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Monstermind

Rho Jae Oon has been producing works that give new meanings to images, texts, and sounds he collected from the internet and induce change the way of thinking, appropriating the technique of montage, a technique in film editing. Rho tells that we should enlighten ourselves about the danger of the transcendent speed that is accelerated by ‘smart’ platforms such as social network services. Rather than discussing the stereotypical optimism or hostility to the digital and the internet, we shall recognize the fact that the velocity of technology might induce us to unconscious conformity towards the myths created by the establishment. Monstermind is an interface* created by the artist, which plays a role of an attitude that responds to information and temporality of the current time and functions as a platform that combines them in a different dimension. * Interface: A term to describe a physical or imaginary medium created to enable communication between objects or humans. For example, a landline telephone or a mobile phone can be examples of an inter-human interface in its physical forms. Virtual forms of the inter-human interface can be cable and wireless networks. * Monster Mind: In everyday use, ‘Monster Mind’ is a programme for protecting against cyber warfare without order or command by human and it is supposed to sense an attack automatically. Beyond that, it means a supernational and artificial intelligence.

常见问题与解答

“Monstermind”这一Contemporary Abstraction背后蕴含着怎样的国族渊源?

这件Contemporary Abstraction风格的作品《Monstermind》出自一位出生于South Korea的艺术家之手。

Rho Jae Oon 的《Monstermind》 的色彩浓郁度如何?

“Monstermind”的色彩强度为Monochromatic。强度描述了色彩呈现的浓郁程度。

在哪里可以找到关于Rho Jae Oon 的《Monstermind》的数据统计?

Rho Jae Oon 的《Monstermind》 的 访问统计 页面展示了公开访问统计数据:包括该作品的每月访问量、与艺术家最受关注作品的对比,以及访客的来源地。

Rho Jae Oon(1971 –)

Explore rho jae oon's mixed media art – a Korean artist blending internet imagery & sound through montage. Provocative, cognitive shifts in works like 'Monstermind'.

白南准艺术中心 (龙仁, 韩国)

前往韩国白南准艺术中心,探索这位视觉大师的远见世界!在这里发现开创性的影像艺术与互动展览,共同向“媒体艺术之父”致敬。

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