Pomona
The artwork titled Pomona is a painting by the French artist Robert Tournières. This specific composition is a copy after the work of Aert de Gelder. The piece is dated to 1739.
简而言之
如果你知道一幅 Robert Tournières 的画作,那很可能就是挂在 斯德哥尔摩 国家博物馆 中的《Pomona (1739)》。 Portrait of an Old Man (Guillaume de Lisle?) (1700) 和 Michel Corneille l'Aîné (1642-1708) (1702) 构成了人们一眼就能认出的三件作品。 我们的目录中包含 Robert Tournières 的 18 件作品。以下是 16 件最广为人知的作品,并附有创作年份、馆藏地点及其艺术特色。
The artwork titled Pomona is a painting by the French artist Robert Tournières. This specific composition is a copy after the work of Aert de Gelder. The piece is dated to 1739.
A Glimpse of Aristocratic Life: Robert Le Vrac de Tournières’ “Count Ferdinand Adolf von Plettenberg and His Family” Robert Le Vrac de Tournières' 1727 painting, "Count Ferdinand Adolf von Plettenberg and His Family," is more than just a portrait; it’s a meticulously crafted window into the refined world of 18th-century European aristocracy. The scene unfolds within a richly appointed interior – likely a salon or drawing room – dominated by…
Robert Le Vrac de Tournières: Bridging Dutch Intimacy and Rococo Elegance Robert Le Vrac de Tournières (1667–1752) stands as an intriguing figure in the annals of French Baroque painting, embodying a pivotal transitional period where influences from the Netherlands intertwined with the burgeoning stylistic sensibilities of the Rococo era. Unlike many contemporaries who adhered rigidly to established conventions, Tournières skillfully blended elements of Dutch genre scenes—characterized by their candid portrayal…
这些作品中最常出现的四个主题,以及各自最著名的代表作。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | Robert Tournières 的作品 | 此列表中的画作 |
|---|---|---|---|
| 斯德哥尔摩 | 1 | Pomona | |
| Versailles | 1 | Michel Corneille l'Aîné (1642-1708) | |
| 伯明翰 | 1 | Portrait of Richard (Dicky) Bateman | |
| 第戎 | 1 | Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727) | |
| 布达佩斯 | 1 | Count Ferdinand Adolf von Plettenberg and his Family | |
| 巴黎 | 1 | Concert | |
| 圣彼得堡 | 1 | Portrait of Unknown Woman as Hebe | |
| 南特 | 1 | Portrait of the Maupertuis family |
选择一个年代,欣赏其代表作。
Robert Le Vrac de Tournières: Bridging Dutch Intimacy and Rococo Elegance Robert Le Vrac de Tournières (1667–1752) stands as an intriguing figure in the annals of French Baroque painting, embodying a pivotal transitional period where influences from the Netherlands intertwined with the burgeoning stylistic sensibilities of the Rococo era. Unlike many contemporaries who adhered rigidly to established conventions, Tournières skillfully blended elements of Dutch genre scenes—characterized by their candid portrayal…
The artwork titled Pomona is a painting by the French artist Robert Tournières. This specific composition is a copy after the work of Aert de Gelder. The piece is dated to 1739.
榜首之作是Pomona (1739),馆藏于国家博物馆, 斯德哥尔摩。紧随其后的是:Portrait of an Old Man (Guillaume de Lisle?) (1700)与Michel Corneille l'Aîné (1642-1708) (1702)。
72岁。Robert Tournières出生于1667,其作品Pomona创作于1739。
Pomona, Portrait of an Old Man (Guillaume de Lisle?), Michel Corneille l'Aîné (1642-1708), Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain, Portrait of Richard (Dicky) Bateman, Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727), Dibutade Drawing, by the Light of a Lamp, the Portrait of His Lover, Count Ferdinand Adolf von Plettenberg and his Family, Concert 及 Pierre Louis Moreau de Maupertuis。您可以在上方的列表中找到每件作品的创作年份及所属博物馆。
我们的目录中共有 18 件 Robert Tournières 的作品,创作时间从 1690 到 1750。
您可以在 国家博物馆 (斯德哥尔摩), Opera House (Versailles) 及 伯明翰博物馆与美术馆 (伯明翰) 中找到其中的大部分作品。上方的博物馆列表提供了详细分类。
在 1700s 时期,作品数量远超其他时期:本页 16 件作品中有 2 件出自该时期,其中包含 Portrait of an Old Man (Guillaume de Lisle?) 件。
此处的早期作品为 Concert (1690);最新作品为 Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727) (1750)。
Portraits (3) 及 Portraiture (2),共计 16 件作品。
Oil On Canvas,共用于本页 16 件作品中的 3 件。
正如您在这些作品中所看到的,Rococo。
是的。本页面的每幅画作均可根据您的需求,选择手工油画复制品或版画,并提供多种尺寸供您选择。只需打开画作详情页即可下单。
Robert Le Vrac de Tournières was born in Caen, France, in 1667. His artistic journey began with studies under Lucas Delahaye, a respected painter of the time. He further honed his skills under the tutelage of Bon Boullogne and Rigaud, both prominent figures in French painting, setting the stage for a successful career.
Tournières’ artistic style reflects a fascinating transitional period within French art. He skillfully blended elements of Dutch intimacy – particularly evident in his genre scenes – with the emerging lightness and elegance that would come to define the Rococo style. His palette was noted for its delicate coloring, and he demonstrated a keen talent for capturing both pose and drapery. While not considered among the most powerful painters of his era, critics acknowledged his careful technique and refined execution.
Tournières achieved significant recognition during his lifetime, being received into the Académie royale de peinture twice. The first acceptance in 1702 was based on his portraiture skills, specifically portraits of fellow artists Pierre Mosnier and Michel Corneille. His second reception in 1716, as a history painter, came with his work Invention of Drawing (1716), depicting a romantic scene illuminated by candlelight. Although many of his large-scale paintings have been lost to time, numerous smaller works survive, showcasing his mastery of detail and character portrayal.
Tournières was deeply influenced by Dutch masters such as Godfried Schalken and Gerard Dou, dedicating considerable study to their techniques. This influence is visible in his attention to light, shadow, and the intimate portrayal of everyday life. He also drew inspiration from his teachers, incorporating elements of their styles into his own unique approach.
In 1737, Tournières was promoted to professeur auxiliaire, further solidifying his position within the artistic community. He continued to exhibit successfully at the Salon of 1742. However, he returned to Caen in 1749 and ceased painting. His father, an engraver, had familial connections through marriage to François Lemoyne. Despite fading from active practice, Tournières left behind a considerable body of portraits that remain highly regarded and are found in notable collections today.
Robert Le Vrac de Tournières occupies an important place as a transitional figure in French art. He embodies the shift from the more formal Baroque style towards the lighter, more decorative Rococo aesthetic. His ability to synthesize Dutch realism with emerging French sensibilities makes his work particularly valuable for understanding the evolution of 18th-century painting.