معاينة الحجم الحقيقي
مشاركة
مشاركة
التفاصيل
تحميل الملف
قطع مشابهة
الأشعة السينية
عرض شرائحPferd
عرض المزيد
نسخة زيتية مصنوعة يدوياً
لوحة زيتية مرسومة يدوياً على الكانفاس بالمقاس والإطار الذي تفضله، تُنفذ حسب الطلب على أيدي فنانينا. (
التحويل للنسخة المطبوعة التبديل إلى الصورة)
اختر من بين أحجامنا المُعدّة مسبقًا والتي تتطابق مع النسب الأصلية للعمل الفني.
يمكنك إدخال أبعادك الخاصة لتناسب إطارًا معينًا أو مساحة محددة. وإذا لم يتطابق الحجم الذي اخترته مع نسب الصورة الأصلية، فسنقوم إما بقص العمل الفني أو توسيع اللوحة بإضافة عناصر مرسومة يدويًا. سيتم إرسال نموذج رقمي إليك للموافقة عليه قبل بدء الإنتاج.
يرجى ملاحظة أن المعاينة على الشاشة لا تعكس عملية القص أو التوسيع الفعلية؛ حيث إن النموذج الرقمي وحده هو الذي سيوضح التكوين النهائي بدقة.
وعلى الرغم من توفر أحجام مخصصة، إلا أننا نوصي باختيار أبعاد من القائمة المحددة مسبقًا للحفاظ على النسب الأصلية للعمل الفني.
بعد إتمام الطلب، سيرسل فريق ArtsDot.com بريداً إلكترونياً للعميل لطلب التعليمات وتزويده بمعاينة تجريبية (mockup).
توصيل عالمي إلى خلال 3 إلى 4 أسابيع بدلاً من المدة المعتادة البالغة 5 أسابيع. (10 أغسطس). جودة لا تهاون فيها.
شحن سريع ومجاني لجميع أنحاء العالم
قماش كتان عالي الجودة
تأمين شحن شامل
ضمان استرداد الرسوم الجمركية
ضمان مطابقة الألوان الحقيقية
سياسة الإرجاع خلال 60 يومًا (في حالات العيوب فقط)
ضمان استرداد نقدي بنسبة 100%
خصم عند طلب عدة قطع
خيار الزجاج متاح فقط للمقاسات التي تقل عن 110 سم
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خامة إعادة الإنتاج
مقاس النسخة المطبوعة
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السعر الإجمالي النهائي
$ 263
أعمال فنية ذات صلة
السيرة الذاتية للفنان
Marino Marini: Sculptor of Myth and Modernity
Marino Marini (1901 – 1980) stands as a pivotal figure in Italian sculpture of the mid-twentieth century, blending classical inspiration with an uncompromising exploration of human form and emotion. Born in Rome, Marini’s artistic journey began formally at the Accademia di Belle Arti Firenze, where he honed his skills before dedicating himself primarily to sculpting around 1922—a commitment that would define his career and solidify his reputation as a master craftsman. His formative years were profoundly shaped by Arturo Martini, whose sculptural style – characterized by dynamic poses and expressive musculature – served as a cornerstone for Marini’s own artistic vision. Influenced deeply by Etruscan art, particularly its stylized depictions of figures and animals imbued with symbolic meaning, Marini sought to transcend mere representation, aiming instead for an embodiment of psychological depth and spiritual resonance. This fascination with antiquity fueled his stylistic choices and underpinned his enduring preoccupation with themes of heroism and primal instinct. Marini’s academic pursuits extended beyond sculpture; he became Professor at the Scuola d'Arte Villa Reale in Monza in 1929, maintaining this position until 1940. During these years, he cultivated connections with fellow artists like Massimo Campigli, Giorgio de Chirico, Alberto Magnelli and Filippo Tibertelli de Pisis—artists who engaged in dialogues about artistic experimentation and the role of art in confronting existential anxieties. Frequent visits to Paris allowed him to immerse himself in the avant-garde milieu of the time, fostering collaborations that broadened his creative horizons. Notably, he befriended Alberto Giacometti, Germaine Richier and Fritz Wotruba—artists who shared a similar commitment to exploring the human condition through figurative sculpture. The Second World War brought significant upheaval, forcing Marini into exile in Switzerland where he continued to exhibit his work and engage with influential contemporaries like Jean Arp, Max Beckmann, Alexander Calder, Lyonel Feininger and Jacques Lipchitz. His artistic output during this period reflected the anxieties of the era while simultaneously reaffirming his stylistic convictions. He received acclaim for his contribution to ‘The Twentieth Century Italian Art’ exhibition at MoMA in New York City in 1944 and was honored with the Feltrinelli Prize at the Accademia dei Lincei in Rome in 1954—recognitions that underscored his stature within the international art community. Marini's sculptural achievements reached their zenith during the Venice Biennale of 1952, securing him the Grand Prize for Sculpture and cementing his legacy as one of Italy’s foremost sculptors. His work continued to evolve throughout his life, exploring variations on themes of movement and gesture—a stylistic hallmark that distinguishes his oeuvre from many of his peers. He was awarded the prestigious Premio Nazionale della Scultura in 1954. A solo exhibition at the Kunstverein Hamburg and Haus der Kunst Munich further cemented his reputation as a visionary artist. His enduring influence can be seen in the work of subsequent generations of sculptors who embraced Marini’s stylistic innovations and philosophical concerns. He passed away peacefully in Milan in 1980, leaving behind an impressive body of sculptural masterpieces that continue to captivate audiences worldwide.
Marino Marini
1901 - 1980
حقائق سريعة
- Artistic Movement Or Style: Etruscan & Martini Style
- Artists Or Movements Influenced By This Artist:
- Jean arp
- Max beckmann
- Alberto giacometti
- Artists Who Influenced This Artist: ['Arturo Martini']
- Date Of Birth: 1901
- Date Of Death: 1980
- Full Name: Marino Marini
- Nationality: Italian
- Notable Artworks:
- Horse and Rider
- Composizione, (1956)
- Untitled (2)
- Place Of Birth: Italy
