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版权 此作品已进入公有领域。Marie Egner 于 1940 年逝世；版权在艺术家去世后延续 70 年，因此已于 2010 年届满。
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Flower Piece — Marie Egner
阴影：Marie Egner 的生卒年 (1850–1940) ▲ 此作，1890
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艺术家与博物馆
出生于 Bad Radkersburg, Austria
Born on August 25, 1850, in Bad Radkersburg, Austria, Marie Egner demonstrated an early aptitude for art.
She received her initial drawing lessons in Graz from Hermann von Königsbrunn.
From 1872 to 1875, she pursued formal studies at the Düsseldorf Academy of Art under Carl Jungheim, a pivotal experience shaping her artistic foundation.
In 1882, Egner relocated to Vienna, living with her mother while continuing her artistic pursuits.
Her summers were spent at the art colony in Plankenberg Castle near Neulengbach, where she studied with Emil Jakob Schindler until 1887. This period significantly influenced her style.
A study trip to England from 1887 to 1889 broadened her artistic horizons and exposed her to different landscapes and techniques.
Egner is primarily known for her contributions to Impressionism and, more specifically, the Austrian variant known as Stimmungsimpressionismus.
Her paintings often depict lyrical landscapes, delicate flower still lifes, and intimate scenes of domestic life.
She masterfully captured atmospheric effects and subtle nuances of light and color, creating a sense of mood and emotion in her work.
A key characteristic is the diffused lighting and realistic detail found within her floral compositions.
Egner held her first exhibition at the Vienna Künstlerhaus shortly after returning from England, marking a significant milestone in her career.
She exhibited extensively in both Germany and England, gaining recognition for her unique artistic vision.
In 1893, she participated in The Woman's Building at the World's Columbian Exposition in Chicago, showcasing her work on an international stage.
Egner established an art school for women but was forced to close it in 1910 due to health reasons.
After World War I, she became a member of the Austrian Association of Women Artists (VBKÖ), actively participating in the artistic community.
The VBKÖ held a major retrospective exhibition of her work in 1926, celebrating her contributions to Austrian art.
In the 1930s, declining eyesight led to her withdrawal from public life.
She passed away on March 31, 1940, in Vienna.
Her work was included in the 2019 exhibition City Of Women: Female artists in Vienna from 1900 to 1938 at the Österreichische Galerie Belvedere, reaffirming her historical significance.
Marie Egner stands as a significant figure in Austrian art history, particularly for her role in developing and promoting Stimmungsimpressionismus.
She was a pioneering woman artist who navigated the challenges of the late 19th and early 20th centuries to establish a successful career.
Her paintings offer valuable insights into Austrian society and landscape during her time, capturing the beauty and tranquility of the natural world.
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Flower Piece — Marie Egner
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