather than adhering to prevailing artistic movements.
Olympic Participation and Monumental Ambitions
Petri's dedication to his craft led to recognition on a global stage. He participated in the art competitions at both the 1928 Summer Olympics in Amsterdam and the 1936 Summer Olympics in Berlin, submitting sculptures that showcased his evolving style and technical prowess. His entry for the 1936 games, *Futó* (Runner), received an Honorable Mention—a testament to its artistic merit.
Throughout his career, Petri aspired to create monumental sculptures capable of capturing grand narratives and evoking powerful emotions in public spaces. While many of these ambitious projects remained unrealized due to various constraints, his 1935 *Hussar Monument* in Budapest stands as a successful example of his classicizing style—a work that resonated with the national spirit.
Post-War Commissions and Legacy
The aftermath of World War II brought new opportunities for Petri. He received several state commissions, allowing him to create public sculptures like *Glass Blower* in Sajószentpéter and portraits of prominent Hungarian figures such as Adolf Fényes and Antal Tisza. These works reflect his ability to adapt his style while maintaining his commitment to realistic representation and emotional depth.
In 1960, a comprehensive exhibition of his life’s work was held at the National Salon in Budapest, solidifying his position as a significant figure in Hungarian sculpture. His characteristic portraits—demonstrating exceptional technical skill and psychological insight—remain highly regarded. Petri passed away in Budapest in 1963, leaving behind a legacy of impactful sculptures that continue to captivate audiences with their emotional power and artistic integrity.
Petri’s life story is one of transformation—from the heir apparent of a successful business empire to a dedicated sculptor who embraced his artistic calling. His work reflects a deep understanding of human emotion, a commitment to technical excellence, and a desire to create art that resonates with both intellectual and emotional depth. He stands as a testament to the enduring power of artistic vision and the courage to pursue one’s passion against all odds.
petri lajos
1884 - 1963 , Hungary
حقائق سريعة
- Artistic Movement Or Style: Modernist Sculpture
- Artists Or Movements Influenced By This Artist: ['Olympics Art Competitions']
- Artists Who Influenced This Artist: ['Ede Telcs']
- Date Of Birth: June 8, 1884
- Full Name: Lajos Petri (until 1928 Lajos Pick)
- Nationality: Hungarian
- Notable Artworks: ['The Runner']
- Place Of Birth: Szeged, Hungary

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