Updated October 2026 · ranked by our popularity score (searches, visits and orders for each work) · 241 works by 扬·霍萨特 in our catalogue
In short
The 扬·霍萨特 painting most people know is Adam and Eve (1525), and you can see it at the Rhode Island School of Design Museum of Art, 普罗维登斯. Right after it come Portrait of a man (1528) and Man of Sorrow (1525). Out of 241 works by 扬·霍萨特 in our catalogue, these 100 are the best known. Each one comes with its year, its museum and a short note on what makes it stand out.
In the profound stillness of Jan Gossaert’s 1525 masterpiece, Adam and Eve, we are invited into a moment of primordial intimacy that transcends the boundaries of time. This breathtaking oil painting serves as a cornerstone of Northern Renaissance artistry, capturing the very dawn of humanity with a level of anatomical precision and dramatic flair that was revolutionary for its era. The composition centers on the tender, almost vulnerable embrace of…
The gaze of the subject in Portrait of a man by Jan Gossaert meets the viewer with a steady, unwavering presence. Created about 1530, this work captures a man seated within a space that feels both cramped and cozy, a private nook where the tools of a specific life reside. The artist, Jan Gossaert, who is also known by the moniker Mabuse, renders the figure with a profound sense of…
The body of Christ hangs heavy, a pale anchor in a sea of deep reds and shadows. Every muscle is rendered with a sharp, anatomical clarity that feels almost tactile, as if the skin might still hold warmth despite the stillness of death. Light strikes the torso from a single direction, carving out the hollows of the ribs and the tension in the limbs. Around this central suffering, figures gather…
Step closer and observe the stillness of this young man. He is presented in a bust-length view, framed within a gentle oval that focuses our attention entirely on his psychological state. There is a certain gravity in his gaze, a stoic and thoughtful expression that suggests a life of intellectual depth and high social standing. He does not perform for us; he simply exists in a moment of quiet contemplation.…
The heavy wooden panels of the triptych stand partially open, revealing a world caught in a moment of sacred stillness. These two exterior wings, crafted in 1521, act as a threshold between the mundane and the divine. On one side, a woman holds a book, her gaze steady and quiet; on the other, an angel appears, bringing a celestial presence to the earthly realm. They exist within a framework of…
To gaze upon Jan Gossaert’s Virgin and Child Enthroned is to step directly into the luminous, deeply spiritual atmosphere of the Northern Renaissance. This masterpiece, painted in 1527, transcends mere portraiture; it is a profound theological statement rendered with breathtaking technical skill. At its heart sits the Virgin Mary, regal and serene, enthroned as she cradles the infant Jesus. The immediate visual impact is drawn to the vibrant sweep of…
A middle-aged man is captured in a bust-length composition, his gaze directed toward the left of the frame. He wears a dark, beret-style hat and a black doublet over a white undershirt, with a single gold ring featuring a gemstone visible on his hand. The lighting is directional, descending from the upper left to cast soft shadows across the right side of his face and neck. This chiaroscuro effect provides…
The Holy Family is a painting by Jan Gossaert, executed in 1507. This oil on panel work captures a quiet, domestic moment within a grander architectural framework. The Virgin Mary occupies the center of the scene, her hands cradling the Christ Child. Their presence forms the heart of the composition, anchored by the weight of their figures against the stone and sky.
Two figures sit locked in a quiet, muscular embrace. Hercules and Deianeira occupy a marble-paneled niche, their limbs entwined in a way that feels both heavy and strangely delicate. The man’s skin carries the sculptural weight of antiquity, his form defined by the tension of bone and muscle. Beside him, Deianeira rests, her pose a study in soft curves and sudden stillness. They do not look at the viewer; they…
The Virgin preparing the bath of the Child1500 · Bob Jones University Museum and Gallery
12
Madonna with the Child1500 · Hämeenlinna Art Museum
13
Virgin and child in the veil1500 · 比利时皇家美术博物馆
14
Madonna with child1495
15
Portrait of Isabella of Austria1514
16
Floris van Egmond, Count of Buren1510 · Brighton Museum & Art Gallery
17
Saint Jerome1512 · 斯泰恩斯博物馆艺术馆
18
Christ on the Mount of Olives1507 · 柏林国家美术馆
19
Portrait of a Man1515 · 普希金国家美术馆
20
The Beheading of St John the Baptist1510 · 巴黎国立美术学院
21![Saint Jerome Penitent [right panel] (1512) by 扬·霍萨特](/media/artworks/images-thumb/95/ad/95ada119db2ef8e277bc791f8836200f.jpg)
Saint Jerome Penitent [right panel]1512 · 国家美术馆
22![Saint Jerome Penitent [left panel] (1512) by 扬·霍萨特](/media/artworks/images-thumb/d3/f3/d3f3c45e9279abe486979f615cf3518c.jpg)
Saint Jerome Penitent [left panel]1512 · 国家美术馆
23
The Malvagna Altarpiece (centre panel, detail)1513
24
Agony in the Garden1510
25
Holy Family with Coats of Arms of Charles...1528 · 圣路易斯艺术博物馆
26
Virgin and Child in a Landscape1531 · 克利夫兰艺术博物馆
27
Self-portrait1525 · Currier Gallery of Art
28
Madonna and Child1529 · Rijksmuseum Twenthe
29
Christ on Mount Olive1525 · 巴伐利亚州绘画收藏馆
30
The Holy Family1520 · 休斯顿美术馆
31
Portrait of Henry III, Count of Nassau1530 · 加泰罗尼亚国家艺术博物馆
32
Christ sitting on the Cold Stone1531 · 安特卫普皇家美术馆
33
Virgin and Child with a Patron1530 · 斯泰恩斯博物馆艺术馆
34
Portrait of Anna de Bergh, Marquise de Veere1530 · McNay Art Museum
35
Saint Luke painting the Virgin1520 · National Gallery Prague
36
Portrait of a Man1524
37
Madonna with Child Jesus1531 · 华沙国家博物馆
38
Christus rust na de geseling1527 · 卡尔斯鲁厄州立美术馆
39
Madonna and Child1532
40
Madonna and Child playing with the veil1530
41
Cain Killing Abel1525
42
Portrait of a Man1524
43
Danaë1527 · 老皮那科特美术馆
44
Scenes from the Life of St Giles1520 · 斯泰恩斯博物馆艺术馆
45
The Martyrdom of St Cyriacus and His Companions1520 · 斯泰恩斯博物馆艺术馆
46
An Elderly Couple1525 · 国家美术馆
47
Young Girl with Astronomic Instrument1530
48
Virgin Mary, Christ Blessing, and St John the Baptist (Deesis)1525
49
Abbot Johann Ingenray1535 · 底特律艺术学院
50
The Adoration of the Kings1510 · 国家美术馆
51
Wings of the Norfolk Triptych1525 · Musées Royaux des Beaux-Arts
52
Virgin and Child1525 · 芝加哥艺术学院
53
Adam and Eve1510 · 提森·博爾涅米薩博物館
54
Danaë (detail)1527 · 老皮那科特美术馆
55
The Carondelet Diptych: Jean Carondelet (left panel), Virgin and Child (right panel)1517 · 卢浮宫
56
Danaë1527 · 老皮那科特美术馆
57
Two Kings and a Woman Leaving a Palace1510
58
Madonna and Child1527 · 普拉多博物馆
59
The Adoration of the Kings (detail)1500
60
The Adoration of the Kings1500
61
Holy Family with St. Catherine and St. Barbara1515
62
St Jerome Penitent1510
63
Hercules and Deianira1517 · Barber Institute of Fine Arts
64
Neptune and Amphitrite, - (188x123.)1516
65
Hercules of the Forum Boarium1509
66
Neptune and Amphitrite1516
67
Virgin and Child with Musical Angels1510
68
A Reliquary1510 · 皮埃龐特·摩根圖書館與博物館
69
The Agony in the Garden1510
70
Standing Warrior in Fantastic Armour1509
71
The Carondelet Diptych left wing, Jean Carondelet1517
72
St John the Evangelist on Patmos1515
73
The Holy Family Seated at the Foot of a Tree1510
74
Apollo Citharoedus of the Casa Sassi1509
75
Neptune and Amphitrite (detail)1516
76
The Malvagna Altarpiece (right wing, detail)1513
77
Jean Carondelet1503 · 托莱多艺术博物馆
78
The Adoration of the Magi1515
79
Agony in the Garden (detail)1510
80
Bust of a Warrior in Fantastic Armour1509
81
Study after the Spinario (detail)1509 · Universiteitsbibliotheek
82
Virgin and Child with Sts Catherine and Barbara1510
83
The Doria Pamphilj Diptych (right wing)1510 · 多里亚·潘菲利美术馆
84
Carondelet Diptych (left wing)1517
85
Study after the Spinario (recto)1509 · Universiteitsbibliotheek
86
Neptune and Amphitrite1516
87
The Malvagna Altarpiece (exterior wings)1513
88
The Mystic Marriage of St Catherine1503 · 斯泰恩斯博物馆艺术馆
89
Carondelet Diptych (right wing)1517
90
Emperor Augustus and the Tiburtine Sibyl1503
91
Carondelet Diptych1517
92
The Malvagna Altarpiece (side wings)1513
93
View of the Colosseum Seen from the West1509
94
Carondelet Diptych (verso)1517
95
The Malvagna Altarpiece (centre panel)1513
96
Portrait of a Man, possibly Jan Snoeck1530 · 国家美术馆
97
Mary with Child1525 · 柏林国家美术馆
98
The Mocking of Christ or the Man of Sorrows1525
99
King Christian II of Denmark1525
100
Virgin and Child Seated at the Foot of a Tree1522
The four subjects that come up most often in these pieces, each with its best-known example.
The 8 museums that hold the most of the paintings on this page.
| Museum | City | Works by 扬·霍萨特 | Paintings from this list |
|---|---|---|---|
 斯泰恩斯博物馆艺术馆 |
哥本哈根 | 5 | Saint Jerome, Virgin and Child with a Patron, Scenes from the Life of St Giles |
 国家美术馆 |
华盛顿 | 4 | Saint Jerome Penitent [right panel], Saint Jerome Penitent [left panel], Portrait of a Man, possibly Jan Snoeck |
 老皮那科特美术馆 |
慕尼黑 | 3 | Danaë, Danaë (detail), Danaë |
 柏林国家美术馆 |
柏林 | 9 | Christ on the Mount of Olives, Mary with Child |
 国家美术馆 |
伦敦 | 7 | An Elderly Couple, The Adoration of the Kings |
 比利时皇家美术博物馆 |
布鲁塞尔 | 4 | Portrait of a man, Virgin and child in the veil |
 安特卫普皇家美术馆 |
安特卫普 | 4 | Portrait of a Man, Christ sitting on the Cold Stone |
 维也纳艺术史博物馆 |
维也纳 | 3 | Virgin and child enthroned, Portrait of a man |
Pick a decade to see its standout piece.
The Holy Family is a painting by Jan Gossaert, executed in 1507. This oil on panel work captures a quiet, domestic moment within a grander architectural framework. The Virgin Mary occupies the center of the scene, her hands cradling the Christ Child. Their presence forms the heart of the composition, anchored by the weight of their figures against the stone and sky.
Two figures sit locked in a quiet, muscular embrace. Hercules and Deianeira occupy a marble-paneled niche, their limbs entwined in a way that feels both heavy and strangely delicate. The man’s skin carries the sculptural weight of antiquity, his form defined by the tension of bone and muscle. Beside him, Deianeira rests, her pose a study in soft curves and sudden stillness. They do not look at the viewer; they…
In the profound stillness of Jan Gossaert’s 1525 masterpiece, Adam and Eve, we are invited into a moment of primordial intimacy that transcends the boundaries of time. This breathtaking oil painting serves as a cornerstone of Northern Renaissance artistry, capturing the very dawn of humanity with a level of anatomical precision and dramatic flair that was revolutionary for its era. The composition centers on the tender, almost vulnerable embrace of…
Top of the list is Adam and Eve (1525), Rhode Island School of Design Museum of Art, 普罗维登斯. Right behind it: Portrait of a man (1528) and Man of Sorrow (1525).
47 years old. 扬·霍萨特 was born in 1478, and Adam and Eve dates from 1525.
Adam and Eve, Portrait of a man, Man of Sorrow, Portrait of a Man, Two Wings from a Triptych (exterior), Virgin and child enthroned, Portrait of a man, The Holy Family, Hercules and Deianeira and Triptych of the Holy Family. You'll find the year and the museum of each in the list above.
We have 241 works by 扬·霍萨特 in our catalogue, dated 1495 to 1532.
You'll find most of them in 斯泰恩斯博物馆艺术馆 (哥本哈根), 国家美术馆 (华盛顿) and 老皮那科特美术馆 (慕尼黑). The museum list above has the full breakdown.
In 1510s, more than any other time: 39 of the 100 pieces on this page date from then, Hercules and Deianeira among them.
The earliest piece here is Madonna with child (1495); the most recent is Madonna and Child (1532).
Woman (12), Man (10) and Renaissance (7), out of the 100 pieces on this page.
Oil On Panel, used in 15 of the 100 pieces on this page.
北方文艺复兴, as you can see in the pieces on this page.
You can see 5 of the pieces on this page at the 斯泰恩斯博物馆艺术馆, 哥本哈根, including Saint Jerome, Virgin and Child with a Patron and Scenes from the Life of St Giles.
Yes. Every painting on this page is available as a hand-painted oil reproduction or a print, in the size that suits you. Just open the painting's page to order.
在十六世纪初那段剧烈变迁的历史进程中，很少有艺术家能像扬·戈萨特那样，如此大师般地架起北方严谨传统与南方新兴人文主义之间的桥梁。这位富有远见的画家在历史上以极具感染力的绰号马布斯而闻名，他出身于法国毛贝热，并最终成为了罗马主义运动的基石。他的艺术生涯代表了尼德兰艺术的一次深刻蜕变——在这里，佛兰德斯大师们那锐利且富有触感的写实主义，与意大利文艺复rypt复兴时期宏大而具有雕塑感的优雅美学完美交汇。研习戈萨特的艺术，便是见证中世纪灵魂开始拥抱古典时代光辉的那个神圣瞬间。
尽管他早年接受训练的具体细节仍笼罩在历史的迷雾之中，但戈萨特的艺术基因深深植根于低地国家的传统之中。人们普遍认为，他在成长期致力于吸收罗吉尔·范德魏登和雨果·范德格斯等大师的严谨技法。从这些前辈那里，他继承了对细节无与伦比的执着——这种对纹理、织物和光影的处理方式，令观者仿佛能触摸到画面中的真实。然而，戈萨特绝非仅仅是过去的模仿者；他对新事物怀有一种永无止境的好奇心，他向南望去，试图将意大利文艺复兴的解剖精准度与建筑宏伟感融入到自己的本土风格之中。
马布斯真正的天才之处在于他能够和谐地统一两个看似迥异的世界。作为一名罗马主义画家的崛起，标志着他背离了长期统治北欧的纯粹哥特式审美。早期的艺术家往往侧重于象征性的深度和宗教图像学，而戈萨特则引入了物理重量感与古典比例感。他以一种全新的、科学式的活力来研究人体形态，使他笔下的人物在空间中呈现出一种雕塑般的临场感，这在那个时代无疑是具有革命性的。
这种风格的演进在他对光影与大气氛围的处理中体现得最为淋漓尽致。在他的画笔下，光线不仅仅是在照亮场景，更是在塑造场景。他运用大气透视法创造出辽阔且沉浸式的景观，这些风景仿佛向着无穷的远方退行，为他的主题提供了一个充满戏剧性的舞台。他的构图往往呈现出阴影与辉煌之间复杂的交织，这种技法赋予了他的宗教与神话题材一种近乎剧场般的张力。凭借这种精湛的掌控力，他成功地在宗教委约所要求的深邃精神沉思，与当时人文主义学者所追求的知识性宏大感之间，找到了那份微妙的平衡。
戈萨特丰硕的创作生涯得益于一个由显赫赞助人组成的网络，其范围涵盖了从富有的商人到高阶神职人员及贵族。他的作品题材极其广泛，既有作为大教堂核心的宏伟祭坛画，也有捕捉人物心理本质的细腻肖像画。他那些最持久的艺术贡献包括：
扬·戈萨特的历史意义无论如何强调都不为过。他扮演了一个至关重要的媒介角色，将意大利的古典理想跨越阿尔卑斯山，并将其稳固地植入尼德兰肥沃的土壤之中。通过将佛兰德斯传统的精湛工艺与罗马文艺复兴的结构创新相结合，他为后世的北方艺术家开辟了道路。他的遗产已深深铭刻在艺术史的肌理之中，代表了一个文化融合与艺术重生的辉煌时代。
