Оновлено Жовтень 2026 · за рейтингом нашої популярності (кількість пошукових запитів, переглядів та замовлень для кожної роботи) · 18 робіт Robert Tournières у нашому каталозі
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Якщо ви знаєте хоча б одну картину Robert Tournières, то це, швидше за все, Pomona (1739), яка експонується в Національний музей Швеції, Стокгольм. Portrait of an Old Man (Guillaume de Lisle?) (1700) та Michel Corneille l'Aîné (1642-1708) (1702) доповнюють трійку найвідоміших творів, які впізнають миттєво. Наш каталог містить 18 робіт Robert Tournières. Нижче наведено 16 найвідоміших творів із зазначенням року створення, місця зберігання та особливостей кожного з них.
The artwork titled Pomona is a painting by the French artist Robert Tournières. This specific composition is a copy after the work of Aert de Gelder. The piece is dated to 1739.
A Glimpse of Aristocratic Life: Robert Le Vrac de Tournières’ “Count Ferdinand Adolf von Plettenberg and His Family” Robert Le Vrac de Tournières' 1727 painting, "Count Ferdinand Adolf von Plettenberg and His Family," is more than just a portrait; it’s a meticulously crafted window into the refined world of 18th-century European aristocracy. The scene unfolds within a richly appointed interior – likely a salon or drawing room – dominated by…
Robert Le Vrac de Tournières: Bridging Dutch Intimacy and Rococo Elegance Robert Le Vrac de Tournières (1667–1752) stands as an intriguing figure in the annals of French Baroque painting, embodying a pivotal transitional period where influences from the Netherlands intertwined with the burgeoning stylistic sensibilities of the Rococo era. Unlike many contemporaries who adhered rigidly to established conventions, Tournières skillfully blended elements of Dutch genre scenes—characterized by their candid portrayal…
Portrait of Unknown Woman as HebeДержавний музей-заповідник «Ермітаж»
Зробіть це своїм from $175 →
Portrait of the French opera singer Marie-Louise DesmatinsFries Museum
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Чотири найпопулярніші сюжети цих творів, кожен з найкращим відомим прикладом.
8 музеїв, у яких зберігається найбільша кількість картин із цього списку.
| Музеї | Місто | Твори Robert Tournières | Картини з цього списку |
|---|---|---|---|
 Національний музей Швеції |
Стокгольм | 1 | Pomona |
 Opera House |
Versailles | 1 | Michel Corneille l'Aîné (1642-1708) |
 Birmingham Museum and Art Gallery |
Бірмінгем | 1 | Portrait of Richard (Dicky) Bateman |
 Musée des Beaux-Arts de Dijon |
Діжон | 1 | Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727) |
 Музей мистецтв Будапешта |
Будапешт | 1 | Count Ferdinand Adolf von Plettenberg and his Family |
 Лувр |
Париж | 1 | Concert |
 Державний музей-заповідник «Ермітаж» |
Санкт-Петербург | 1 | Portrait of Unknown Woman as Hebe |
 Musée d'Arts de Nantes |
Нант | 1 | Portrait of the Maupertuis family |
Оберіть десятиліття, щоб побачити його видатніший витвір.
Robert Le Vrac de Tournières: Bridging Dutch Intimacy and Rococo Elegance Robert Le Vrac de Tournières (1667–1752) stands as an intriguing figure in the annals of French Baroque painting, embodying a pivotal transitional period where influences from the Netherlands intertwined with the burgeoning stylistic sensibilities of the Rococo era. Unlike many contemporaries who adhered rigidly to established conventions, Tournières skillfully blended elements of Dutch genre scenes—characterized by their candid portrayal…
The artwork titled Pomona is a painting by the French artist Robert Tournières. This specific composition is a copy after the work of Aert de Gelder. The piece is dated to 1739.
На вершині списку — Pomona (1739), Національний музей Швеції, Стокгольм. Слідом за нею: Portrait of an Old Man (Guillaume de Lisle?) (1700) та Michel Corneille l'Aîné (1642-1708) (1702).
72 років. Robert Tournières народився у 1667, а Pomona датується 1739 роком.
Pomona, Portrait of an Old Man (Guillaume de Lisle?), Michel Corneille l'Aîné (1642-1708), Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain, Portrait of Richard (Dicky) Bateman, Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727), Dibutade Drawing, by the Light of a Lamp, the Portrait of His Lover, Count Ferdinand Adolf von Plettenberg and his Family, Concert та Pierre Louis Moreau de Maupertuis. Рік створення та музей кожної картини вказано у списку вище.
У нашому каталозі 18 робіт Robert Tournières, датованих від 1690 до 1750.
Більшість із них можна знайти в Національний музей Швеції (Стокгольм), Opera House (Versailles) та Birmingham Museum and Art Gallery (Бірмінгем). У списку музеїв вище наведено повну розбивку.
У 1700s — більше, ніж у будь-який інший час: 2 із 16 творів на цій сторінці датуються саме цим періодом, Portrait of an Old Man (Guillaume de Lisle?) серед них.
Найдавніша робота тут — Concert (1690); найновіша — Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727) (1750).
Portraits (3) та Portraiture (2) із 16 творів на цій сторінці.
Oil On Canvas, використано у 3 з 16 робіт на цій сторінці.
Rococo, як ви можете побачити на роботах на цій сторінці.
Так. Кожна картина на цій сторінці доступна як ручна олійна репродукція або принт у зручному для вас розмірі. Щоб зробити замовлення, просто перейдіть на сторінку картини.
Robert Le Vrac de Tournières was born in Caen, France, in 1667. His artistic journey began with studies under Lucas Delahaye, a respected painter of the time. He further honed his skills under the tutelage of Bon Boullogne and Rigaud, both prominent figures in French painting, setting the stage for a successful career.
Tournières’ artistic style reflects a fascinating transitional period within French art. He skillfully blended elements of Dutch intimacy – particularly evident in his genre scenes – with the emerging lightness and elegance that would come to define the Rococo style. His palette was noted for its delicate coloring, and he demonstrated a keen talent for capturing both pose and drapery. While not considered among the most powerful painters of his era, critics acknowledged his careful technique and refined execution.
Tournières achieved significant recognition during his lifetime, being received into the Académie royale de peinture twice. The first acceptance in 1702 was based on his portraiture skills, specifically portraits of fellow artists Pierre Mosnier and Michel Corneille. His second reception in 1716, as a history painter, came with his work Invention of Drawing (1716), depicting a romantic scene illuminated by candlelight. Although many of his large-scale paintings have been lost to time, numerous smaller works survive, showcasing his mastery of detail and character portrayal.
Tournières was deeply influenced by Dutch masters such as Godfried Schalken and Gerard Dou, dedicating considerable study to their techniques. This influence is visible in his attention to light, shadow, and the intimate portrayal of everyday life. He also drew inspiration from his teachers, incorporating elements of their styles into his own unique approach.
In 1737, Tournières was promoted to professeur auxiliaire, further solidifying his position within the artistic community. He continued to exhibit successfully at the Salon of 1742. However, he returned to Caen in 1749 and ceased painting. His father, an engraver, had familial connections through marriage to François Lemoyne. Despite fading from active practice, Tournières left behind a considerable body of portraits that remain highly regarded and are found in notable collections today.
Robert Le Vrac de Tournières occupies an important place as a transitional figure in French art. He embodies the shift from the more formal Baroque style towards the lighter, more decorative Rococo aesthetic. His ability to synthesize Dutch realism with emerging French sensibilities makes his work particularly valuable for understanding the evolution of 18th-century painting.
