Mrs Rae مرسومة يدوياً بالزيت، خصيصاً لجدرانك

Early Life and Education

• Born: August 8, 1869, in Emerald Hill (now South Melbourne, Victoria), Australia
• Parents: John Coates (artist-lithographer) and Elizabeth Irwin
• Education: St James Grammar School; apprenticed to Ferguson and Urie (glass-stainers); North Melbourne school of design; National Gallery of Victoria Art School (under Frederick McCubbin).
• Early struggles with affording art education due to his father's early death.
• Demonstrated artistic talent early, winning prizes for drawing and painting from the nude at the National Gallery.

Artistic Development and European Influences

• 1896: Won the Melbourne national gallery travelling scholarship.
• 1897-1900: Travelled to Europe, particularly Paris.
• Studied at Julien's classes in Paris.
• Influenced by French artists such as Pierre Puvis de Chavannes, Claude Monet, Pierre-Auguste Renoir, Edgar Degas, and Jean-Paul Laurens.
• Met and married Dora Meeson (also an artist) in Paris.

Career and Recognition

• 1903: Marriage to Dora Meeson.
• Early career involved supplying drawings for *Historian's History of the World*.
• Struggled initially to sell artwork, focusing on portrait commissions.
• 1912: Gained recognition at the Royal Academy exhibition in London with paintings like "Arthur Walker and his brother Harold," "Christine Silver," and "Mother and Child."
• Elected an associate of the Société Nationale des Beaux Arts in 1913.
• Became a Member of the Royal Academy in 1927.

World War I and Later Works

• 1919: Served as an official war artist to the Australian government, creating paintings depicting scenes from World War I.
• Discharged due to health reasons after the war.
• Returned to Australia in 1921 for exhibitions and sales of his work.
• Continued painting portraits and subject works until his death.

Artistic Style and Legacy

• Primarily a portrait painter, known for refined technique and luminous tones.
• Demonstrated ability in subject paintings with attention to rhythm and composition.
• Often used low-toned palettes without sacrificing luminosity.
• His work is represented in numerous Australian galleries and at the Australian War Museum.
• Died: July 27, 1930, in London, England.
• Legacy as a significant Australian portraitist and war artist.