更新于 October 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 367 件 圭尔奇诺 作品收录于我们的目录中
简而言之
圭尔奇诺 最著名的作品是 Pietà (1638)。您可以在 尚蒂伊 的 康德博物馆 欣赏到它。 接下来的名单是 St Peter and the angel (1650) 和 David with the Head of Goliath (1657)。 我们的目录中收录了 圭尔奇诺 的 367 件作品；本指南为您精选了其中最著名的 100 件，并附上每件作品的创作年份、馆藏机构及其背后的故事。
This painting, titled Pietà (or La Pietà), is a significant work by the Italian artist Giovanni Francesco Barbieri, known to history by his nickname Guercino. Created between 1635 and 1640, the work reflects the artist's profound command over the dramatic language of the Baroque period. It is an oil on canvas that captures a moment of intense human sorrow through a highly controlled use of light and shadow.
Guercino’s “St Peter and the Angel” is not merely a depiction of biblical figures; it's an intensely felt moment of solace, rendered with a raw emotionalism that distinguishes the artist from his more polished contemporaries. Painted in 1650, this work, measuring a modest 30 x 21 cm, embodies the turbulent spirit of Baroque Italy – a world grappling with religious fervor and social upheaval, yet simultaneously yearning for moments of…
A single, heavy silence hangs in the air. David lunges forward, his muscular torso caught in a sudden, sharp light that carves his anatomy from the surrounding shadows. He does not wear the triumphant grin of a conqueror; instead, his face holds a quiet, introspective gravity. His golden cloak, lined with white fur, sweeps across the composition in a diagonal arc, pulling the eye toward the severed head of Goliath.…
The room is heavy with silence and the weight of unseen truths. A woman, the Samian Sibyl, sits anchored beside a weathered wooden desk, her body forming a stable, pyramidal shape that commands the center of this shadowed space. She is lost in deep introspection, perhaps mourning or contemplating a future only she can perceive. Her face and chest catch a sudden, directional light emerging from the upper left, pulling…
The oil on canvas titled SAINT JEAN-BAPTISTE A LA SOURCE depicts the figure of Saint-Jean-Baptiste. This work was executed by the Italian artist Giovanni Francesco Barbieri, known as Guercino. The painting emerged from his brush about 1661, during the later years of his creative life. It captures a moment of quietude through the depiction of the saint at a spring.
In this intimate composition, we find a moment of profound stillness between a mother and her child. The Virgin Mary, draped in a deep red garment, holds the infant Jesus with a tenderness that feels both sacred and deeply human. A small sparrow rests near them, its presence drawing the gaze of both figures. This bird is not merely a casual addition to the scene; it acts as a focal…
The oil on canvas titled Painting and Drawing was executed by the artist Guercino in 1656. This allegorical work captures a quiet moment of creative exchange between two figures. A woman sits at the center, her hands engaged in the act of creation, while an older man observes the progress of a sketch. The scene functions as a visual metaphor for the relationship between different modes of artistic expression.
Guercino’s Portrait of a Woman, created about 1628, presents a close-up bust portrait of a young woman. The subject is positioned with her body slightly turned to her right, while her gaze is directed downward and toward the viewer's left. This orientation creates a sense of quiet introspection. The monochromatic color palette of this specific image emphasizes tonal range and the interplay of light rather than hue.
The composition presents a close-up profile view of two male figures positioned against a dark, indistinct background. On the left, a figure with long dark hair and a beard looks downward, his expression settled into a contemplative or sorrowful state. He is dressed in a reddish-brown garment. To the right, a second figure is shown in profile, wearing a white turban accented with blue stripes. This man possesses a weathered…
In this intimate composition, we find St. Anthony of Padua cradling the Infant Christ. The scene is stripped of grandiosity, focusing instead on the profound connection between the Franciscan friar and the child. There is a palpable tenderness in the way the figures interact, a moment of stillness that invites the viewer into a private space of devotion. The light falls softly upon the figures, pulling them from the shadows…
Lot and His Daughters1651 · 托莱多艺术博物馆
12
God the Father1630 · 华沙国家博物馆
13
Saint Francis with an angel playing violin1620 · 华沙国家博物馆
14
Study of Saint Matthew turned to his right, reading a book
15
The Glory of All the Saints. Fragment1613
16
The Glory of All the Saints. Fragment1613
17
Jael and Sisera1616
18
Madonna and Child with Saint John The Baptist1616 · 休斯顿美术馆
19
Abraham and Hagar1616 · 斯泰恩斯博物馆艺术馆
20
St. Francis in Ecstasy with St. Benedict and an Angel1620
21
The Persian Sybil1628 · 巴伐利亚州绘画收藏馆
22
St Sebastian1628 · 巴伐利亚州绘画收藏馆
23
Martyrdom of Saints John and Paul1632 · Musée des Augustins
24
Saint Joseph with the Christ Child1637 · 爱尔兰国家美术馆
25
Circé1637
26
Mary Magdalene1645
27
The Sick Child1660
28
St. Paul the Hermit Fed by the Raven1660 · Dayton Art Institute
29
Absalom and Tamar1655
30
The Virgin and Child appearing to Saint Jerome1650
31
Santa Palazia1658 · Museo Civico
32
Virtuous Love1666
33
Assumption of the Virgin1650 · 底特律艺术学院
34
Saint Paul1700 · Slovak National Gallery
35
Cleopatra1621 · 亚美尼亚国家美术馆
36
La Madonna del Carmine con San Giuseppe e Santa Teresa e Gloria d' Angeli
37
The Vocation of Saint Aloysius (Luigi) Gonzaga大都会艺术博物馆
38
Saint Margaret of Cortona
39
Apparition of Christ to Saint Therese
40
The Holy Family1620
41
Fame, Honor and Virtue
42
Stilleben mit Melonen + Papagei1616
43
Amnon and Tamar国家美术馆
44
The Flagellation of Christ1642 · 布达佩斯美术博物馆
45
Madonna and Child芬兰国家美术馆
46
Saint Paul
47
Child seen from behind, standing between its mother's knees
48
BAPTISM OF CHRIST
49
St. Hieronymus
50
San Filippo Neri
51
Esther before Ahasuerus1750 · 密歇根大学艺术博物馆
52
The Pensive Muse爱尔兰国家美术馆
53
Saint Agatha爱尔兰国家美术馆
54
The Triumph of David爱尔兰国家美术馆
55
Study for St. William of AquitaineRhode Island School of Design Museum of Art
56
Bust of a Soldier in ArmorRhode Island School of Design Museum of Art
57
The Holy Family on the Flight meets the infant St JohnFitzwilliam Museum
58
Primavera波士顿美术馆
59
David with the head of Goliath
60
Saint Alexius in a brown wrap, holding a staff
61
Man Kneeling
62
Landscape with a Fisherman
63
Landscape with Figures and a Wel
64
Landscape with Figures and Trees
65
Landscape with Figures and a Tent
66
Landscape with Figures and a Bridge
67
Landscape with Figures and a Bridge 1
68
Saint Francis in Adoration
69
St. John the Baptist in the Wilderness
70
Portrait of a Man
71
An Old Man
72
A Woman Drinking from a Cup
73
St. John the Baptist in the Wilderness 1
74
A Woman Outstretched Arms巴伐利亚州绘画收藏馆
75
The Flaying of Marsyas
76
God the Father
77
Saint Jerome
78
Two Women and an Infant
79
HEAD OF A GIRL, SEEN FROM BEHIND
80
A seated man training a dog
81
Cupid holding a vase of flowers
82
Study of a woman holding a sieve
83
Susanna and the Elders 1
84
The Martyrdom of St Peter
85
A study of Christ
86
Madonna of the Swallow
87
Landscape with tree in the foreground
88
Annunciation
89
Warrior Kneeling with Arms Outstretched
90
Putto in the Clouds
91
Saint John the Evangelist in Meditation
92
The Resurrected Christ Appears to the Virgin
93
Saint Peter
94
Nude figure of a woman, seen from the side
95
STUDIES FOR THE VISION OF SAINT PHILIP NERI
96
The Virgin and Child with the Infant Saint John the Baptist苏格兰国家美术馆
97
David the violonist
98
Self-Portrait before a Painting of Amor Fedele
99
St Augustine
100
Study of the God Almighty
这些作品中最常出现的四个主题，以及各自最著名的代表作。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 圭尔奇诺 的作品 | 此列表中的画作 |
|---|---|---|---|
 巴伐利亚州绘画收藏馆 |
慕尼黑 | 8 | Portrait of a Woman, Christ and the Moneylender, The Persian Sybil |
 爱尔兰国家美术馆 |
都柏林 | 6 | Saint Joseph with the Christ Child, The Pensive Muse, Saint Agatha |
 华沙国家博物馆 |
华沙 | 2 | God the Father, Saint Francis with an angel playing violin |
 Rhode Island School of Design Museum of Art |
普罗维登斯 | 2 | Study for St. William of Aquitaine, Bust of a Soldier in Armor |
 国家美术馆 |
伦敦 | 8 | The Samian Sibyl with a Putto |
 德累斯顿国家艺术收藏馆 |
德累斯顿 | 4 | Painting and Drawing |
 Fitzwilliam Museum |
3 | The Holy Family on the Flight meets the infant St John | |
 苏格兰国家美术馆 |
爱丁堡 | 3 | The Virgin and Child with the Infant Saint John the Baptist |
选择一个年代，欣赏其代表作。
In this fragment from 1613, we find ourselves drawn into a dense, crowded space where the boundaries between the earthly and the divine seem to dissolve. The composition is tightly cropped, creating a sense of claustrophobia that forces the viewer into an intimate encounter with a cluster of holy figures. There is a palpable tension here, a feeling of spiritual upheaval captured in a single, breathless moment. The figures are…
Guercino’s Portrait of a Woman, created about 1628, presents a close-up bust portrait of a young woman. The subject is positioned with her body slightly turned to her right, while her gaze is directed downward and toward the viewer's left. This orientation creates a sense of quiet introspection. The monochromatic color palette of this specific image emphasizes tonal range and the interplay of light rather than hue.
This painting, titled Pietà (or La Pietà), is a significant work by the Italian artist Giovanni Francesco Barbieri, known to history by his nickname Guercino. Created between 1635 and 1640, the work reflects the artist's profound command over the dramatic language of the Baroque period. It is an oil on canvas that captures a moment of intense human sorrow through a highly controlled use of light and shadow.
Guercino’s “St Peter and the Angel” is not merely a depiction of biblical figures; it's an intensely felt moment of solace, rendered with a raw emotionalism that distinguishes the artist from his more polished contemporaries. Painted in 1650, this work, measuring a modest 30 x 21 cm, embodies the turbulent spirit of Baroque Italy – a world grappling with religious fervor and social upheaval, yet simultaneously yearning for moments of…
The oil on canvas titled SAINT JEAN-BAPTISTE A LA SOURCE depicts the figure of Saint-Jean-Baptiste. This work was executed by the Italian artist Giovanni Francesco Barbieri, known as Guercino. The painting emerged from his brush about 1661, during the later years of his creative life. It captures a moment of quietude through the depiction of the saint at a spring.
榜首之作是Pietà (1638)，馆藏于康德博物馆, 尚蒂伊。紧随其后的是：St Peter and the angel (1650)与David with the Head of Goliath (1657)。
47岁。圭尔奇诺出生于1591，其作品Pietà创作于1638。
Pietà, St Peter and the angel, David with the Head of Goliath, The Samian Sibyl with a Putto, Saint-Jean-Baptiste, La Madonna del passero, Painting and Drawing, Portrait of a Woman, Christ and the Moneylender 及 St Anthony of Padua with the Infant Christ。您可以在上方的列表中找到每件作品的创作年份及所属博物馆。
我们的目录中共有 367 件 圭尔奇诺 的作品，创作时间从 1613 到 1666。
您可以在 巴伐利亚州绘画收藏馆 (慕尼黑), 爱尔兰国家美术馆 (都柏林) 及 华沙国家博物馆 (华沙) 中找到其中的大部分作品。上方的博物馆列表提供了详细分类。
在 1650s 时期，作品数量远超其他时期：本页 100 件作品中有 9 件出自该时期，其中包含 St Peter and the angel 件。
此处的早期作品为 The Glory of All the Saints. Fragment (1613)；最新作品为 Virtuous Love (1666)。
Woman (14), Man (13) 及 Religious (9)，共计 100 件作品。
Oil On Canvas，共用于本页 100 件作品中的 18 件。
正如您在这些作品中所看到的，Baroque。
您可以在 巴伐利亚州绘画收藏馆, 慕尼黑 的此页面上看到 5 件作品，包括 Portrait of a Woman, Christ and the Moneylender 及 The Persian Sybil。
是的。本页面的每幅画作均可根据您的需求，选择手工油画复制品或版画，并提供多种尺寸供您选择。只需打开画作详情页即可下单。
