Bombing Up

- 41.0 x 51.0 cm
إن العمل الفني المعروض في هذه الصفحة محمي بموجب قوانين حقوق الطبع والنشر، مما يعني أنه لا يحق لنا قانوناً إنشاء أو بيع نسخ مطابقة له. وتُطبق هذه الحماية بموجب الاتفاقيات الدولية مثل الـ اتفاقية برن ووفقاً للقوانين الوطنية، بما في ذلك تلك المنصوص عليها في قانون حقوق الطبع والنشر في الولايات المتحدة - الباب 17.
تتوافق هذه الطريقة تماماً مع لوائح حقوق النشر لأنها لا تتضمن نسخ أو تكرار العمل الفني المحمي، بل هي إعادة تفسير إبداعية؛ أي أنها لوحة جديدة مستوحاة من الأصل ولكنها ليست مطابقة له.
طباعة جيلي / مطبوعات فنية
طباعة جيكلي أو كانفاس بجودة المتاحف، مع سرعة في التنفيذ وخيارات متنوعة للتشطيب. ( شراء لوحة مرسومة يدويًا
الانتقال إلى الصورة الرقمية)
اختر من بين أحجامنا المُعدّة مسبقاً والتي تتوافق مع النسب الأصلية للعمل الفني.
أدخل العرض والارتفاع المطلوبين ليتناسب المقاس مع إطارك أو جدارك. يرجى الملاحظة أن المطبوعة يمكن قصها فقط ولا يمكن تكبيرها لتتجاوز أبعاد الصورة الأصلية، لذا فإن اختيار مقاس بأبعاد مختلفة سيؤدي إلى فقدان جزء من الصورة. سنرسل لك نموذجاً رقمياً تجريبياً لاعتماده قبل البدء في عملية الطباعة. الصورة المعروضة في هذه الصفحة لا توضح شكل القص الفعلي — النموذج التجريبي فقط هو ما يظهر ذلك بدقة.
توصيل عالمي إلى خلال أسبوعين بدلاً من المدة القياسية البالغة 4/5 أسابيع. (5 نوفمبر)
شحن سريع ومجاني لجميع أنحاء العالم
قماش كتان عالي الجودة
تأمين شامل على الشحن
ضمان استرداد الرسوم الجمركية
ضمان مطابقة الألوان الحقيقية
سياسة الإرجاع خلال 100 يوم (في حالات العيوب فقط)
ضمان استرداد نقدي بنسبة 100%
خصم عند طلب كميات
Bombing Up
طباعة جيلي / مطبوعات فنية
مقاس النسخة المطبوعة
-
إجمالي السعر النهائي
E£ 3298
أعمال فنية ذات صلة
السيرة الذاتية للفنان
David Smith: Pioneer of Geometric Abstraction
David Smith (1956 – present) stands as a towering figure in contemporary sculpture, recognized for his unwavering commitment to geometric abstraction and his profound impact on the artistic landscape of the latter half of the 20th century. Born in Sacramento, California, Smith’s early fascination with mathematics and engineering would profoundly shape his sculptural practice, propelling him toward groundbreaking explorations of form and materiality. His journey began with a formal education at Yale University School of Art, where he honed his skills under influential mentors like Josef Albers and Robert Rauschenberg, absorbing the spirit of Color Field painting and Chance Operations – movements that challenged traditional representational conventions.- Early Influences: Smith’s formative years were marked by exposure to Bauhaus principles and the burgeoning Abstract Expressionist movement, particularly the work of Mark Rothko and Clyfford Still. These artists championed large-scale canvases saturated with color as a vehicle for conveying emotion and spiritual experience, influencing Smith's initial conceptual approach to sculpture.
- The Steel Sculpture Period (1950s – 1960s): Smith’s breakthrough arrived in the mid-1950s when he began experimenting with steel fabrication techniques—a deliberate departure from traditional sculptural materials like bronze and marble. This pivotal decision resulted in a series of monumental sculptures characterized by interlocking geometric forms, often referred to as “stackings.” These works exemplify Constructivism's emphasis on industrial processes and the exploration of spatial relationships through precise calculations.
Key Sculptural Achievements & Notable Works
Smith’s oeuvre boasts an impressive array of celebrated pieces that solidified his reputation as a visionary artist. Among his most iconic creations are “Suspended Cube” (1956), “Ancient Household, (2)” (1945), and “5 ½ (Use Half Sign)” (1956). These sculptures demonstrate Smith’s masterful manipulation of steel—bending, welding, and assembling it into complex structures that defy conventional notions of balance and stability. The deliberate use of color – particularly vibrant hues like crimson and cadmium yellow – adds another layer of visual richness to his compositions. Furthermore, “Brick” (1953), a monumental assemblage incorporating bricks and steel plates, embodies Smith’s exploration of materiality and the dialogue between organic and inorganic elements.- “Suspended Cube”: This sculpture is considered one of Smith's most influential works, demonstrating his ability to transform industrial materials into evocative expressions of form and space.
- “Ancient Household, (2)”: Its textured surface and asymmetrical arrangement contribute to its contemplative mood and invite viewers to consider the interplay between solidity and emptiness.
Conceptual Framework & Artistic Legacy
Smith’s artistic philosophy revolved around a belief that sculpture could transcend mere imitation of nature, instead serving as a conduit for conveying fundamental truths about existence. He embraced Minimalism's austere aesthetic—reducing form to its essential elements—while simultaneously retaining an interest in exploring the psychological dimensions of art. Smith’s work aligns with broader trends within American art history, reflecting the anxieties and aspirations of the Cold War era and challenging viewers to confront questions of perception and representation. His influence extends far beyond his own generation, inspiring subsequent sculptors to push boundaries and reimagine sculptural possibilities. David Smith continues to create compelling artworks that solidify his place as one of the most important artists of our time.Further Exploration
To delve deeper into David Smith’s artistic journey, consider visiting resources such as:- Yale University School of Art Website: https://artgallery.yale.edu/artists/david-smith/
حقائق سريعة
- Artistic Movement Or Style: Geometric Abstraction
- Artists Or Movements Influenced By This Artist: ['Minimalism']
- Artists Who Influenced This Artist:
- Sir Anthony Caro
- Cubism
- Date Of Birth: 1956
- Full Name: David Smith
- Nationality: American
- Notable Artworks:
- Suspended cube
- Ancient household, (2)
- Place Of Birth: New York City, USA

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