更新于 October 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 88 件 約翰·馬丁 作品收录于我们的目录中
简而言之
約翰·馬丁 最著名的作品是 The Great Day of His Wrath (1851)。您可以在 伦敦 的 泰特不列顛美术馆 欣赏到它。 接下来的名单是 The Destruction of Sodom And Gomorrah (1852) 和 The Evening of the Deluge (1828)。 我们的目录中收录了 約翰·馬丁 的 88 件作品；本指南为您精选了其中最著名的 88 件，并附上每件作品的创作年份、馆藏机构及其背后的故事。
In the heart of the nineteenth century, few images could stir the Victorian soul with as much terror and awe as John Martin’s The Great Day of His Wrath. This monumental oil on canvas is not merely a painting; it is a visceral experience of the sublime. As the eye wanders across the vast, turbulent landscape, one is immediately struck by the sheer scale of destruction. The scene captures the…
The heavens do not merely darken; they fracture. A massive, swirling vortex of fiery clouds dominates the upper reaches of the canvas, a celestial furnace that seems to swallow the very air. Light does not fall from above in a gentle glow but erupts from the center of a cosmic explosion. It is a violent, directional radiance that carves the landscape into jagged silhouettes of deep black and shadowy blue.…
To stand before John Martin's monumental vision, The Evening of the Deluge, is not merely to observe a painting; it is to be submerged within an epochal moment of divine wrath and human fragility. Created in 1828, this work transcends simple depiction, becoming instead a profound meditation on humanity’s place against the overwhelming power of nature. Martin, a master chronicler of the sublime, utilized his immense scale—a staggering 597 x…
约翰·马丁（1789年－1854年）是英国浪漫主义画家、版画师和插画师，以其戏剧性的构图征服了维多利亚时代的大众。 他出生于英格兰北部的哈伊顿桥，于1789年7月19日，从卑微的出身崛起成为当时最受欢迎的艺术家之一，因其广阔的风景以及充满细小人物和描绘圣经场景和奇幻叙事的故事而闻名，这些故事具有强大的规模感和情感冲击力。
The canvas bears the title Great Day of His Wrath. It is a work by the English romantic painter John Martin. Created in 1851, the painting captures a moment of profound upheaval. It exists as a single movement within a larger triptych of judgement pictures. This series draws its heavy inspiration from the Book of Revelation.
John Martin's "Destruction of Tyre," completed in 1840, is not merely a depiction of a historical event; it is a visceral embodiment of Romanticism’s fascination with the sublime – that overwhelming feeling of awe and terror inspired by nature’s power. Measuring an imposing 95 x 838 cm, this oil on canvas transports the viewer directly into the heart of apocalyptic chaos. The scene, based on the biblical account in 2…
The scene unfolds through the vision of Satan in Council, a dramatic work by the English romantic painter John Martin. This composition captures a moment of intense celestial and infernal tension, pulling the viewer into a realm of shadow and light. The work is also recognized by the title Satan presiding at the Infernal Council, a name that speaks to the heavy authority commanding the assembly. It exists as a…
The Sublime Terror of the Infernal Capital In the annals of Romanticism, few images command the eye with such overwhelming dread and grandeur as John Martin’s Pandemonium. Painted in 1841, this oil on canvas is not merely a depiction of a scene; it is an immersive descent into the heart of cosmic chaos. The viewer is immediately confronted by the sheer, terrifying scale of Hell’s capital, where the architecture of…
The heavens fracture as the destruction of Babylon unfolds in this dramatic vision by John Martin. The scene captures a terrifying Old Testament biblical narrative, where the once-mighty city faces its ultimate end. Chaos reigns as the landscape is swallowed by upheaval, reflecting a moment of divine judgment that feels immediate and overwhelming. The scale of the catastrophe looms large, turning the sprawling cityscape into a site of profound human…
The scene unfolds within a vast, architectural interior where a long dining table occupies the central space. Around this table, fourteen figures are positioned in various states of repose and movement. Some individuals sit in chairs, while others kneel or stand near the edges of the gathering. The table is laden with food and drink, set against a backdrop of grand, structural elements. Above the assembly, a clock hangs upon…
The Plains of Heaven
12
The Great Day of His Wrath
13
Satan Arousing the Fallen Angels, Book 1, line 314, from John Milton, Paradise Lost1824
14
The Last Man1849 · 沃克艺术馆
15
Landscape with a Castle1815 · 耶鲁英国艺术中心
16
Plate from泰特不列顛美术馆
17
Ancestor Worship1964 · 加拿大国家美术馆
18
Moonlight - Chepstow Castle1815 · 南澳大利亚美术馆
19
伊格納奧龍國土畫作1837 · Te Papa
20
Sadak in Search of the Waters of Oblivion波士顿美术馆
21
Kensington Garden1815 · 耶鲁英国艺术中心
22
Kensington Garden1815 · 耶鲁英国艺术中心
23
Kensington Gardens1815 · 耶鲁英国艺术中心
24
Landscape, Possibly the Isle of Wight or Richmond Hill1815 · 耶鲁英国艺术中心
25
Hyde Park1815 · 耶鲁英国艺术中心
26
The Court of God: Paradise Lost (Book 3, Line 365)1824 · 加拿大国家美术馆
27
Diogenes Throwing Away His Cup1833
28
Alpheus and Arethusa1832
29
The Deluge1834
30
Joshua Commanding the Sun to Stand Still1840 · 耶鲁英国艺术中心
31
The Assuaging of the Waters1840 · 旧金山美术馆
32
Twilight in the woodlands1850 · Fitzwilliam Museum
33
Landscape: View in Richmond Park1850 · Fitzwilliam Museum
34
The Last Judgement (study)1851 · 耶鲁英国艺术中心
35
Christ Stilleth the Tempest1852 · 约克美术馆
36
F shaw brothers tannery maine巴伐利亚州绘画收藏馆
37
Paradise Lost. Adam and Eve Driven out of Paradise
38
Seventh Plague
39
Gleaners in the Wheat Field
40
The Last Judgement泰特不列顛美术馆
41
The Isle of Man
42
The Destruction of Sodom and Gomorrah
43
The Valley of the Tyne, My Native Country, near Henshaw
44
Destruction of Pharaoh's Host
45
The Covenant
46
Figures Seated by a Lake in a Wooded Landscape
47
Psalm CXXVII (by the Waters of Babylon)
48
Moses Breaketh the Tables
49
A Man Playing a Harp with other Figures beside a Lake
50
Ruins of an Ancient City克利夫兰艺术博物馆
51
Joshua Commanding the Sun to Stand Still upon Gibeon
52
Landscape with a Ruined Castle
53
Edwin and Angelina (also known as The Hermit)
54
The Plains of Heaven1851 · 泰特不列顛美术馆
55
Repentance of Nineveh1840 · 耶鲁大学艺术馆
56
Pandemonium - John Martin2026
57
國土蜥龍1837 · Te Papa
58
Plate from泰特不列顛美术馆
59
Plate from泰特不列顛美术馆
60
Fall of the Rebel Angels哈佛艺术博物馆
61
Paradise Lost. The Creation of Light
62
Flood at night
63
David Spareth Saul at Hachilah
64
Fall of the Walls of Jericho
65
Fantastic Oriental Landscape
66
Fall of the Rebel Angels
67
Christ's glorious coming
68
The Assuaging of the Waters
69
Creation of Light
70
View on the River Wye, Looking towards Chepstow
71
Joshua commanding the Sun to stand still
72
Eve's Dream - Satan aroused
73
The Fallen Angels Entering Pandemonium, from Paradise Lost泰特不列顛美术馆
74
View of Dolbadern Castle, North Wales
75
A Country Graveyard, Possibly Bunhill Fields, Finsbury, A Wooded Landscape Beyond
76
Belshazzar1820 · 耶鲁英国艺术中心
77
Manfred and the Alpine Witch1837 · Whitworth Art Gallery
78
Sadak in Search of the Waters of Oblivion1812 · 圣路易斯艺术博物馆
79
Seventh Plague of Egypt波士顿美术馆
80
The Destruction of Pompeii and Herculaneum1822
81
Joshua Commanding the Sun to Stand Still upon Gibeon1816 · 国家美术馆
82
The Eve of the Deluge1840 · 皇家收藏馆
83
Manfred on the Jungfrau1837 · 伯明翰博物馆与美术馆
84
The Celestial City and the River of Bliss1841
85
Macbeth
86
The Coronation of Queen Victoria泰特不列顛美术馆
87
The Bard1817 · 耶鲁英国艺术中心
88
The Deluge1834 · 耶鲁英国艺术中心
这些作品中最常出现的四个主题，以及各自最著名的代表作。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 約翰·馬丁 的作品 | 此列表中的画作 |
|---|---|---|---|
 耶鲁英国艺术中心 |
纽黑文 | 11 | Landscape with a Castle, Kensington Garden, Kensington Garden |
 泰特不列顛美术馆 |
伦敦 | 8 | The Great Day of His Wrath, Plate from, The Last Judgement |
 Te Papa |
惠灵顿 | 3 | Eve (艾芙), 伊格納奧龍國土畫作, 國土蜥龍 |
 加拿大国家美术馆 |
渥太华 | 2 | Ancestor Worship, The Court of God: Paradise Lost (Book 3, Line 365) |
 波士顿美术馆 |
波士顿 | 2 | Sadak in Search of the Waters of Oblivion, Seventh Plague of Egypt |
 Fitzwilliam Museum |
2 | Twilight in the woodlands, Landscape: View in Richmond Park | |
 莱恩艺术馆 |
泰恩河畔纽卡斯尔 | 1 | The Destruction of Sodom And Gomorrah |
 维多利亚和阿尔伯特博物馆 |
伦敦 | 1 | The Evening of the Deluge |
选择一个年代，欣赏其代表作。
A distant castle perches atop a jagged hill, silhouetted against a turbulent sky. The composition relies on heavy, dark foreground elements that direct the eye toward a luminous middle ground. Earthy tones of deep brown, ochre, and forest green dominate the terrain, while a dramatic sky of slate grey and pale yellow breaks through the clouds. Light emanates from behind the cloud cover, casting a sharp spotlight effect across the…
To stand before John Martin's monumental vision, The Evening of the Deluge, is not merely to observe a painting; it is to be submerged within an epochal moment of divine wrath and human fragility. Created in 1828, this work transcends simple depiction, becoming instead a profound meditation on humanity’s place against the overwhelming power of nature. Martin, a master chronicler of the sublime, utilized his immense scale—a staggering 597 x…
约翰·马丁的《伊格乌诺龙国》：浪漫主义巨匠的壮丽景象 约翰·马丁（1789年－1854年）是一位极富盛名的英国浪漫主义画家、版画师和插画师，以其戏剧性的构图吸引了维多利亚时代的大众。他出生于英格兰北部的哈伊登桥镇，于1789年7月19日，从贫困的家庭成长为当时最受欢迎的艺术家之一，因其广阔的风景画以及描绘圣经场景和奇幻叙事而闻名，这些作品都具有强大的规模感和情感冲击力。 早期生活与艺术发展 马丁早年从事了实际工作，在纽卡斯尔于泰恩河畔学徒了一位车匠，在那里他学习了 heraldic 画法——这技能后来影响了他对细节的精确关注。1806年，他搬到了伦敦，并在十九岁时与妻子结婚，通过绘画课程和装饰瓷器和玻璃上的订单来维持生计。这段时期磨练了他的技术技巧，同时使他能够接触到艺术创作的机会。 作品解读与历史背景 《伊格乌诺龙国》是一幅约翰·马丁创作的壮丽水彩画作，于1837年完成。这幅作品是浪漫主义运动对宏伟和恐怖的热爱的体现，展现了马丁对圣经题材和奇幻叙事的独特艺术风格。它以惊人的规模感和情感冲击力震撼了观众，成为当时最受欢迎的作品之一。马丁将景象设定在古罗马时期，并运用了古典绘画技巧，例如透视法和色彩运用，营造出一种恢弘的气氛。画面中的伊格乌诺龙是恐龙时代生物的象征，代表着力量与未知。同时，马丁对人类与自然之间的关系进行了深刻的思考，表达了对宇宙奥秘的敬畏之情。这幅画作不仅是一件艺术杰作，也是历史文化的重要遗产。 创作过程与技术特点 马丁运用了当时最先进的水彩绘画技巧，通过精细的笔触和色彩处理，将伊格乌诺龙国中的景象呈现得栩栩如生。他特别注重光影效果的运用，力求捕捉到阳光照射下的壮丽景色，以及阴云笼罩下的神秘氛围。马丁对构图的安排也极具创新精神，通过广阔的视角和巧妙的线条处理，营造出一种震撼人心的视觉体验。这些技术特点不仅保证了作品的艺术品质，也为后人研究马丁创作风格提供了重要依据。 象征意义与情感影响 《伊格乌诺龙国》不仅仅是一幅风景画，它还蕴含着丰富的象征意义。画面中的伊格乌诺龙象征着力量和勇气，同时也代表着人类面对自然的挑战时所展现出的决心和智慧。马丁通过对伊格乌诺龙国的描绘，表达了浪漫主义艺术家对宇宙奥秘的敬畏之情和对人类文明的乐观展望。这幅画作激发了人们对自然的无限遐想，也激励他们勇敢地追求梦想和理想。它至今仍能感动无数观众，成为艺术史上的经典作品。
John Martin's "Destruction of Tyre," completed in 1840, is not merely a depiction of a historical event; it is a visceral embodiment of Romanticism’s fascination with the sublime – that overwhelming feeling of awe and terror inspired by nature’s power. Measuring an imposing 95 x 838 cm, this oil on canvas transports the viewer directly into the heart of apocalyptic chaos. The scene, based on the biblical account in 2…
In the heart of the nineteenth century, few images could stir the Victorian soul with as much terror and awe as John Martin’s The Great Day of His Wrath. This monumental oil on canvas is not merely a painting; it is a visceral experience of the sublime. As the eye wanders across the vast, turbulent landscape, one is immediately struck by the sheer scale of destruction. The scene captures the…
榜首之作是The Great Day of His Wrath (1851)，馆藏于泰特不列顛美术馆, 伦敦。紧随其后的是：The Destruction of Sodom And Gomorrah (1852)与The Evening of the Deluge (1828)。
62岁。約翰·馬丁出生于1789，其作品The Great Day of His Wrath创作于1851。
The Great Day of His Wrath, The Destruction of Sodom And Gomorrah, The Evening of the Deluge, Eve (艾芙), Great Day of His Wrath, Destruction of Tyre, Satan in Council, Pandemonium, Fall of Babylon 及 Belshazzar's Feast。您可以在上方的列表中找到每件作品的创作年份及所属博物馆。
我们的目录中共有 88 件 約翰·馬丁 的作品，创作时间从 1812 到 1852。
您可以在 耶鲁英国艺术中心 (纽黑文), 泰特不列顛美术馆 (伦敦) 及 Te Papa (惠灵顿) 中找到其中的大部分作品。上方的博物馆列表提供了详细分类。
在 1810s 时期，作品数量远超其他时期：本页 88 件作品中有 10 件出自该时期，其中包含 Landscape with a Castle 件。
此处的早期作品为 Sadak in Search of the Waters of Oblivion (1812)；最新作品为 The Destruction of Sodom And Gomorrah (1852)。
People (13), Landscape (12) 及 Mountains (8)，共计 88 件作品。
Oil On Canvas，共用于本页 88 件作品中的 16 件。
正如您在这些作品中所看到的，浪漫主义。
您可以在 耶鲁英国艺术中心, 纽黑文 的此页面上看到 11 件作品，包括 Landscape with a Castle, Kensington Garden 及 Kensington Garden。
是的。本页面的每幅画作均可根据您的需求，选择手工油画复制品或版画，并提供多种尺寸供您选择。只需打开画作详情页即可下单。
约翰·马丁（John Martin，1789-1854）是一位著名的英国浪漫主义画家、版画家和插画家，他充满戏剧张力的作品深深吸引了维多利亚时代的公众。他于1789年7月19日出生在诺森伯兰的海登桥，从卑微的出身一路走来，成为了当时最受欢迎的艺术家之一。他的画作以广阔的风景为背景，点缀着无数渺小的人物，描绘了充满宏大尺度感和强烈情感的《圣经场景》与奇幻叙事。
马丁的早期生活充满了实践性的磨砺。他曾在纽卡斯尔上泰恩的一位马车制造商那里学徒，在那里学习了纹章绘画——这项技能后来影响了他对细节的一丝不苟的关注。1806年，他搬到伦敦，在十九岁时结婚，靠画画课程以及为瓷器和玻璃制作的水彩画和装饰品委托来维持生计。这段经历磨练了他的技术功底，同时也使他得以探索各种艺术媒介。他的早期作品已经展现出对戏剧性光影和构图日益浓厚的兴趣，预示了他日后标志性的风格。
马丁独特的风格以其宏大的气魄、强烈的戏剧张力和精密的细节描绘而著称。他经常描绘《圣经》题材，例如《所多玛和蛾摩拉的毁灭》和《波斯王宴会》，这些作品都带着一种能深深触动观众的戏剧性风采。他的风景画，如《萨尔茨伯里附近的哈恩汉姆教堂》，则展示了他捕捉宁静乡村场景的同时，依然保持着宏伟气势的能力。 展现其艺术造诣的关键作品包括：
约翰·马丁在其生前获得了极高的声誉。1821年，沃尔特·西克特称他为“当世最受欢迎的画家”，并获得了俄国沙皇尼古拉一世的金奖牌。他还从萨克森-科堡和哥达的利奥波德亲王那里获得了利奥波德勋章，成为利奥波德亲王的官方历史画家。他的作品曾在国家美术馆和泰特美术馆展出，巩固了他在英国艺术界的地位。
尽管在他于1854年2月17日去世后经历了一段相对低调的时期，但马丁的作品却重新获得了欣赏的热潮。如今，他的画作因其浪漫主义的戏剧性、精密的细节和丰富的想象力完美结合而备受推崇。他的影响可以从后来的艺术家身上看到，包括受到马丁宏大风景启发詹姆斯·弗朗西斯·丹比等人的作品。约翰·马丁仍然是英国艺术史上一个重要的名字，他以能将观者带入充满敬畏之美与恐怖力量的史诗世界的能力而备受赞誉。
