更新于 October 2026 · 基于我们的流行度评分排名（每件作品的搜索量、访问量及订单量） · 129 件 科內利斯·范哈勒姆 作品收录于我们的目录中
简而言之
大多数人熟知的 科內利斯·范哈勒姆 作品是《Portrait of Dirck Volckertsz. Coornhert (1590)》，您可以在位于 海伦 的 弗朗斯·哈尔斯博物馆 欣赏到它。 紧随其后的是 Venus and Vulcan (1590) 和 Pomona Receives the Harvest of Fruit (1626)。 在 科內利斯·范哈勒姆 的 129 件作品中，这 100 件是最广为人知的。每件作品都附有创作年份、馆藏博物馆以及关于其艺术特色的简短介绍。
A single man occupies the center of this space, his presence anchored by a heavy, dark hat and a beard of stark, textured white. The light strikes the side of his face, carving deep valleys into the skin and highlighting the fine, etched lines around his eyes. He does not look away. His eyes hold a piercing, steady quality that demands a quiet confrontation with the viewer. Shadows pool in…
In this 1590 oil on canvas, we find ourselves drawn into the heat of a mythological forge. The composition is anchored by a profound physical presence, where the muscularity of the figures commands the space. On the left, Vulcan sits in a dynamic, heavy pose, his body a study of strength as he prepares to strike an anvil. His skin is rendered with a fleshy, tactile quality that contrasts sharply…
Cornelis van Haarlem captures a moment of seasonal abundance in Pomona Receives the Harvest of Fruit. This mythological painting, executed in 1626, centers on the Roman goddess of fruit trees. She exists within a lush, verdant landscape, surrounded by the heavy weight of a successful harvest. The scene is a quiet celebration of nature's bounty, rendered through the lens of the Dutch Renaissance.
The painting Jester in a Fool's Cap is a work by Cornelis van Haarlem. Created in 1596, this oil on panel piece functions as a tronie, focusing on the expressive potential of a specific character type rather than a formal portrait. The subject of this study is identified as Pieter Cornelisz van der Morsch.
The Fall of Ixion is an oil painting by Cornelis van Haarlem, executed about 1588. The canvas captures a moment of violent descent rooted in Greek mythology. It depicts the punishment of Ixion, the king of the Lapiths and son of Perimele, who was cast down for his hubris against the gods.
Cornelis van Haarlem’s Ceres and Bacchus, created about 1610, presents an intimate mythological encounter set against a near-black background. The composition relies on dramatic chiaroscuro to push the figures into the foreground, creating depth through light rather than perspective. Ceres is positioned looking upward with an expression of longing or contemplation, while Bacchus leans toward her, his head adorned with a crown of vine leaves.
is an oil on canvas work by the artist Cornelis van Haarlem. The painting captures a moment of profound intrusion, a scene where the quietude of a private ritual is shattered by the presence of others. It is also recognized by the title Susanna im Bade. The canvas holds a tension that resides in the space between the subject and the watchers.
The goddess Diana emerges from the shadows in Diana as Goddess of the Hunt, a work painted by Cornelis van Haarlem. She appears not as a distant myth, but as a presence caught in a singular, quiet moment of strength. This portrait, created by Cornelis van Haarlem in 1607, captures the Roman goddess in a way that feels immediate and alive. The subject carries the weight of her divinity through…
is a painting by Cornelis van Haarlem, executed in 1600. The work centers on the mourning over the dead Christ, a somber religious subject rendered during the transition between the late Mannerist period and the Dutch Golden Age.
Venus and Adonis is an oil painting by Cornelis van Haarlem. The artist, born in 1562 in Haarlem, Netherlands, captured this mythological scene around 1603. His hand moved through the transition of styles in the Netherlands, a life that spanned from his birth in the mid-sixteenth century until his death in 1638.
De H. Familie met Elisabeth en de jonge Johannes de Doper als kind1589 · 卡尔斯鲁厄州立美术馆
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Venus and Adonis resting in an extensive landscape, with Cupid and hunting dogs and their quarries1610
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Portrait of Andries Pietersz van Souwen (1549/1550-1625)1624 · Museum Catharijneconvent
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这些作品中最常出现的四个主题，以及各自最著名的代表作。
收藏了本页中大部分画作的 8 家博物馆。
| 博物馆 | 城市 | 科內利斯·范哈勒姆 的作品 | 此列表中的画作 |
|---|---|---|---|
 华沙国家博物馆 |
华沙 | 9 | Christ with the cross and the chalice, Mars and Venus as lovers., Christ holding the Cross and a Chalice |
 弗朗斯·哈尔斯博物馆 |
海伦 | 8 | Portrait of Dirck Volckertsz. Coornhert, Jester in a Fool's Cap, Juda and Tamar |
 国家博物馆 |
阿姆斯特丹 | 8 | Pomona Receives the Harvest of Fruit, Bathsheba at her Toilet, Cornelis Cornelisz. van Haarlem, 1594, Pieter Jansz Kies (c 1536-97). Burgomaster of Haarlem, Cornelis Cornelisz. van Haarlem, 1596 |
 国家博物馆 |
斯德哥尔摩 | 4 | Venus and Vulcan, Venus and Adonis, The Mirror of Time |
 Frans Halsmuseum |
哈伦 | 4 | The Wedding of Peleus and Thetis (detail) (12), The Wedding of Peleus and Thetis (detail) (10), The Wedding of Peleus and Thetis (detail) |
 卢浮宫 |
巴黎 | 3 | LE BAPTEME DU CHRIST (GRANDE VERSION), LE BAPTEME DU CHRIST (PETITE VERSION) |
 博伊曼斯·范·本宁根博物馆 |
鹿特丹 | 2 | The Fall of Ixion, Bacchus and a Satyr |
 卡尔斯鲁厄州立美术馆 |
卡尔斯鲁厄 | 2 | De H. Familie met Elisabeth en de jonge Johannes de Doper als kind, Baptism of Christ |
选择一个年代，欣赏其代表作。
The Fall of Ixion is an oil painting by Cornelis van Haarlem, executed about 1588. The canvas captures a moment of violent descent rooted in Greek mythology. It depicts the punishment of Ixion, the king of the Lapiths and son of Perimele, who was cast down for his hubris against the gods.
A single man occupies the center of this space, his presence anchored by a heavy, dark hat and a beard of stark, textured white. The light strikes the side of his face, carving deep valleys into the skin and highlighting the fine, etched lines around his eyes. He does not look away. His eyes hold a piercing, steady quality that demands a quiet confrontation with the viewer. Shadows pool in…
The goddess Diana emerges from the shadows in Diana as Goddess of the Hunt, a work painted by Cornelis van Haarlem. She appears not as a distant myth, but as a presence caught in a singular, quiet moment of strength. This portrait, created by Cornelis van Haarlem in 1607, captures the Roman goddess in a way that feels immediate and alive. The subject carries the weight of her divinity through…
Cornelis van Haarlem’s Ceres and Bacchus, created about 1610, presents an intimate mythological encounter set against a near-black background. The composition relies on dramatic chiaroscuro to push the figures into the foreground, creating depth through light rather than perspective. Ceres is positioned looking upward with an expression of longing or contemplation, while Bacchus leans toward her, his head adorned with a crown of vine leaves.
Cornelis van Haarlem captures a moment of seasonal abundance in Pomona Receives the Harvest of Fruit. This mythological painting, executed in 1626, centers on the Roman goddess of fruit trees. She exists within a lush, verdant landscape, surrounded by the heavy weight of a successful harvest. The scene is a quiet celebration of nature's bounty, rendered through the lens of the Dutch Renaissance.
The oil painting titled Rest on the Flight into Egypt was executed by the artist Cornelis van Haarlem. This work, dated about 1634, presents a religious and emotional subject matter. The composition focuses on the Holy Family during a period of rest, featuring the Virgin Mary, the infant Christ Child, and Saint Joseph.
榜首之作是Portrait of Dirck Volckertsz. Coornhert (1590)，馆藏于弗朗斯·哈尔斯博物馆, 海伦。紧随其后的是：Venus and Vulcan (1590)与Pomona Receives the Harvest of Fruit (1626)。
28岁。科內利斯·范哈勒姆出生于1562，其作品Portrait of Dirck Volckertsz. Coornhert创作于1590。
Portrait of Dirck Volckertsz. Coornhert, Venus and Vulcan, Pomona Receives the Harvest of Fruit, Jester in a Fool's Cap, The Fall of Ixion, Ceres and Bacchus, Susanna at her Bath, Diana as Goddess of the Hunt, The Lamentation 及 Venus and Adonis。您可以在上方的列表中找到每件作品的创作年份及所属博物馆。
我们的目录中共有 129 件 科內利斯·范哈勒姆 的作品，创作时间从 1583 到 1634。
您可以在 华沙国家博物馆 (华沙), 弗朗斯·哈尔斯博物馆 (海伦) 及 国家博物馆 (阿姆斯特丹) 中找到其中的大部分作品。上方的博物馆列表提供了详细分类。
在 1590s 时期，作品数量远超其他时期：本页 100 件作品中有 27 件出自该时期，其中包含 Portrait of Dirck Volckertsz. Coornhert 件。
此处的早期作品为 Banquet of Members of the Haarlem Calivermen Civic Guard (1583)；最新作品为 Rest on the Flight into Egypt (1634)。
Man (34), Woman (27) 及 People (16)，共计 100 件作品。
Oil On Canvas，共用于本页 100 件作品中的 28 件。
正如您在这些作品中所看到的，Dutch golden age。
您可以在 华沙国家博物馆, 华沙 的此页面上看到 9 件作品，包括 Christ with the cross and the chalice, Mars and Venus as lovers. 及 Christ holding the Cross and a Chalice。
是的。本页面的每幅画作均可根据您的需求，选择手工油画复制品或版画，并提供多种尺寸供您选择。只需打开画作详情页即可下单。
