更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 3 件 Theodore E. Pine 作品收录于我们的目录中
简而言之
Theodore E. Pine 最著名的作品是 The Daughters of Daniel T. MacFarlan (1857)。您可以在 纽约 的 大都会艺术博物馆 欣赏到它。 接下来的名单是 Mr. and Mrs. Daniel T. MacFarlan (1858) 和 Kate Lyon Cornell (1856)。 我们的目录中收录了 Theodore E. Pine 的 3 件作品；本指南为您精选了其中最著名的 3 件，并附上每件作品的创作年份、馆藏机构及其背后的故事。
In this 1857 oil on canvas, we find ourselves drawn into a private, sentimental moment from the mid-19th century. Two young girls, the daughters of Daniel T. MacFarlan, occupy a lush, atmospheric landscape that feels both expansive and deeply intimate. The composition is balanced with a gentle precision; the older girl stands to the left, while the younger child is seated upon a wooden bench to the right. A large,…
The oil on canvas titled Mr. and Mrs. Daniel T. MacFarlan captures a quiet moment of social standing. Theodore E. Pine rendered this portrait in 1858, fixing the likenesses of the couple within a formal composition. The subjects, Mr. and Mrs. Daniel T. MacFarlan, originated from Yonkers, New York, as noted in the records from 1857. They sit held within the frame, their presence defined by the steady hand of…
The portrait titled Kate Lyon Cornell brings a quiet presence into the room, capturing a specific moment of American history through the eyes of Theodore E. Pine. Created in 1856, this work presents a study of character and poise. The subject remains fixed in her elegant stance, her gaze meeting the viewer from a mid-19th-century perspective. There is a sense of stillness here, as if the air around her has…
这些作品中最常出现的四个主题，以及各自最著名的代表作。
收藏了本页中大部分画作的 1 家博物馆。
| 博物馆 | 城市 | Theodore E. Pine 的作品 | 此列表中的画作 |
|---|---|---|---|
 大都会艺术博物馆 |
纽约 | 3 | The Daughters of Daniel T. MacFarlan, Mr. and Mrs. Daniel T. MacFarlan, Kate Lyon Cornell |
从 1856 到 1858：这里收录了 3 年间每一件 Theodore E. Pine 的作品。按年份逐一浏览。
选择年份以查看该年份的作品。
The portrait titled Kate Lyon Cornell brings a quiet presence into the room, capturing a specific moment of American history through the eyes of Theodore E. Pine. Created in 1856, this work presents a study of character and poise. The subject remains fixed in her elegant stance, her gaze meeting the viewer from a mid-19th-century perspective. There is a sense of stillness here, as if the air around her has…
In this 1857 oil on canvas, we find ourselves drawn into a private, sentimental moment from the mid-19th century. Two young girls, the daughters of Daniel T. MacFarlan, occupy a lush, atmospheric landscape that feels both expansive and deeply intimate. The composition is balanced with a gentle precision; the older girl stands to the left, while the younger child is seated upon a wooden bench to the right. A large,…
The oil on canvas titled Mr. and Mrs. Daniel T. MacFarlan captures a quiet moment of social standing. Theodore E. Pine rendered this portrait in 1858, fixing the likenesses of the couple within a formal composition. The subjects, Mr. and Mrs. Daniel T. MacFarlan, originated from Yonkers, New York, as noted in the records from 1857. They sit held within the frame, their presence defined by the steady hand of…
榜首之作是The Daughters of Daniel T. MacFarlan (1857)，馆藏于大都会艺术博物馆, 纽约。紧随其后的是：Mr. and Mrs. Daniel T. MacFarlan (1858)与Kate Lyon Cornell (1856)。
29岁。Theodore E. Pine出生于1828，其作品The Daughters of Daniel T. MacFarlan创作于1857。
我们的目录中共有 3 件 Theodore E. Pine 的作品，创作时间从 1856 到 1858。
您可以在 大都会艺术博物馆 (纽约) 中找到其中的大部分作品。上方的博物馆列表提供了详细分类。
此处的早期作品为 Kate Lyon Cornell (1856)；最新作品为 Mr. and Mrs. Daniel T. MacFarlan (1858)。
Tree (2), Landscape (2) 及 Clouds (2)，共计 3 件作品。
Oil On Canvas，共用于本页 3 件作品中的 3 件。
您可以在 大都会艺术博物馆, 纽约 的此页面上看到 3 件作品，包括 The Daughters of Daniel T. MacFarlan, Mr. and Mrs. Daniel T. MacFarlan 及 Kate Lyon Cornell。
是的。本页面的每幅画作均可根据您的需求，选择手工油画复制品或版画，并提供多种尺寸供您选择。只需打开画作详情页即可下单。
Theodore E. Pine lived through many different landscapes, moving his brushes from the established streets of New York City to the quieter corners of the American West and South. Born in 1828, he was a native of New Jersey, but his early training began under the eye of his father, James, in New York. This shared practice in the city laid the foundation for a career defined by steady, observant work. He later sought out further study in Europe, bringing those learned techniques back to the various places he called home.
His movements were frequent and varied. He kept studios in Chicago, Illinois; St. Louis, Missouri; Manito, Colorado; and Asheville, North Carolina. Each location offered a different light and a different set of faces to capture. By the time he reached his final years in Ogdensburg, New York, his life had been a long sequence of settling into new spaces, setting up his easel, and recording what he saw.
His work focused on the tangible presence of people and objects. He worked primarily with oil on canvas, applying paint to capture the weight of a figure or the stillness of a still life. There is a documentary quality to his approach, particularly when he looked toward the likenesses of others. In 1904, he produced a posthumous portrait of Robert E. Lee, using a full-length photograph taken by Julian Vannerson in 1864 as his guide. This piece was not about a moment captured from life, but rather a careful reconstruction of a recorded appearance.
The subjects of his paintings were often individuals caught in specific moments of their own histories:
He also turned his attention to the smaller details of a room, such as the depiction of furniture and home furnishings. His hands were used to render the textures of cloth and wood with a quiet, focused accuracy.
Theodore E. Pine died in 1905, leaving behind a body of work that remains held in various collections, such as the New-York Historical Society. His paintings do not rely on grand gestures but on the steady recording of figures and still lifes. Through his portraits, he provided a visual record of the people and eras he encountered during his travels across the United States.
