Оновлено Жовтень 2026 · за рейтингом нашої популярності (кількість пошукових запитів, переглядів та замовлень для кожної роботи) · 22 робіт Сер Джон Кемпбелл Лонгстафф у нашому каталозі
Коротко кажучи
Найвідоміша картина художника Сер Джон Кемпбелл Лонгстафф — це Portrait of Sir John Sulman (1931), яку можна побачити в Галерея Нового Південного Уельсу, Сідней. Одразу за ним йдуть Julian Ashton (1898) та Portrait of John Ford Paterson (1896). З 22 робіт Сер Джон Кемпбелл Лонгстафф у нашому каталозі ці 22 є найвідомішими. Кожна з них має зазначений рік створення, музей та короткий опис того, що робить її особливою.
In this 1931 oil on canvas, we encounter Sir John Sulman not as a distant public figure, but as a man of profound introspection. The portrait captures the architect in a moment of stillness, seated centrally against a dark, indeterminate background that pushes his presence toward the viewer. There is a certain weight to his presence, a sense of historical permanence achieved through a somber and dignified composition. The lighting…
In this 1898 oil on canvas, John Longstaff captures Julian Ashton in a moment of quiet dignity. The subject sits before us, an older man whose presence fills the frame with a sense of settled authority. His thinning light hair catches the light, contrasting with the deep shadows that surround him. A prominent mustache defines his face, framing a mouth set in a serious, reflective expression. His blue eyes hold…
In this 1896 oil on canvas, we find ourselves in a quiet, intimate encounter with John Ford Paterson. The subject is positioned in profile, his head turned slightly toward the left, emerging from a deep, near-black field that swallows the periphery. There is a profound sense of stillness here. The light is highly directional, striking the man's cheekbone, the bridge of his nose, and his heavy mustache, while the rest…
In this 1925 oil portrait, we encounter Mr Maurice Moscovitch through a lens of quiet gravity. The subject, a Russian-born actor, meets our gaze with a contemplative expression that suggests a life lived under the scrutiny of the stage. There is a certain weight to his presence, captured in a bust-length composition that avoids the artifice of grandiosity. Instead, the focus remains fixed on the man himself, his features rendered…
The portrait titled Dr Alexander Leeper is a work by the artist John Longstaff. Executed in 1928, this piece is presented in a portrait format. The subject of the painting is Dr Alexander Leeper, depicted in a formal manner that captures his presence through a three-quarter length composition.
The portrait of Henry Lawson by John Longstaff captures a man defined by the ink of his own making. Painted in 1900, this work presents the subject as a poet and short story writer, a man whose words helped shape the image of the Australian bushman. The likeness was rendered in Melbourne, a city of quiet industry during that era. It remains a singular study of a man who lived…
James Cassius Williamson (1845–1913), actor and theatrical entrepreneur, worked and performed in theatres in his native Pennsylvania before coming to Victoria under contract to George Selth Coppin in 1874. Over twelve months, he and his comedienne wife became wealthy and famous. They returned overseas, but in 1879 they arrived in Australia having purchased from WS Gilbert the exclusive Australasian rights to perform HMS Pinafore. In 1880 Williamson formed his (Royal)…
Gippsland, Sunday night, February 20th, 18981898 · Національна галерея Вікторії
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H.M. Queen Alexandra in coronation robes1904 · Галерея Нового Південного Уельсу
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King Edward VII in coronation robes1904 · Галерея Нового Південного Уельсу
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Чотири найпопулярніші сюжети цих творів, кожен з найкращим відомим прикладом.
5 музеїв, у яких зберігається найбільша кількість картин із цього списку.
| Музеї | Місто | Твори Сер Джон Кемпбелл Лонгстафф | Картини з цього списку |
|---|---|---|---|
 Галерея Нового Південного Уельсу |
Сідней | 14 | Portrait of Sir John Sulman, Julian Ashton, Portrait of John Ford Paterson |
 Національна галерея Вікторії |
Мельбурн | 4 | Mr Maurice Moscovitch, Dr Alexander Leeper, Arrival of Burke, Wills and King at the deserted camp at Cooper's Creek, Sunday evening, 21st April 1861 |
 National Portrait Gallery |
Канберра | 1 | J.C. Williamson |
 Melbourne Cricket Club Museum |
Гобарт | 1 | Portrait of Henry Colden Antill Harrison |
 Art Gallery of Western Australia |
1 | Breaking the News |
Оберіть десятиліття, щоб побачити його видатніший витвір.
In this 1898 oil on canvas, John Longstaff captures Julian Ashton in a moment of quiet dignity. The subject sits before us, an older man whose presence fills the frame with a sense of settled authority. His thinning light hair catches the light, contrasting with the deep shadows that surround him. A prominent mustache defines his face, framing a mouth set in a serious, reflective expression. His blue eyes hold…
James Cassius Williamson (1845–1913), actor and theatrical entrepreneur, worked and performed in theatres in his native Pennsylvania before coming to Victoria under contract to George Selth Coppin in 1874. Over twelve months, he and his comedienne wife became wealthy and famous. They returned overseas, but in 1879 they arrived in Australia having purchased from WS Gilbert the exclusive Australasian rights to perform HMS Pinafore. In 1880 Williamson formed his (Royal)…
In this 1925 oil portrait, we encounter Mr Maurice Moscovitch through a lens of quiet gravity. The subject, a Russian-born actor, meets our gaze with a contemplative expression that suggests a life lived under the scrutiny of the stage. There is a certain weight to his presence, captured in a bust-length composition that avoids the artifice of grandiosity. Instead, the focus remains fixed on the man himself, his features rendered…
In this 1931 oil on canvas, we encounter Sir John Sulman not as a distant public figure, but as a man of profound introspection. The portrait captures the architect in a moment of stillness, seated centrally against a dark, indeterminate background that pushes his presence toward the viewer. There is a certain weight to his presence, a sense of historical permanence achieved through a somber and dignified composition. The lighting…
На вершині списку — Portrait of Sir John Sulman (1931), Галерея Нового Південного Уельсу, Сідней. Слідом за нею: Julian Ashton (1898) та Portrait of John Ford Paterson (1896).
70 років. Сер Джон Кемпбелл Лонгстафф народився у 1861, а Portrait of Sir John Sulman датується 1931 роком.
Portrait of Sir John Sulman, Julian Ashton, Portrait of John Ford Paterson, Mr Maurice Moscovitch, Dr Alexander Leeper, Arrival of Burke, Wills and King at the deserted camp at Cooper's Creek, Sunday evening, 21st April 1861, Henry Lawson, The Hon W A Holman, KC, Banjo Paterson та J.C. Williamson. Рік створення та музей кожної картини вказано у списку вище.
У нашому каталозі 22 робіт Сер Джон Кемпбелл Лонгстафф, датованих від 1887 до 1935.
Більшість із них можна знайти в Галерея Нового Південного Уельсу (Сідней), Національна галерея Вікторії (Мельбурн) та National Portrait Gallery (Канберра). У списку музеїв вище наведено повну розбивку.
У 1920s — більше, ніж у будь-який інший час: 5 із 22 творів на цій сторінці датуються саме цим періодом, Mr Maurice Moscovitch серед них.
Найдавніша робота тут — Breaking the News (1887); найновіша — Banjo Paterson (1935).
Man (6), Mustache (4) та Portrait (3) із 22 творів на цій сторінці.
Oil On Canvas, використано у 6 з 22 робіт на цій сторінці.
Academic realism, як ви можете побачити на роботах на цій сторінці.
На цій сторінці ви можете побачити 14 творів із Галерея Нового Південного Уельсу, Сідней, зокрема Portrait of Sir John Sulman, Julian Ashton та Portrait of John Ford Paterson.
Так. Кожна картина на цій сторінці доступна як ручна олійна репродукція або принт у зручному для вас розмірі. Щоб зробити замовлення, просто перейдіть на сторінку картини.
