纸张尺寸

学生作品指南

Ten Commandments

姓名 班级 日期

hystercine rankin, Ten Commandments (1990), San Jose Museum of Quilts - Textiles. 仅供参考;版权归权利持有人所有。

详情介绍

艺术家
hystercine rankin artsdot.com/zh/artists/hystercine-rankin/
艺术家生卒年份
1929 – 2010
绘画
1990
举办地点
San Jose Museum of Quilts - Textiles artsdot.com/zh/museums/san-jose-museum-of-quilts-textiles-san-jose/

语境中

Ten Commandments — hystercine rankin

创作年份

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000
  10. 2010

阴影:hystercine rankin 的生卒年 (1929–2010) ▲ 此作,1990

同类作品对比

从上方作品中任选其一:列出它与此件作品的两个共同点,以及一个不同点。

更多与此作品相媲美的佳作:artsdot.com/zh/art/similar/hystercine-rankin-ten-commandments-D8EMM2-en/

色彩

基于图像测量

    主色调

    Putty #dadcdb

    已收录色板

    • #DADCDB
    • #B8A89D
    • #3C4C4E
    • #78797C
    配色方案
    Neutrals 图像中的主导色系。
    主色调
    Putty
    饱和度
    Monochromatic 色彩的饱和度与多样性,涵盖了从单一柔和色调到多种明亮色彩的范围。
    对比度
    Bold 画面中色彩在明度与饱和度上的差异程度。
    和谐
    Discordant Palette 色彩之间的协调程度,从冲突到完全统一。
    亮度
    Brilliant 画面整体的明暗程度,涵盖了从深邃阴影到明亮高光的变化。
    饱和度
    Muted 色彩纯净且富有张力,从近乎灰调到极尽鲜艳。

    艺术家与博物馆

    艺术家

    hystercine rankin

    出生地 Jefferson County, United States of America

    early life and career

    hystercine rankin was born on september 11, 1929, in jefferson county, mississippi. she was the third child of her parents, laula and denver gray. her mother, laula, taught at a one-room schoolhouse, while her father, denver gray, was a sharecropper. in 1939, her father was shot and killed by a white man for unknown reasons. following his burial, rankin and her siblings moved in with her grandmother, alice whelman.

    artistic career

    when rankin turned 12, her grandmother began teaching her how to quilt. she learned styles such as flower garden, nine patch, star quilt, and string quilt. her quilts were primarily utilitarian bed covers, made from scraps of fabric. rankin's work is held in the permanent collections of the american folk art museum, the mississippi museum of art, and the san jose museum of quilts and textiles. you can see some of her artwork on hystercine rankin's page on AllPaintingsStore.com.

    awards and recognition

    rankin was awarded the national heritage fellowship in 1990 for her contributions to the field of quilting. she was also recognized by the mississippi department of archives and history for her work. you can learn more about her achievements on kirby collection of historical paintings (united states) page.

    legacy

    rankin's legacy lives on through her quilts, which continue to inspire and educate people about the art of african-american quilting. her story is a testament to the power of tradition and community. you can read more about her life and work on hystercine rankin's wikipedia page.

    african-american quilter from mississippi

    utilitarian bed covers made from scraps of fabric

    traditional patterns such as flower garden, nine patch, star quilt, and string quilt

    national heritage fellowship award in 1990

    mississippi department of archives and history recognition

    you can explore more about hystercine rankin's artwork on AllPaintingsStore.com, including her biography and a selection of her quilts.

    博物馆

    San Jose Museum of Quilts - Textiles

    正在展出于 San Jose, United States of America

    A Tapestry of Human Narrative: The San Jose Museum of Quilts & Textiles

    In the vibrant heart of San Jose’s SoFA Arts District, where creativity pulses through the streets, lies a sanctuary dedicated to one of humanity's most intimate and enduring art forms. The

    San Jose Museum of Quilts & Textiles

    stands as a singular testament to the power of fiber arts—a medium that, while often overshadowed by the grand scale of oil paintings or marble sculptures, possesses a profound ability to articulate the textures of human existence. Founded in 1977 as the American Museum of Quilts and Related Arts, this pioneering institution was the first of its kind in the United States to elevate the craft of quilting and textile production to the status of legitimate visual art. It is a place where the needle and thread serve as instruments of storytelling, weaving together the threads of personal memory and global heritage.

    To wander through the museum’s collection is to embark on a sensory journey across centuries and continents. The holdings are a breathtaking mosaic of over 1,500 objects that bridge the gap between domestic devotion and avant-garde experimentation. Visitors may find themselves captivated by the rhythmic geometry of historical masterpieces, such as the

    Silk Log Cabin Quilt

    by Marie T. Wageman Pechmann, where every interlocking square acts as a heartbeat of mid-nineteenth-century history. The collection breathes with the vitality of both the old and the new, showcasing meticulously crafted ethnic textiles that serve as repositories of cultural identity alongside groundbreaking contemporary works. From the intricate, nature-inspired motifs of Jane A. Sassaman’s

    Brocade Quilt

    to the vibrant, seasonal landscapes found in Karmen Gallo Stren’s

    Celebration of Autumn

    , the museum celebrates a spectrum of technique that ranges from traditional hand-stitching to modern machine strip quilting.

    What truly distinguishes this institution is its role as a living laboratory for artistic dialogue. Beyond the static beauty of its permanent galleries, the museum fosters a dynamic community through its

    Artist in Residence Program

    , which has provided a platform for creators since 2016 to push the boundaries of fiber experimentation. This commitment to growth is mirrored in its scholarly depth; with a research library containing over 500 specialized volumes, the museum serves as a vital cornerstone for historians and textile enthusiasts alike. For the interior designer seeking inspiration in texture and form, or the collector drawn to the intersection of craft and fine art, the San Jose Museum of Quilts & Textiles offers more than just an exhibition; it offers an immersive exploration of the tactile soul of art, proving that the most profound stories are often those woven into the very fabric of our lives.

    更多阅读资讯

    在线获取详情

    链接至 Ten Commandments 下载页面的二维码

    artsdot.com/zh/art/download/hystercine-rankin-ten-commandments-D8EMM2-en/

    引用此作品

    MLA
    rankin, hystercine. Ten Commandments. 1990, San Jose Museum of Quilts - Textiles. https://artsdot.com/zh/art/hystercine-rankin-ten-commandments-D8EMM2-en/
    APA
    rankin, hystercine (1990). Ten Commandments [Painting]. San Jose Museum of Quilts - Textiles. https://artsdot.com/zh/art/hystercine-rankin-ten-commandments-D8EMM2-en/
    Chicago
    hystercine rankin. Ten Commandments. 1990. San Jose Museum of Quilts - Textiles. https://artsdot.com/zh/art/hystercine-rankin-ten-commandments-D8EMM2-en/
    Harvard
    rankin, hystercine (1990) Ten Commandments. San Jose Museum of Quilts - Textiles. Available at: https://artsdot.com/zh/art/hystercine-rankin-ten-commandments-D8EMM2-en/

    细致观察

    Ten Commandments — hystercine rankin

    近距离观察

    请用自己的话来回答。这里没有标准答案——只有你能解释清楚的答案。

    1. 首先吸引你目光的是什么?为什么?
    2. 哪些色彩或形状营造了这种氛围——而这种氛围又是怎样的呢?
    3. 回想一下本指南前文提到的 One Patch Quilt (1990)。请指出它与此件作品共有之处的两点,以及不同之处的一点。
    4. hystercine rankin 在创作此作时大约 61 岁。作品中的哪些细节体现了艺术家这一阶段的创作特征?
    5. 艺术家或许想让你感受到什么?

    您的回复

    请围绕这件艺术品撰写一段简短的介绍。内容请结合本指南前文所述的事实以及您在上方提供的答案。