纸张尺寸

学生作品指南

Self Portrait

姓名 班级 日期

Joseph Solman, Self Portrait (1946). 仅供参考;版权归权利持有人所有。 在流动的光影下观察这幅画布:线条的笔触、清漆下的真实色彩、以及纯粹的颜料质感

详情介绍

艺术家
Joseph Solman artsdot.com/zh/artists/joseph-solman/
艺术家生卒年份
1909 – 2008
绘画
1946
原尺寸
27 x 23 cm

语境中

Self Portrait — Joseph Solman

尺寸规格

原件尺寸为 27 × 23 厘米(高 × 宽),此处将其与一名平均身高的成年人并列展示。

创作年份

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980
  10. 1990
  11. 2000

上行:年份。下行:艺术家在每个时间段开始与结束时的年龄 —— 出生时为 0,去世时为 99。

创作于艺术家 37 岁时。 这位艺术家享年 99。 2 在我们目录中该艺术家的 13 件有明确日期的作品中,早于此件的作品。

阴影:Joseph Solman 的生卒年 (1909–2008) ▲ 此作,1946 每一幅带有日期的画作,按年代编排

早期作品:至 1949 主要执业年份:1949–1954 晚期作品:始于 1954

这三段时期将本目录中记录的作品划分为第一季度、中期及最后季度。这些时期并非艺术家的全部创作:某些时期的作品稀少,可能源于记录的缺失,而非创作的停滞。 岁月流转,与艺术家的生命轨迹交相辉映

同类作品对比

从上方作品中任选其一:列出它与此件作品的两个共同点,以及一个不同点。

更多与此作品相媲美的佳作:artsdot.com/zh/art/similar/joseph-solman-self-portrait-AS7TLB-en/

色彩

基于图像测量

    主色调

    Gray #7c8a5e

    已收录色板

    • #7C8A5E
    • #FEFEFE
    • #1D221D
    • #525E3C

    这些色彩尽在艺术家的完整调色盘之中 按颜色查找其他画作

    配色方案
    Neutrals 图像中的主导色系。
    主色调
    Gray
    饱和度
    Balanced 色彩的饱和度与多样性,涵盖了从单一柔和色调到多种明亮色彩的范围。
    对比度
    Statement 画面中色彩在明度与饱和度上的差异程度。
    和谐
    Strong Color Unity 色彩之间的协调程度,从冲突到完全统一。
    亮度
    Bright 画面整体的明暗程度,涵盖了从深邃阴影到明亮高光的变化。
    饱和度
    Subtle Color 色彩纯净且富有张力,从近乎灰调到极尽鲜艳。

    这幅画作在全球哪些地方被观赏?

    • 占比低于 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% 及以上
    仅凭这幅画作的记录访客数尚不足以绘制地图,因此该图表展示了过去十二个月内 Joseph Solman 的每一件作品 —— 总计涵盖 3 个国家。 这些数据来源说明

    十大领先国家

    1. 1 中国 62.5%
    2. 2 韩国 25.0%
    3. 3 瑞典 12.5%

    在地图上找出颜色最深的三个国家。收藏这幅画作的博物馆是否位于其中之一?请写下一个让远方的人们想要观赏它的理由。

    Joseph Solman 最受关注的 6 件作品

    1. 1 Conversation, 1943 44.4%
    2. 2 Craig, Martin, Portrait Of, 1936 11.1%
    3. 3 Ruth, 1951 11.1%
    4. 4 Ronni, 1951 11.1%
    5. 5 Self Portrait, 1946 此幅画作 11.1%
    6. 6 High Button Shoes 11.1%

    这些作品共同占据了该艺术家画作在过去十二个月中所获关注度的 99.9%。该目录收录了 17 件该艺术家的作品,其中 6 件曾被至少浏览过一次。 此画作在其中排名第 5,占据了 11.1% 的关注度。 逐月统计数据保持一致

    条形图衡量的是关注度,而非品质。请选择排在首位的作品以及这一件:列举一件除了绘画技巧之外,可能使一幅画作闻名遐迩的因素。

    艺术家与博物馆

    艺术家

    Joseph Solman

    The Soul of the Urban Canvas: The Life and Legacy of Joseph Solman

    Born amidst the shifting tides of the Russian Empire in Vitebsk on January 25, 1909, Joseph Solman’s journey to becoming a cornerstone of American Expressionism was one defined by movement and profound observation. His early years were marked by the upheaval of fleeing the Cossacks, a transition that eventually brought his family to the shores of America. This sense of displacement and the subsequent immersion into the vibrant, chaotic energy of New York City would later become the lifeblood of his art. Even as a young adolescent, Solman possessed an unwavering clarity regarding his vocation, recognizing that his true purpose lay in the meticulous study of the human condition through the tip of a brush.

    Solman’s formal education at the National Academy of Design provided him with a foundation, yet he famously found his most profound lessons far from the classroom. He became a dedicated observer of the city's pulse, often eschewing traditional studio settings to sketch within the rhythmic, subterranean world of the New York City Subway. It was here, amidst the weary travelers and the fleeting glances of strangers, that he developed his signature ability to capture the essence of life in motion. He famously noted that people offered their most perfect, unselfconscious poses while asleep on subway commutes, providing him with a window into a raw, unfiltered humanity.

    Expressionism and the Spirit of The Ten

    As his style matured, Solman emerged as a pivotal figure in the mid-century American art scene. Alongside luminaries such as Mark Rothko, he became an unofficial co-leader of The Ten, a collective of New York City Expressionist painters who sought to challenge the rigid, often sterile dominance of Social Realism. This group, which also included artists like Adolph Gottlieb and Louis Schanker, championed a brand of modernism that prioritized emotional resonance and expressive potential over mere aesthetic perfection or literal representation. Through this movement, Solman helped steer American art toward a more nuanced exploration of abstraction, though he always maintained a deep reverence for the subject matter.

    His artistic philosophy was never one of pure abstraction for its own sake; rather, he believed that the subject itself provided the necessary drama and tension. He famously remarked that what we call the subject yields more pattern, more poetry, and more abstract design than any shapes an artist might invent from thin air. This belief allowed him to bridge the gap between the recognizable world and the emotive power of modernism, creating works that felt both grounded in reality and elevated by spiritual depth.

    Technique, Texture, and Timelessness

    The visual language of Solman’s work is characterized by a masterful command of color and texture. Influenced by the heavy, emotive brushwork of Georges Rouault and the sensibilities of Charles Hawthorne, his paintings often feature bold impasto and geometric forms that lend a structural strength to his compositions. His "Subway Gouaches," completed around 1934, remain some of his most celebrated achievements, praised by critics for their ability to evoke the mysterious, twilight atmosphere of deserted urban streets. The colors in his work are often described as having an astonishingly rich quality that seems to burn from beneath the surface of the paint.

    Throughout his long and prolific career, which spanned nearly a century until his passing in 2008, Solman’s oeuvre remained a testament to the beauty found in the everyday. Whether through the striking purple hues of a portrait like High Button Shoes or the expressive, heavy textures of later works such as Gail, his art remains a profound exploration of light, shadow, and the human spirit. His legacy lives on in the permanent collections of prestigious institutions, including the Smithsonian American Art Museum and the Hirshhorn Museum and Sculpture Garden, where his ability to capture the soul of urban life continues to resonate with new generations of viewers.

    更多阅读资讯

    在线获取详情

    链接至 Self Portrait 下载页面的二维码

    artsdot.com/zh/art/download/joseph-solman-self-portrait-AS7TLB-en/

    引用此作品

    MLA
    Solman, Joseph. Self Portrait. 1946, https://artsdot.com/zh/art/joseph-solman-self-portrait-AS7TLB-en/
    APA
    Solman, Joseph (1946). Self Portrait [Painting]. https://artsdot.com/zh/art/joseph-solman-self-portrait-AS7TLB-en/
    Chicago
    Joseph Solman. Self Portrait. 1946. https://artsdot.com/zh/art/joseph-solman-self-portrait-AS7TLB-en/
    Harvard
    Solman, Joseph (1946) Self Portrait. Available at: https://artsdot.com/zh/art/joseph-solman-self-portrait-AS7TLB-en/

    细致观察

    Self Portrait — Joseph Solman

    近距离观察

    请用自己的话来回答。这里没有标准答案——只有你能解释清楚的答案。

    1. 首先吸引你目光的是什么?为什么?
    2. 哪些色彩或形状营造了这种氛围——而这种氛围又是怎样的呢?
    3. 回想一下本指南前文提到的 Street Corner (1950)。请指出它与此件作品共有之处的两点,以及不同之处的一点。
    4. Joseph Solman 在创作此作时大约 37 岁。作品中的哪些细节体现了艺术家这一阶段的创作特征?
    5. 艺术家或许想让你感受到什么?

    您的回复

    请围绕这件艺术品撰写一段简短的介绍。内容请结合本指南前文所述的事实以及您在上方提供的答案。

    问答详情

    "Self Portrait" 的色调饱和度如何?

    Joseph Solman 的《Self Portrait》 的色彩饱和度记录为 Subtle Color。

    Joseph Solman 的《Self Portrait》 是在何时创作的?

    Joseph Solman 的《Self Portrait》 的创作年份为 1946。

    "Self Portrait" 的色彩呈现出浓郁还是柔和的视觉感?

    Self Portrait”的色彩饱和度为Balanced。饱和度描述了色彩呈现的浓郁程度。