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Number 2

Ім'я Клас Дата

Джексон Поллонк, Number 2 (1951). Общественное достояние

Основна інформація

Автор
Джексон Поллонк artsdot.com/uk/artists/%D0%B4%D0%B6%D0%B5%D0%BA%D1%81%D0%BE%D0%BD-%D0%BF%D0%BE%D0%BB%D0%BB%D0%BE%D0%BD%D0%BA_uk/
Дати створення автором
1912 – 1956
Живопис
1951
Матеріал
Акрил на полотні
Початковий розмір
104 x 78 cm
Рух
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Період
— Модерн

У контексті

Number 2 — Джексон Поллонк

Який він за розміром?

Оригінальні розміри складають 104 × 78 см (висота × ширина), представлено поруч із дорослою людиною середнього зросту.

Коли це було написано?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950

Затінення: життя Джексон Поллонк (1912–1956) ▲ ця робота, 1951

Схожі твори мистецтва

  • Номер 1, 1949, 1950 artsdot.com/uk/art/%D0%B4%D0%B6%D0%B5%D0%BA%D1%81%D0%BE%D0%BD-%D0%BF%D0%BE%D0%BB%D0%BB%D0%BE%D0%BD%D0%BA-%D0%BD%D0%BE%D0%BC%D0%B5%D1%80-1-1949-8EWJX6-uk/
  • Осінній Ритм. № 30, 1950 artsdot.com/uk/art/%D0%B4%D0%B6%D0%B5%D0%BA%D1%81%D0%BE%D0%BD-%D0%BF%D0%BE%D0%BB%D0%BB%D0%BE%D0%BD%D0%BA-%D0%BE%D1%81%D1%96%D0%BD%D0%BD%D1%96%D0%B9-%D1%80%D0%B8%D1%82%D0%BC-no-30-1950-8EWJW5-uk/
  • Збіг (Zbig) artsdot.com/uk/art/%D0%B4%D0%B6%D0%B5%D0%BA%D1%81%D0%BE%D0%BD-%D0%BF%D0%BE%D0%BB%D0%BB%D0%BE%D0%BD%D0%BA-%D0%B7%D0%B1%D1%96%D0%B3-zbig-8EWJWJ-uk/

Оберіть одну з робіт вище: назвіть дві спільні риси з цією роботою та одну відмінність.

Більше творів, що доповнюють цей: artsdot.com/uk/art/similar/paul-jackson-pollock-number-2-7YKFZN-en/

Кольорова палітра

Виміряно за зображенням

    Основний колір

    Вимита хвилями деревина #9f792b

    Збережена палітра

    • #9F792B
    • #D4A032
    • #EBD04F
    • #56461B
    Палітра
    Землисті відтінки Переважаюча колірна гама зображення.
    Назва основного кольору
    Вимита хвилями деревина
    Інтенсивність
    Яскраві Наскільки насиченими та різноманітними є кольори: від одного приглушеного відтінку до багатьох яскравих.
    Контрастність
    М'який Ступінь відмінності кольорів за світлотою та насиченістю в межах картини.
    Гармонія
    Єдина палітра Наскільки вдало поєднуються кольори — від контрастних до повністю гармонійних.
    Яскравість
    Блискучий Загальна світлотінь картини: від глибокої тіні до яскравого світла.
    Насиченість
    Яскравий колір Наскільки чистими та насиченими є кольори — від майже сірих до максимально яскравих.

    Про цей витвір мистецтва

    Number 2 — Джексон Поллонк

    A Symphony of Chaos and Color: Decoding Jackson Pollock’s “Number 2”

    Jackson Pollock's "Number 2," completed in 1951, stands as a cornerstone of Abstract Expressionism—a movement that irrevocably altered the landscape of 20th-century art. More than just pigment splashed onto canvas; it embodies a radical reimagining of artistic process and intention, inviting viewers to contemplate the very nature of creativity itself. Measuring 104 x 78 cm, this monumental piece immediately commands attention with its dominant yellow hue—a color chosen not for representational accuracy but rather for its psychological resonance, symbolizing optimism and vitality amidst the turbulent backdrop of postwar America.

    The Technique of Action Painting

    Pollock’s method – aptly termed “action painting” – defied convention by prioritizing spontaneous gesture over meticulous planning. He eschewed brushes altogether, opting instead to drip, pour, and fling paint onto the canvas from above using sticks and knives. This process wasn't merely about applying color; it was a visceral expression of emotion and energy—a deliberate attempt to capture the subconscious mind’s flow onto the surface of the artwork. The resulting textured surface is riddled with interwoven lines and drips, creating an intricate tapestry that pulsates with movement and dynamism. Each element contributes to a larger visual narrative, mirroring Pollock's belief that painting should be a physical act, a dialogue between artist and material.

    Compositional Layers: Figures Amidst the Flow

    The canvas isn’t simply filled with yellow; it’s populated by abstracted figures—human forms interwoven into the swirling patterns of paint—and notably, an animal, possibly a horse. These figures aren't rendered realistically but rather flattened and fragmented, merging seamlessly with the background to convey a sense of interconnectedness and universality. The overlapping positions of these figures suggest a dynamic interplay between individual consciousness and collective experience. Their placement within the expansive canvas underscores the artist’s ambition to capture not just visual beauty but also profound emotional depth.

    Rooted in Context: The Rise of Abstract Expressionism

    Number 2” emerged during the fervent fervor of Abstract Expressionism, which arose in New York City following World War II. Artists like Pollock rejected European artistic traditions—particularly Surrealism—favoring instead a focus on subjective experience and emotional intensity. This movement challenged established notions of art’s purpose, asserting that it should serve as a conduit for inner turmoil and spiritual exploration. The Guggenheim Museum in Venice, Italy, houses one of the most impressive collections of Pollock's work, cementing his legacy as an innovator who fundamentally reshaped artistic discourse.

    A Legacy Enduring Inspiration

    Today, “Number 2” continues to inspire artists and collectors alike—a testament to its enduring power as a symbol of artistic freedom and innovation. Its bold color palette, dynamic composition, and groundbreaking technique resonate across generations, reminding us that art can transcend literal representation to communicate profound truths about the human condition. Consider commissioning a high-quality reproduction to infuse your interior space with Pollock’s visionary spirit—a captivating piece of modern art history.

    Митець та музей

    Автор

    Джексон Поллонк

    Народився в Ко́ди, Спеціа́льна адміністрація́ Ко́смічного проме́джу

    Early Life and the Seeds of Innovation

    Paul Jackson Pollock, born in Cody, Wyoming, in 1912, was a restless spirit from the very beginning. His early life was marked by constant movement as his father, LeRoy Pollock, pursued work as a land surveyor across the vast landscapes of the American West. This itinerant existence instilled in young Pollock a deep connection to the natural world and an exposure to diverse cultures – particularly through encounters with Native American art during those surveying trips. These experiences left an indelible mark on his artistic vision, subtly shaping his later approach without direct imitation. Though he never explicitly referenced Indigenous styles, the raw energy and spiritual resonance of these early interactions undoubtedly influenced his work.

    Pollock’s formal artistic training commenced at the Manual Arts High School in Los Angeles, followed by studies at the Art Students League of New York under the guidance of Thomas Hart Benton. Benton, a prominent figure in the Regionalist movement, emphasized rhythmic composition and narrative themes rooted in American life. While Pollock initially absorbed these lessons, his inherent inclination leaned toward more abstract explorations. He was also profoundly impacted by Mexican muralists like José Clemente Orozco, whose powerful depictions of social struggle resonated deeply with him. These early influences provided a foundation, but it was the burgeoning world of Surrealism that truly unlocked Pollock’s artistic potential – a movement focused on expressing the workings of the subconscious through fantastical imagery and unexpected juxtapositions.

    The Birth of Action Painting and a Revolutionary Technique

    The 1930s saw Pollock experimenting with various techniques, seeking alternatives to traditional brushwork. He began pouring paint onto canvases, exploring its fluidity and unpredictable nature. However, it was around 1947 that his artistic trajectory underwent a radical transformation. Abandoning the easel altogether, Pollock laid canvases directly on the floor, initiating what would become known as his “drip technique.” He then proceeded to drip, splash, and fling paint onto the canvas from above, orchestrating a dynamic dance between artist, medium, and surface.

    This wasn’t merely about applying paint; it was about embodying the act of creation itself. Pollock's canvases became arenas for physical expression, capturing the immediacy of his gestures and emotions. The resulting paintings are characterized by their “all-over” composition – a lack of central focus that invites the viewer to explore the entire surface as a unified field of energy. Intricate networks of lines and colors intertwine, creating a visual complexity that is both captivating and challenging. He employed unconventional tools—sticks, knives, even syringes—to manipulate the paint in unpredictable ways, further emphasizing the spontaneous nature of his process.

    This innovative approach positioned Pollock as a central figure in the burgeoning Abstract Expressionist movement, which emerged in post-World War II New York City. Abstract Expressionism prioritized spontaneous gesture, large scale, and non-representational imagery, reflecting a broader cultural shift away from traditional artistic conventions. His marriage to fellow artist Lee Krasner was also pivotal; she provided unwavering emotional support and actively encouraged his artistic development, recognizing the groundbreaking nature of his work.

    Iconic Works and Lasting Legacy

    Pollock’s most celebrated works—such as Number 1, 1950 (Lavender Mist), One: Number 31, 1950, Blue Poles: Number 11, 1952, and Convergence—are testaments to his revolutionary technique. These paintings are not simply images; they are records of a performance, imbued with the artist’s physical presence and emotional intensity. The dynamic energy that emanates from these canvases is palpable, drawing viewers into a world of pure abstraction.

    The influence of Surrealism is evident in the seemingly random yet carefully orchestrated patterns created through his drip technique. He explored themes of chance, intuition, and the subconscious mind, seeking to capture the essence of human experience through abstract forms. His work reflects a deep engagement with Jungian psychology, delving into archetypes and primal energies.

    A Complex Figure and Enduring Influence

    Jackson Pollock’s life was marked by both artistic brilliance and personal struggles. He battled alcoholism for much of his career, a condition that often exacerbated his volatile personality. Despite these challenges, he remained fiercely committed to his art, constantly pushing the boundaries of painting and challenging conventional notions of representation. His untimely death in 1956 at the age of 44 cut short a remarkable artistic journey, but his legacy continues to resonate profoundly within the art world.

    Pollock’s impact on the history of art is immeasurable. He fundamentally altered the way artists approached painting, breaking free from easel-based methods and embracing a more performative approach. His work helped solidify New York City's position as a global center for modern art, shifting the focus away from European dominance. His influence can be seen in the work of countless artists who followed, including those associated with Color Field painting and later forms of abstract expressionism. He remains an icon of American innovation and a testament to the power of artistic vision.

    Дізнатися більше

    Доступно онлайн

    QR-код, що веде на сторінку завантаження Number 2

    artsdot.com/uk/art/download/paul-jackson-pollock-number-2-7YKFZN-en/

    Цитування цього твору мистецтва

    MLA
    Поллонк, Джексон. Number 2. 1951, https://artsdot.com/uk/art/paul-jackson-pollock-number-2-7YKFZN-en/
    APA
    Поллонк, Джексон (1951). Number 2 [Painting]. https://artsdot.com/uk/art/paul-jackson-pollock-number-2-7YKFZN-en/
    Chicago
    Джексон Поллонк. Number 2. 1951. https://artsdot.com/uk/art/paul-jackson-pollock-number-2-7YKFZN-en/
    Harvard
    Поллонк, Джексон (1951) Number 2. Available at: https://artsdot.com/uk/art/paul-jackson-pollock-number-2-7YKFZN-en/

    Придивіться уважніше

    Number 2 — Джексон Поллонк

    Придивіться уважніше

    Відповідайте власними словами. Тут немає неправильних відповідей — лише такі, які ви можете пояснити.

    1. Що першим привертає вашу увагу і чому?
    2. Які кольори чи форми створюють настрій — і що це за настрій?
    3. Поверніться до розгляду Номер 1, 1949 (1950), що було раніше в цьому посібнику. Назвіть дві спільні риси цього твору з цією роботою та одну відмінність.
    4. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Де саме в цій роботі це можна помітити?
    5. Джексон Поллонк було близько 39 років, коли це було створено. Що саме в цій роботі вказує на такий етап творчості митця?

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