Оновлено Листопад 2026 · за рейтингом нашої популярності (кількість пошукових запитів, переглядів та замовлень для кожної роботи) · 3 робіт Johan Per (Per) Sodermark у нашому каталозі
Коротко кажучи
Найвідоміша картина художника Johan Per (Per) Sodermark — це Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848), яку можна побачити в Національний музей Швеції, Стокгольм. Одразу за ним йдуть Portrait of Werner Holmberg (1853) та Christoffer Eichhorn (1837-1889), librarian, art historian (1889). З 3 робіт Johan Per (Per) Sodermark у нашому каталозі ці 3 є найвідомішими. Кожна з них має зазначений рік створення, музей та короткий опис того, що робить її особливою.
2 музеїв, у яких зберігається більшість картин із цього списку.
| Музей | Місто | Твори Johan Per (Per) Sodermark | Картини зі цього списку |
|---|---|---|---|
 Національний музей Швеції |
Стокгольм | 2 | Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery, Christoffer Eichhorn (1837-1889), librarian, art historian |
 Finnish National Gallery |
Helsinki | 1 | Portrait of Werner Holmberg |
Оберіть десятиліття, щоб побачити його видатніший витвір.
На вершині списку — Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848), Національний музей Швеції, Стокгольм. Слідом за нею: Portrait of Werner Holmberg (1853) та Christoffer Eichhorn (1837-1889), librarian, art historian (1889).
26 років. Johan Per (Per) Sodermark народився у 1822, а Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery датується 1848 роком.
У нашому каталозі 3 робіт Johan Per (Per) Sodermark, датованих від 1848 до 1889.
Більшість із них можна знайти в Національний музей Швеції (Стокгольм) та Finnish National Gallery (Helsinki). У списку музеїв вище наведено повну розбивку.
Найдавніша робота тут — Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848); найновіша — Christoffer Eichhorn (1837-1889), librarian, art historian (1889).
На цій сторінці ви можете побачити 2 творів із Національний музей Швеції, Стокгольм, зокрема Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery та Christoffer Eichhorn (1837-1889), librarian, art historian.
Так. Кожна картина на цій сторінці доступна як ручна олійна репродукція або принт у зручному для вас розмірі. Щоб зробити замовлення, просто перейдіть на сторінку картини.
Johan Per Södermark stands at a crossroads between military duty and the fine arts. Born in Mossebro, Karlsborg Municipality, on 5 June 1822, his early life follows the disciplined path of his father, Olof Johan Södermark. He enters the military as an Underlöjtnant in 1843, a role that demands precision and observation. The rigidity of service defines his youth, yet the brush remains present. His training begins under his father's guidance before moving to the Royal Swedish Academy of Fine Arts, where he achieves the status of agré in 1848.
The year 1848 brings a sudden shift. He resigns from active military service. The death of his father leaves him with more than just a memory; he inherits a studio. At first, Södermark sustains himself through the labor of copying his father's existing works. This period of imitation acts as a bridge, transitioning him from a man of arms to a man of lithography and paint.
Movement defines his artistic development. He moves through the cultural landscapes of Europe, seeking new light and form. His path takes him to France and Italy, followed by stays in Düsseldorf between 1852 and 1854. In Paris, from 1855 to 1856, he studies under Thomas Couture. These travels expand his repertoire beyond the portraits of his early years.
His work begins to diversify into new territories:
By 1874, Södermark reaches a professional peak as a full member of the Swedish Academy. His presence is felt in major exhibitions, from Copenhagen's Charlottenborg Palace in 1851 to various Nordic Art exhibitions held between 1872 and 1888. He leaves behind a tangible contribution to Swedish collections, having donated his original lithographs to the Nationalmuseum in 1868.
His life concludes in Stockholm on 16 November 1889. While he did not pursue the same level of realistic clarity as his father, his ability to navigate between the roles of officer and artist remains a distinct chapter in Swedish art history. His works remain accessible today through institutions such as the Academy's art gallery, Waldemarsudde, and the Nordic Museum.
