纸张

学生作品指南

An Eclogue

姓名 班级 日期

Kenyon Cox, An Eclogue (1890). 公有领域

基本信息

艺术家
Kenyon Cox artsdot.com/zh/artists/kenyon-cox/
艺术家创作日期
1856 – 1919
绘画
1890
流派/运动
Romanticism Art that puts feeling, wildness and the power of nature above calm order and rules.

语境中

An Eclogue — Kenyon Cox

此画创作于何时?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910

阴影:Kenyon Cox 的生卒年 (1856–1919) ▲ 此作,1890

对比参考

从上方作品中任选其一:列出它与此件作品的两个共同点,以及一个不同点。

与此作品风格相近的其他作品:artsdot.com/zh/art/similar/kenyon-cox-an-eclogue-AQRBU4-en/

配色方案

根据图像测量

    主色调

    Clay #af723b

    已编入目录的色板

    • #AF723B
    • #412417
    • #D1AF6A
    • #6D5F30
    色调
    Dark 图像中的主导色系。
    主色名称
    Clay
    饱和度
    Vivid 色彩的饱和度与多样性,涵盖了从单一的柔和色调到多种明亮色彩的范围。
    对比度
    Bold 画面中色彩在明度和饱和度上的差异程度。
    和谐
    Strong Color Unity 色彩之间的协调程度,从冲突到完全统一。
    亮度
    Balanced 画面整体的明暗程度,涵盖了从深邃阴影到明亮高光的变化。
    饱和度
    Clear Color Presence 色彩纯净且富有张力,从近乎灰调到极尽鲜艳。

    艺术家与博物馆

    艺术家

    Kenyon Cox

    Kenyon Cox: Life and Legacy

    Early Life and Education

    Born: October 27, 1856, in Warren, Ohio.

    Parents: Jacob Dolson Cox and Helen Finney Cox.

    Kenyon Cox initially studied at the Art Academy of Cincinnati (formerly the McMicken School of Art). However, he quickly recognized the limited artistic opportunities available in the city.

    Following a visit to the Centennial Exposition in Philadelphia, he decided to pursue further education at the Pennsylvania Academy of Fine Arts, hoping it would lead to studies in Europe.

    Parisian Training and Influences

    In 1877, Cox moved to Paris, joining a wave of American artists seeking artistic inspiration. He believed Paris was experiencing a “second renaissance” in art.

    Influential Teachers: Carolus-Duran, Jean-Léon Gérôme, and Alexandre Cabanel at the École des Beaux-Arts.

    He initially studied under Carolus-Duran but became frustrated with what he perceived as a “vulgarity” in Duran’s style.

    Travels throughout France and Italy exposed him to the works of Renaissance masters, profoundly shaping his artistic vision.

    Career in New York and Artistic Style

    In 1882, Cox returned to New York City, where he established himself as a painter and illustrator.

    Illustration Work: He became well-known for his magazine illustrations, which reached a wider audience than his paintings.

    Art Criticism: Cox also wrote unsigned art criticisms for the New York Evening Post, supplementing his income.

    His artistic style leaned towards realism, with a focus on landscapes, portraits, and genre studies. He was known for idealized nudes and traditional treatments of classical themes.

    Teaching and Institutional Involvement

    Art Students League of New York: Cox became a highly influential instructor at the Art Students League, shaping generations of artists. He designed the League’s logo featuring the motto “Nulla Dies Sine Linea” (No Day Without a Line).

    Elected an Associate Academician of the National Academy of Design in 1900 and a full Academician in 1903.

    Founding Member: He was one of the founders and secretary of the National Free Arts League.

    Leadership Roles: Served as president of the National Society of Mural Painters from 1915 to 1919, and held memberships in various prestigious art organizations.

    Major Achievements and Historical Significance

    Cox’s work represented a commitment to classical ideals at a time when modern art movements were emerging. He advocated for careful drawing, modulated color, and the use of allegory and symbolism.

    His writings, such as “Two Ways of Painting,” articulated his views on figurative art versus abstract or representational styles.

    Legacy: Though not a radical innovator, Kenyon Cox played a crucial role in maintaining traditional artistic standards and educating aspiring artists. His influence extended through his teaching and his contributions to the American art establishment.

    Death: March 17, 1919.

    更多阅读详情

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    链接至 An Eclogue 下载页面的二维码

    artsdot.com/zh/art/download/kenyon-cox-an-eclogue-AQRBU4-en/

    引用此艺术品

    MLA
    Cox, Kenyon. An Eclogue. 1890, https://artsdot.com/zh/art/kenyon-cox-an-eclogue-AQRBU4-en/
    APA
    Cox, Kenyon (1890). An Eclogue [Painting]. https://artsdot.com/zh/art/kenyon-cox-an-eclogue-AQRBU4-en/
    Chicago
    Kenyon Cox. An Eclogue. 1890. https://artsdot.com/zh/art/kenyon-cox-an-eclogue-AQRBU4-en/
    Harvard
    Cox, Kenyon (1890) An Eclogue. Available at: https://artsdot.com/zh/art/kenyon-cox-an-eclogue-AQRBU4-en/

    细细观察

    An Eclogue — Kenyon Cox

    细致观察

    请用自己的话来回答。这里没有标准答案——只有你能解释清楚的答案。

    1. 首先吸引你目光的是什么?为什么?
    2. 哪些色彩或形状营造了这种氛围——而这种氛围又是怎样的呢?
    3. 你能找到多少张面孔?____(我们的目录统计了 1 张 —— 你同意吗?)
    4. 我们的目录将此作品归类于:nude figures, pastoral scene, landscape。您认同吗?您会增加或删除哪些标签?
    5. 回想一下本指南前文提到的 Augustus Saint-Gaudens (1908)。请指出它与此件作品共有之处的两点,以及不同之处的一点。

    您的回复

    请围绕这件艺术品撰写一段简短的介绍。内容请结合本指南前文所述的事实以及您在上方提供的答案。