更新于 October 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 56 件 彼得罗·安东尼奥·罗塔里 (Bǐdéluó·Āndōngníào·Luótǎlǐ) 作品收录于我们的目录中
简而言之
如果你知道一幅 彼得罗·安东尼奥·罗塔里 (Bǐdéluó·Āndōngníào·Luótǎlǐ) 的画作，那很可能就是《Girl with a book》。 Alexander the Great and Roxane (1756) 和 Portrait of Maria Josepha of Austria (1755) 构成了人们一眼就能认出的三件作品。 我们的目录中包含 彼得罗·安东尼奥·罗塔里 (Bǐdéluó·Āndōngníào·Luótǎlǐ) 的 56 件作品。以下是 53 件最广为人知的作品，并附有创作年份、馆藏地点及其艺术特色。
The painting titled Girl with a book is a work by the artist Pietro Rotari. This portrait captures a quiet moment of study, rendered in oil on canvas. It belongs to the period of the artist's career spanning c. 1756 - 1762. The subject holds a book, a singular object that anchors the composition and defines the sitter's immediate purpose.
Pietro Antonio Rotari’s “Alexander the Great and Roxane,” completed in 1756, stands as a testament to Baroque grandeur fused with meticulous realism—a captivating portrayal of one of history's most celebrated military figures and his enigmatic consort. The painting resides within the esteemed collections of the Hermitage Museum in Saint Petersburg, Russia, where it continues to inspire admiration for its masterful execution and profound symbolic resonance.
In this 1755 oil portrait, we encounter Maria Josepha of Austria, the wife of King Augustus III of Poland. The sitter is presented in a three-quarter length view, her posture conveying a quiet, steady authority. There is a certain stillness to her presence, a composure that suggests the weight of her station without the need for overt drama. The light, descending from the upper left, gently sculpts the contours of…
A young boy rests in the center of the frame, his head tilted in the heavy stillness of sleep. The composition is tight, focusing on the soft curve of his neck and the gentle rise of his shoulders. He wears a vest of muted brown over a creamy white shirt, the fabric rendered with a smooth, painterly touch. His hair falls in wavy, dark locks across his forehead, catching a…
A single gaze meets the observer from the year 1746. Jerzy August Mniszech sits in a three-quarter pose, his body angled toward the left while his eyes remain fixed upon us. He is a man of the mid-18th century, draped in a heavy red coat that holds the light in its deep folds. A blue sash cuts across his torso, a cool stripe of color against the warmth of his…
A young boy sits in a space of profound stillness, his presence filling the frame with a quiet, heavy introspection. He is caught in a moment of deep thought, his chin resting near his hand as he gazes out with eyes that seem to hold a weight beyond his years. The light, soft and directional, spills from the upper left, brushing against the gentle contours of his face and the…
Old woman with fur hat is an oil on canvas portrait by the artist Pietro Rotari. Executed about 1754, the work is a close-up bust portrait that focuses on the character and physical presence of the subject.
A single moment of stillness defines this portrait. A young woman rests in a three-quarter profile, her eyes closed against the world. Her skin possesses a porcelain quality, luminous and pale under a soft light that descends from the upper left. This light traces the gentle curve of her neck and the soft folds of her white linen collar. A red cap sits upon her head, its plush fur trim…
In the grand tapestry of eighteenth-century portraiture, few works capture the intersection of sovereign power and delicate femininity as exquisitely as Pietro Antonio Rotari’s 1755 masterpiece, Queen Maria Josepha, Wife of King Augustus III of Poland. This commanding portrait is far more than a mere likeness; it is a profound exploration of Baroque grandeur, designed to evoke an immediate sense of awe in any viewer. As the eye meets the…
The painting titled Girl Looking through a Telescope is a work by the Italian artist Pietro Rotari. Created in the late 1750s, this portrait captures a singular moment of observation. The work was commissioned by Queen Lovisa Ulrika, who possessed a known interest in the study of natural history and scientific instruments.
这些作品中最常出现的四个主题，以及各自最著名的代表作。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 彼得罗·安东尼奥·罗塔里 (Bǐdéluó·Āndōngníào·Luótǎlǐ) 的作品 | 此列表中的画作 |
|---|---|---|---|
 德累斯顿国家艺术收藏馆 |
德累斯顿 | 11 | Sleeping boy, Young boy, Old woman with fur hat |
 巴伐利亚州绘画收藏馆 |
慕尼黑 | 5 | Electoral Prince Friedrich Christian of Saxony, Portrait of a Lady, Crown Princess Maria Antonia of Sachsen |
 华沙国家博物馆 |
华沙 | 3 | Portrait of Maria Josepha of Austria, Portrait of Jerzy August Mniszech (1715–1778), his own coat of arms, Portrait of a maid. |
 冬宫博物馆 |
圣彼得堡 | 2 | Alexander the Great and Roxane, Portrait of Countess A.M. Vorontsova |
 国家美术馆 |
华盛顿 | 2 | A Sleeping Girl, A Girl with a Flower in Her Hair |
 Gemäldegalerie |
德累斯顿 | 2 | Queen Maria Josepha, Wife of King Augustus III of Poland, King Augustus III of Poland |
 国家博物馆 |
斯德哥尔摩 | 2 | Girl Looking through a Telescope, Girl with Needle-work |
 El Paso Museum of Art |
El Paso | 2 | A Girl in a Blue Dress, A Girl in a Red Dress |
选择一个年代，欣赏其代表作。
A young boy rests in the center of the frame, his head tilted in the heavy stillness of sleep. The composition is tight, focusing on the soft curve of his neck and the gentle rise of his shoulders. He wears a vest of muted brown over a creamy white shirt, the fabric rendered with a smooth, painterly touch. His hair falls in wavy, dark locks across his forehead, catching a…
A single gaze meets the observer from the year 1746. Jerzy August Mniszech sits in a three-quarter pose, his body angled toward the left while his eyes remain fixed upon us. He is a man of the mid-18th century, draped in a heavy red coat that holds the light in its deep folds. A blue sash cuts across his torso, a cool stripe of color against the warmth of his…
Pietro Antonio Rotari’s “Alexander the Great and Roxane,” completed in 1756, stands as a testament to Baroque grandeur fused with meticulous realism—a captivating portrayal of one of history's most celebrated military figures and his enigmatic consort. The painting resides within the esteemed collections of the Hermitage Museum in Saint Petersburg, Russia, where it continues to inspire admiration for its masterful execution and profound symbolic resonance.
A single moment of stillness defines this portrait. A young woman rests in a three-quarter profile, her eyes closed against the world. Her skin possesses a porcelain quality, luminous and pale under a soft light that descends from the upper left. This light traces the gentle curve of her neck and the soft folds of her white linen collar. A red cap sits upon her head, its plush fur trim…
榜首作品是Girl with a book。紧随其后的是：Alexander the Great and Roxane (1756)和Portrait of Maria Josepha of Austria (1755)。
Girl with a book, Alexander the Great and Roxane, Portrait of Maria Josepha of Austria, Sleeping boy, Portrait of Jerzy August Mniszech (1715–1778), his own coat of arms, Young boy, Old woman with fur hat, A Sleeping Girl, Queen Maria Josepha, Wife of King Augustus III of Poland 及 Girl Looking through a Telescope。您可以在上方的列表中找到每件作品的创作年份及所属博物馆。
我们的目录中共有 56 件 彼得罗·安东尼奥·罗塔里 (Bǐdéluó·Āndōngníào·Luótǎlǐ) 的作品，创作时间从 1734 到 1762。
您可以在 德累斯顿国家艺术收藏馆 (德累斯顿), 巴伐利亚州绘画收藏馆 (慕尼黑) 及 华沙国家博物馆 (华沙) 中找到其中的大部分作品。上方的博物馆列表提供了详细分类。
在 1750s 时期，作品数量远超其他时期：本页 53 件作品中有 19 件出自该时期，其中包含 Alexander the Great and Roxane 件。
此处的早期作品为 Sleeping boy (1734)；最新作品为 A young Woman, Pietro Rotari, 1756 - 1762 (1762)。
Woman (11), Portrait (6) 及 Portraits (6)，共计 53 件作品。
Oil On Canvas，共用于本页 53 件作品中的 16 件。
正如您在这些作品中所看到的，Baroque。
您可以在 德累斯顿国家艺术收藏馆, 德累斯顿 的此页面上看到 11 件作品，包括 Sleeping boy, Young boy 及 Old woman with fur hat。
是的。本页面的每幅画作均可根据您的需求，选择手工油画复制品或版画，并提供多种尺寸供您选择。只需打开画作详情页即可下单。
彼埃特罗·安东尼奥·罗塔里诞生于1707年的维罗纳，这座城市沉浸在巴洛克传统的氛围中，同时也对意大利绘画不断演变的潮流持开放态度。他最初师从安东尼奥·巴莱斯特拉，获得了扎实的古典构图和技巧基础——这是他建立独特风格的基石。这段形成期的训练赋予了罗塔里对细节一丝不苟的欣赏以及对形式精致的处理能力，这些品质将成为其作品的标志。1725年至1727年间，他在威尼斯逗留了一段时间，拓宽了他的艺术视野，接触到这座城市独特的融合影响——威尼斯色彩主义和戏剧张力的交汇。这次经历具有关键作用，塑造了他的审美情趣并为他进一步学习做好了准备。
罗塔里的雄心驱使他继续前行，首先是1728年至1732年间前往罗马，在弗朗切斯科·特雷维萨尼的指导下磨练他的技艺。特雷维萨尼的影响在他早期的作品中显而易见，尤其是在他对光影微妙的处理以及捕捉肖像人物心理深度的日益重视方面。随后，他与那不勒斯（1731-1734年）的弗朗切斯科·索利梅纳合作了一段时间，进一步丰富了他的艺术词汇。索利梅纳是那不勒斯巴洛克的宗师，向罗塔里传授了一种贯穿其职业生涯的宏伟和戏剧性强度。
回到维罗纳后，彼埃特罗·安东尼奥·罗塔里迅速成为一名独立的艺术家，开设了自己的工作室并吸引了越来越多的客户。他开始塑造一种独一无二的风格——这种风格以非凡的现实主义为特征，同时又带有优雅和精致的敏感性。虽然扎根于巴洛克传统，但罗塔里的作品具有轻盈的手法和对细微差别的敏感度，使其与当时盛行的更为外向的戏剧化风格区分开来。他早期的委托作品通常涉及当地教堂的大型祭坛画，例如维罗纳圣雅各布教堂（1745年）的《四位殉道者》，展示了他处理复杂构图和赋予宗教场景情感力量的能力。
然而，在肖像绘画领域，罗塔里真正展现了他的才华。他拥有捕捉坐姿者的外貌特征以及他们的个性、内在优雅和社会地位的非凡天赋。他的肖像画不仅仅是简单的描绘；它们是对人物性格深刻的研究，以惊人的微妙之处揭示了人类情感的细微差别。这种才能很快赢得了意大利北部贵族圈子的认可。
1750年标志着罗塔里职业生涯的一个转折点，他前往维也纳，寻求在帝国宫廷的机会。虽然成功并非立竿见影，但它为他最终的胜利奠定了基础。直到1756年，命运的安排让他受到了俄罗斯伊丽莎白·彼得罗夫娜女皇的关注。受邀前往圣彼得堡后，罗塔里迅速成为俄国贵族圈子中备受青睐的肖像画家。他擅长美化和理想化坐姿者形象，同时保持一定程度的现实主义，这对于宫廷来说是无法抗拒的。
罗塔里的才华不仅限于俄罗斯；他还为波兰奥古斯都三世在德累斯顿工作，进一步巩固了他作为欧洲皇室领先肖像画家的声誉。后来，他回到圣彼得堡为叶卡捷琳娜二世服务，继续创作肖像画，捕捉了俄罗斯宫廷的奢华和权力。他的委托作品包括大公夫人、伯爵和其他重要人物的描绘，每一幅肖像都经过精心渲染，细节精致，并深刻理解了贵族礼仪。
彼埃特罗·安东尼奥·罗塔里作为宫廷画家的成功反映了18世纪肖像绘画的重要性——那个时代图像不仅用于纪念个人，还用于投射权力和地位。他的肖像画为欧洲贵族和宫廷生活提供了宝贵的历史记录，记录了一个政治和社会发生重大变化的时代。
虽然罗塔里不是一个彻底改变艺术史进程的革命性人物，但他精致的风格对巴洛克传统中工作的其他艺术家产生了微妙而持久的影响。他对现实主义、优雅和心理洞察力的强调为肖像画树立了很高的标准，激励着一代又一代画家努力达到相似的技能水平和敏感度。
罗塔里于1762年去世于圣彼得堡，留下了一位他那个时代最受欢迎的肖像画家之一的遗产。他的作品继续以其美丽、优雅以及对欧洲皇室和贵族的深刻描绘吸引着观众。彼得霍夫宫时尚与恩典内阁装饰着数百幅罗塔里的小型肖像画，证明了他非凡的才华和对艺术世界的持久贡献。
