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اطلب نسخة مرسومة يدوياً اطلب نسخة مرسومة يدوياًشراء الصورة بدقة عالية شراء الصورة بدقة عالية مشاركةمشاركة
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Composition

The sculpture’s form evokes primitive sculpture, emphasizing positive/negative space and reflecting Moore's rejection of classical art.

استكشف عالم هنري مور (1898-1986)، النحات البريطاني الرائد بأعماله المجردة المتميزة، مثل الأشكال المستلقية ومواضيع الأم والطفل. أحدث مور ثورة في النحت البريطاني الحديث وأثر في جيل كامل من الفنانين.

طباعة جيلي / مطبوعات فنية

طباعة جيكلي أو كانفاس بجودة المتاحف، مع سرعة في التنفيذ وخيارات متنوعة للتشطيب.

P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8

Standard
custom
CM
INCH

اختر من بين أحجامنا المُعدّة مسبقًا والتي تتطابق مع النسب الأصلية للعمل الفني.

العرض
الارتفاع

يمكنك إدخال أبعادك الخاصة لتناسب إطاراً أو مساحة معينة. وإذا لم يتطابق الحجم الذي اخترته مع نسب الصورة الأصلية، فسنقوم إما بقص العمل الفني أو تمديد الصورة باستخدام حافة معكوسة أو بلون مصمت. سيتم إرسال نموذج تجريبي رقمي لاعتمادك قبل بدء الإنتاج.
يرجى ملاحظة أن المعاينة على الشاشة لا تعكس عملية القص أو التمديد الفعلية؛ حيث سيوضح النموذج التجريبي فقط التكوين النهائي بدقة.
وعلى الرغم من توفر أحجام مخصصة، إلا أننا نوصي باختيار أبعاد من القائمة المحددة مسبقاً للحفاظ على النسب الأصلية.

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إجمالي السعر

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reproduction

Composition

طباعة جيلي / مطبوعات فنية

مقاس النسخة المطبوعة

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السعر الإجمالي النهائي

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وصف القطعة الفنية

When Henry Moore died in 1986, he left a legacy of primeval public monuments across the world. From Scotland to Saudi Arabia, his bronze and slate-coloured hulks brood over the landscape like monoliths from an earlier era, presiding over our global disasters with a prophetic power. Moore’s sculptures were born out of two world wars and the glories of the machine age, yet their rugged textures and simple forms were inspired by the Yorkshire countryside of his childhood. It was this duality, of nature and modernity, which instilled in the sculptures a timeless quality that has had a lasting universal appeal. It is perhaps because of this that Moore’s relationship with the British Council was a close one throughout his career. The British Council Collection includes sculptures, paintings, prints and sketches by the artist, and for many years his bronze sculpture Large Spindle Piece (1974) sat on a plinth outside their headquarters on The Mall in London.The sculptures featured in this exhibition were all made in the 1930s at a time when Moore was living in Hampstead with his wife, Irina Radetsky. The North London suburb was a playground of the bohemian set and many artists had settled there, including Barbara Hepworth, Ben Nicholson and Naum Gabo, all of whom had an influence on the young Moore. Each of the three sculptures plays a vital role in revealing Moore’s move towards abstraction. He had already rejected tradition, preferring non-Western art over classical figures of the Renaissance and the Graeco-Romans, and Girl with Clasped Hands, made the year after his marriage, is clearly inspired by an ancient Sumerian sculpture he had written about after visiting the British Museum. At the time, Moore had been very influenced by the critic Roger Fry, and in particular Fry’s book Vision and Design (1920), which propounded the theory of significant form. The eyes, hands and breasts of Girl with Clasped Hands evoke primitive sculpture, especially through the positive/negative switch Moore made by drilling holes into the breasts where the nipples should have been.The 1930s were also characterised by Moore’s admiration for Epstein and Brancusi, artists who insisted on direct carving and truth to materials. Moore was fascinated with Surrealism, too, and he even signed the manifesto in 1936. Composition, made in 1933, is an undulating concrete form that appears intent on stretching beyond the capabilities of its rigid medium. Its emerging breasts and nipple, and the yawning cavities, are suggestive of a human form struggling to break free. Moore’s love of Surrealism, coupled with his move towards abstraction, can be seen in this work as a friction between the two opposing forces.In 1934, he visited Spain, and as a consequence was very much affected by the outbreak of the Civil War in 1936. He petitioned Parliament on their non-intervention and even tried to travel to the country as part of a delegation of artists and writers that included Auden and Spender, but he was refused a travel permit by the British government. One of the sculptures to emerge out of this time is Mother and Child, a strange, amorphous form in which two figures appear to be melting into, or emerging out of, one another. Naturally, the work continues to embody Moore’s conflict between the opposing forces of Surrealism and abstraction, but more significantly it is highly charged emotionally, as a response to the outbreak of war in Spain. It was an early indication that this sculptor would become a powerful critic of the Second World War and a sensitive recorder of the plight of the common man caught in the crossfire.(C) Jessica Lack 2009

أعمال فنية ذات صلة


السيرة الذاتية للفنان

Henry Moore: Sculptor of Form and Emotion

Henry Spencer Moore, born in the Yorkshire mining town of Castleford on July 30, 1898, stands as one of Britain’s most revered sculptors of the twentieth century. His life was shaped by a profound engagement with artistic exploration—a journey from humble beginnings to global acclaim fueled by an unwavering dedication to capturing the essence of human experience and the beauty inherent in natural forms. From his early fascination with modeling clay and carving wood, Moore demonstrated an innate talent that foreshadowed the remarkable trajectory of his career.

Early Influences and Artistic Formation

Moore’s formative years were marked by a steadfast belief in education instilled by his father—a self-taught man who championed intellectual curiosity and steered him away from traditional trades toward formal schooling. Even as a young boy, he exhibited an exceptional aptitude for artistic endeavors, particularly sculpting, demonstrating a sensitivity to texture and form that would become central to his distinctive style. His studies at Leeds School of Art and subsequently the Royal College of Art in London exposed him to the transformative ideas of classical sculpture and modern movements like Cubism—influences that irrevocably shaped his artistic vision. However, Moore transcended mere stylistic imitation; he synthesized these diverse inspirations into a singular aesthetic expression characterized by profound emotional depth.

The Embrace of Abstraction and Landscape

A pivotal encounter in 1925 during a trip to Mexico ignited Moore’s passion for abstraction—specifically the monumental sculptures of the Aztec civilization. The simplicity and geometric precision of Aztec art liberated him from representational constraints, prompting him to explore forms devoid of literal depiction yet brimming with expressive power. This period witnessed the genesis of his signature style: semi-abstract sculptures distinguished by rounded, organic shapes—often punctuated by voids or apertures—that interacted dynamically with light and space. Moore’s artistic sensibility was deeply rooted in the Yorkshire landscape—the rolling hills and windswept moors that served as constant source of inspiration. He sought to convey not just visual impressions but also intangible feelings—a sense of serenity, vulnerability, and connection to the natural world.

The Reclining Figure: A Symbol of Tranquility

Moore’s artistic legacy rests primarily upon his exploration of the *reclining figure*, which became synonymous with his name. These sculptures are not merely representations of repose; they are meditations on form, volume, and the relationship between the human body and its surroundings—a deliberate departure from conventional anatomical accuracy. The undulating curves characteristic of reclining figures evoke a timelessness that transcends cultural boundaries, conveying a profound sense of peace and contemplation. Furthermore, Moore’s sculptures frequently incorporate openings or voids—strategic incisions that invite viewers to consider the interplay between light and shadow—enhancing their expressive qualities and deepening their symbolic resonance.

Recognition and Enduring Impact

Throughout his illustrious career, Moore received numerous commissions from prominent institutions—allowing him to realize ambitious sculptural projects that transformed urban spaces and captivated audiences worldwide. He firmly believed that art should serve as a catalyst for dialogue and understanding—actively championing accessibility and fostering artistic innovation. His monumental bronzes stand as enduring emblems of human creativity—testaments to his unwavering commitment to capturing the essence of human experience and conveying profound emotional truths. Henry Moore’s influence on subsequent generations of sculptors is undeniable—he challenged prevailing aesthetic conventions and championed abstraction as a means of expressing complex ideas—leaving an indelible mark on the history of modern art.
  • Notable Sculptures: Reclining Figure, Family Group, Shelter Drawings
  • Influential Movements: Modernism, Cubism
  • Key Themes: Human Form, Landscape, Tranquility
هنري مور

هنري مور

1898 - 1986 , المملكة المتحدة

حقائق سريعة

  • Artistic Movement Or Style: التعبيرية الفرنسية، النحت المجرد
  • Artists Who Influenced This Artist: ['إدوارد كانينجز"، "بيير مكيسي']
  • Date Of Birth: ٣٠ يوليو ١٨٩٨
  • Date Of Death: ٣١ أغسطس ١٩٨٦
  • Full Name: هنري مور
  • Nationality: بريطانية
  • Notable Artworks: ['شكل مستلقٍ"، "رسومات المأوى"، "المارّة والطفل']
  • Place Of Birth: كاستلفراد، المملكة المتحدة
استكشف الأعمال الفنية المصنفة حسب الموضوعات والأنماط والخصائص.