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4 位最著名的 Cornelia Scheffer 画作指南
更新于 November 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 4 件 Cornelia Scheffer 作品收录于我们的目录中
简而言之
Cornelia Scheffer 最著名的作品是 Self-portrait (1795)。您可以在 多德雷赫特 的 Dordrechts Museum 欣赏到它。 接下来的名单是 Woman with Two Children on a Country Road (1811) 和 The Women of Souli (1833)。 我们的目录中收录了 Cornelia Scheffer 的 4 件作品；本指南为您精选了其中最著名的 4 件，并附上每件作品的创作年份、馆藏机构及其背后的故事。
1769 – 1839, Dordrecht
藏品最多：Dordrechts Museum
必须了解的 10 幅 Cornelia Scheffer 作品
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在此查看 Cornelia Scheffer 的画作
收藏了本页中大部分画作的 1 家博物馆。
| 博物馆 | 城市 | Cornelia Scheffer 的作品 | 此列表中的画作 |
|---|---|---|---|
 Dordrechts Museum |
多德雷赫特 | 4 | Self-portrait, Woman with Two Children on a Country Road, The Women of Souli |
跨越十年：每位 Cornelia Scheffer 最知名的作品
各年代作品数量
选择一个年代，欣赏其代表作。
Cornelia Scheffer：关于画作的快速问答
Cornelia Scheffer 最著名的画作是哪一幅？查看答案
榜首之作是Self-portrait (1795)，馆藏于Dordrechts Museum, 多德雷赫特。紧随其后的是：Woman with Two Children on a Country Road (1811)与The Women of Souli (1833)。
创作 Self-portrait 时，Cornelia Scheffer 是多少岁？查看答案
26岁。Cornelia Scheffer出生于1769，其作品Self-portrait创作于1795。
您的目录中包含多少件 Cornelia Scheffer 的作品？查看答案
我们的目录中共有 4 件 Cornelia Scheffer 的作品，创作时间从 1795 到 1833。
可以在哪些博物馆看到 Cornelia Scheffer 的名作？查看答案
您可以在 Dordrechts Museum (多德雷赫特) 中找到其中的大部分作品。上方的博物馆列表提供了详细分类。
Cornelia Scheffer 的首件和末件名作分别是什么？查看答案
此处的早期作品为 Self-portrait (1795)；最新作品为 The Women of Souli (1833)。
Dordrechts Museum 馆藏有哪些著名的 Cornelia Scheffer 作品？查看答案
您可以在 Dordrechts Museum, 多德雷赫特 的此页面上看到 4 件作品，包括 Self-portrait, Woman with Two Children on a Country Road 及 The Women of Souli。
在哪里可以订购 Cornelia Scheffer 的复制品？查看答案
是的。本页面的每幅画作均可根据您的需求，选择手工油画复制品或版画，并提供多种尺寸供您选择。只需打开画作详情页即可下单。
Cornelia Scheffer 的故事
A Life of Miniature Precision
Dordrecht, 1769. Cornelia Lamme enters the world as the daughter of Arie Lamme, a landscape painter whose influence likely shaped her early hands. She grows up within an artistic circle, learning the delicate nuances of portrait miniatures. Her childhood is marked by linguistic agility, mastering French, German, and English. The stability of the Dutch Republic shifts in 1787 when Prussian forces arrive; the family flees to the southern Netherlands for two years before returning home.
In October 1794, a union occurs that merges two artistic lineages. Cornelia marries Johann Baptist Scheffer. This partnership is defined by shared skill and the movement of a family through The Hague, Rotterdam, and Amsterdam. She carries the title of miniature painter, working with watercolor and gouache on ivory to capture the likenesses of her own kin.
The Move to Paris
The year 1809 brings a sudden fracture. Johann dies at age 45. The financial weight of the family shifts. Following the death of her husband, Cornelia moves to Brussels, and by 1811, she settles in Paris. This relocation is a calculated decision; she believes the French capital offers better prospects for an artist than the Netherlands. She brings her sons, Ary and Hendrik, into this new environment.
Life in Paris involves navigating the district of Saint-Germain under difficult financial circumstances. As her son Ary gains prominence, Cornelia finds a new rhythm within his orbit. Starting in 1821, she begins working as a copyist for him and Hendrik. She uses her brush to replicate their paintings, effectively building a personal collection of their work through duplication.
Legacy in Miniature
Cornelia’s presence in the Parisian art scene is felt through her proximity to the great figures of the era. While living with Ary in his villa near Montmartre, she likely encounters the likes of Eugene Delacroix, Theodore Gericault, and Jean Baptiste-Dominating Ingres. Her role as a mother and a copyist places her at the center of a significant artistic household.
Her technical output remains rooted in the intimate scale of her training:
- Self-portrait Cornelia Scheffer-Lamme: A 1795 painting capturing her own likeness.
- Miniature portraits of her family: Executed in watercolor and gouache on ivory, held in the Dordrechts museum.
- Genre works: Including pieces such as The women of Souli, a copy of her son's work.
She remains in Paris until her death in 1839 at age 70. She is laid to rest in the Montmartre Cemetery.