更新于 October 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 233 件 乔治·多尔 作品收录于我们的目录中
简而言之
乔治·多尔 最著名的作品是 Portrait of Emperor Alexander I (1824)。您可以在 圣彼得堡 的 冬宫博物馆 欣赏到它。 接下来的名单是 Portrait of Admiral Alexander S. Shishkov (1754-1841) (1826) 和 Portrait of Nikolai Sipyagin (1785-1828) (1827)。 我们的目录中收录了 乔治·多尔 的 233 件作品；本指南为您精选了其中最著名的 100 件，并附上每件作品的创作年份、馆藏机构及其背后的故事。
The Portrait of Emperor Alexander I is a significant work by the English portraitist George Dawe. Created about 1824, this full-length portrait captures the Russian Emperor, Alexander I, in a moment of formal repose. The painting offers a direct encounter with the sovereign, presented in his capacity as a military leader.
A heavy silence settles in the room where the Admiral sits. He is an old man now, his face a map of weathered authority, etched with the fine lines of a life spent navigating both salt spray and political currents. His gaze is direct, meeting the observer with a steady, unblinking clarity that demands respect. The navy blue of his uniform is deep and somber, a stark contrast to the…
Nikolai Sipyagin sits in a moment of quiet dignity, his body angled in a three-quarter view that suggests a man caught between duty and contemplation. He looks upward and toward the left, his eyes fixed on a point beyond the frame, as if scanning a distant battlefield or a future yet to unfold. The light catches the pale contours of his face, carving out the structure of his features against…
A single, steady gaze meets the viewer from a three-quarter view. The Grand Duke Nikolai Pavlovich is rendered in a dark military uniform, the fabric a deep navy or black that absorbs the light. Against this somberness, gold epaulettes and a crimson sash cut through the darkness. He holds a helmet in his left hand, the metal catching a glint of light. The silhouette is sharp, defined by the precision…
A single man occupies the center of this oil on canvas, his presence defined by a quiet, aristocratic composure. He sits in a bust-length pose, turned slightly toward the left, yet his eyes remain fixed upon the observer. The light enters from the upper left, carving the contours of his face with a soft, directional glow. This illumination casts gentle shadows across his features, lending a three-dimensional depth to his…
A single figure dominates the canvas, anchored by the rigid geometry of a military tunic. Count Alexey Arakcheyev meets the viewer's gaze with a steady, unyielding presence. The navy blue fabric of his uniform absorbs the light, while the gold of his epaulettes catches it, casting a sharp, metallic glint against the muted landscape. He is a man of structure. His posture is a vertical line of discipline, cutting through…
A single figure occupies the space, leaning with a heavy, practiced grace against the cold cylinder of a bronze cannon. Edward, Duke of Kent, is rendered in the sharp clarity of the Neoclassical tradition, his silhouette defined by the stark contrast of a scarlet military jacket against the dim, atmospheric air. The light falls from the upper left, carving the planes of his face and catching the fine, white feathers…
The gaze of history settles upon the Portrait of Grand Duchess Alexandra Fiodorovna with Children, a work by the English portraitist George Dawe. Within this frame, the Empress Alexandra Feodorovna of Russia, born Princess Charlotte of Prussia, sits in a moment of quiet, regal presence. She is not alone in this assembly; her two eldest children, Alexander and Maria Nikolaevna, are gathered by her side, anchoring the scene in a…
George Dawe painted Portrait of Empress Maria Feodorovna in Mourning about 1825. The subject is Empress Maria Feodorovna, originally born Duchess Sophie Dorothea of Württemberg. She held the position of Empress of Russia as the second wife of Emperor Paul I, following his assassination in 1801.
In this 1821 oil on canvas, we encounter Piotr Konovnitsyn, a man whose presence fills the space with a quiet, heavy authority. He is depicted in a three-quarter view, his body angled slightly away while his gaze maintains a direct, steady connection with us. There is a profound sense of stillness in his expression, a calm that suggests a life spent navigating the complexities of high-stakes military leadership. The lighting…
Achilles frantic for the loss of Patroclus, rejecting the consolation of Thetis1803 · Museum of New Zealand Te Papa Tongarewa
将其收藏 起价 $475 →
Portrait of Princess Charlotte of Wales1817 · Museum of New Zealand Te Papa Tongarewa
订购此作品 起价 $175 →
Charlotte (Alexandra Feodorovna), Empress of Russia, with her eldest children, Alexander and Maria1821 · 皇家收藏馆
订购此作品 起价 $225 →
Leopold, Prince of Saxe-Coburg-Saalfeld, later Leopold I, King of the Belgians (1790-1865)1816 · 皇家收藏馆
定制手绘作品 起价 $175 →
Portrait of Ivan F. Paskevich (1782-1856) (replica of the 1823 portrait)1824 · 冬宫博物馆
定制手绘作品 起价 $175 →
Portrait of Fyodor V. (Dietrich Jacob) Tijl van Seraskerken (1771-1826)1824 · 冬宫博物馆
将其收藏 起价 $175 →
这些作品中最常出现的四个主题，以及各自最著名的代表作。
收藏了本页中大部分画作的 4 家博物馆。
| 博物馆 | 城市 | 乔治·多尔 的作品 | 此列表中的画作 |
|---|---|---|---|
 冬宫博物馆 |
圣彼得堡 | 212 | Portrait of Emperor Alexander I, Portrait of Admiral Alexander S. Shishkov (1754-1841), Portrait of Nikolai Sipyagin (1785-1828) |
 皇家收藏馆 |
伦敦 | 9 | Charlotte (Alexandra Feodorovna), Empress of Russia, with her eldest children, Alexander and Maria, Leopold, Prince of Saxe-Coburg-Saalfeld, later Leopold I, King of the Belgians (1790-1865), Alexander I, Emperor of Russia (1777-1825) |
 白金汉宫 |
London | 2 | Edward, Duke of Kent (1767-1820), Ernst I (1784-1844), Duke of Saxe-Coburg-Gotah |
 Museum of New Zealand Te Papa Tongarewa |
惠灵顿 | 2 | Achilles frantic for the loss of Patroclus, rejecting the consolation of Thetis, Portrait of Princess Charlotte of Wales |
选择一个年代，欣赏其代表作。
A single figure occupies the space, leaning with a heavy, practiced grace against the cold cylinder of a bronze cannon. Edward, Duke of Kent, is rendered in the sharp clarity of the Neoclassical tradition, his silhouette defined by the stark contrast of a scarlet military jacket against the dim, atmospheric air. The light falls from the upper left, carving the planes of his face and catching the fine, white feathers…
The Portrait of Emperor Alexander I is a significant work by the English portraitist George Dawe. Created about 1824, this full-length portrait captures the Russian Emperor, Alexander I, in a moment of formal repose. The painting offers a direct encounter with the sovereign, presented in his capacity as a military leader.
榜首之作是Portrait of Emperor Alexander I (1824)，馆藏于冬宫博物馆, 圣彼得堡。紧随其后的是：Portrait of Admiral Alexander S. Shishkov (1754-1841) (1826)与Portrait of Nikolai Sipyagin (1785-1828) (1827)。
43岁。乔治·多尔出生于1781，其作品Portrait of Emperor Alexander I创作于1824。
Portrait of Emperor Alexander I, Portrait of Admiral Alexander S. Shishkov (1754-1841), Portrait of Nikolai Sipyagin (1785-1828), Portrait of Grand Duke Nikolai Pavlovich, Portrait of Kirill A. Naryshkin (1786-1838), Portrait of Count Alexey Arakcheyev, Edward, Duke of Kent (1767-1820), Portrait of Grand Duchess Alexandra Fiodorovna with Children, Portrait of Empress Maria Feodorovna in Mourning 及 Portrait of Piotr Konovnitsyn (1764-1822)。您可以在上方的列表中找到每件作品的创作年份及所属博物馆。
我们的目录中共有 233 件 乔治·多尔 的作品，创作时间从 1803 到 1829。
您可以在 冬宫博物馆 (圣彼得堡), 皇家收藏馆 (伦敦) 及 白金汉宫 (London) 中找到其中的大部分作品。上方的博物馆列表提供了详细分类。
在 1820s 时期，作品数量远超其他时期：本页 100 件作品中有 81 件出自该时期，其中包含 Portrait of Emperor Alexander I 件。
此处的早期作品为 Achilles frantic for the loss of Patroclus, rejecting the consolation of Thetis (1803)；最新作品为 Portrait of Anton S. Chalikov (1754-1821) (1829)。
Man (78), Military uniform (78) 及 Medals (58)，共计 100 件作品。
Oil On Canvas，共用于本页 100 件作品中的 78 件。
正如您在这些作品中所看到的，Neoclassicism。
您可以在 冬宫博物馆, 圣彼得堡 的此页面上看到 83 件作品，包括 Portrait of Emperor Alexander I, Portrait of Admiral Alexander S. Shishkov (1754-1841) 及 Portrait of Nikolai Sipyagin (1785-1828)。
是的。本页面的每幅画作均可根据您的需求，选择手工油画复制品或版画，并提供多种尺寸供您选择。只需打开画作详情页即可下单。
乔治·多尔是19世纪最卓越的英国肖像画家之一，他的画笔捕捉到了那个由拿破仑战争与帝国辉煌所定义的时代的灵魂。多尔出生于英国圣詹姆斯，自幼便沉浸在艺术的世界之中。作为著名美柔汀版画家菲利普·多尔之子，他在一个艺术天赋作为家族传承的家庭中成长。他的早期训练是在父亲的悉心指导下开始的，在将志向扩展到更为宏大且光彩夺目的油画领域之前，他先磨炼了精湛的蚀刻技艺。这种对精准线条和色调深度的掌握，为其日后最负盛名的画布中所呈现的细致入微奠定了坚实基础。
他在学术界的历程充满了卓越成就。在皇家艺术学院学习期间，他荣获了声名显赫的皇家艺术学院学校金奖，从此名声鹊起。他最终成为了皇家艺术学院的准会员，随后晋升为正式院士，标志着他已跻身英国艺术精英阶层。然而，多尔实现最深远历史影响的地方并非伦敦的沙龙，而是在俄罗斯的心脏地带。
1819年，多尔移居圣彼得堡，这一举动从根本上改变了他的职业生涯乃至艺术史的进程。在这座充满活力的帝国首都，他置身于一项宏伟事业的核心：创作冬宫军事画廊。在这项雄心勃勃的项目中，多尔创作了一系列非凡的329幅肖像，描绘了在拿破仑入侵俄罗斯期间活跃的俄罗斯将军们。通过这些作品，多尔不仅仅是在记录面孔，他更是在记录一个国家在防御战中的英雄气概与心理重压。
他在俄罗斯时期受到了极高的赞誉。他成为了俄罗斯艺术界的一位名人，其声望甚至传到了传奇诗人普希金的耳中。他能够将肖像画的形式要求与深沉的情感共鸣完美融合，从而捕捉到军事精英复杂的性格特征。无论是描绘德米特里·V·戈利岑那威严的身姿，还是米哈伊尔·库图佐夫那内省且近乎忧郁的凝视，多尔的作品都成为了那个时代最具影响力人物的重要历史记录。
多尔的艺术风格是一幅由多种影响交织而成的精致织锦。早年对版画技术的精通，赋予了他对光影与形态无与伦比的理解，并以卓越的技巧将其转化到了油画创作中。在许多方面，他的作品可以从新古典主义与浪漫主义的双重视角来审视：
最终，乔治·多尔的伟大之处在于他超越了简单的形似。他是一位能够通过单一且细致入微的凝视，捕捉到将军肩上责任之重以及荣耀转瞬即逝之美的艺术家。他的生命与作品，始终是英国学院派严谨传统与俄罗斯帝国史诗般动荡历史之间的一座桥梁。
