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Посібник зі студентських робіт

The Dancer

Ім'я Клас Дата

Еґон Шілельє, The Dancer (1913), Музей Леопольда. Общественное достояние Погляньте на це полотно в рухомому світлі: малюнок, справжній колір під лаком, чистий пігмент

Основна інформація

Автор
Еґон Шілельє artsdot.com/uk/artists/%D0%B5%D2%91%D0%BE%D0%BD-%D1%88%D1%96%D0%BB%D0%B5%D0%BB%D1%8C%D1%94_uk/
Дати створення автором
1890 – 1918
Живопис
1913
Матеріал
Acrylic On Canvas
Початковий розмір
323 x 483 cm
Місце проведення
Музей Леопольда artsdot.com/uk/museums/%D0%BC%D1%83%D0%B7%D0%B5%D0%B9-%D0%BB%D0%B5%D0%BE%D0%BF%D0%BE%D0%BB%D1%8C%D0%B4%D0%B0-%D0%B2%D1%96%D0%B4%D0%B5%D0%BD%D1%8C_uk/
Artistic style
Egon Schiele
Influences
Mortality
Notable elements
Loincloth, dance
Subject or theme
Dance, performance

У контексті

The Dancer — Еґон Шілельє

Розмір

Оригінальні розміри складають 323 × 483 см (висота × ширина), представлено поруч із дорослою людиною середнього зросту. Він занадто великий, щоб відобразити його в масштабі на цій сторінці.

Коли це було написано?

  1. 1890
  2. 1900
  3. 1910

Верхній рядок: роки. Нижній рядок: вік митця на початку та в кінці кожного періоду — 0 при народженні, 28 на момент смерті.

Написано, коли художнику було 23. Митець дожив до 28 років. 178 із 327 датованих робіт цього митця в нашому каталозі були створені раніше.

Затінення: життя Еґон Шілельє (1890–1918) ▲ ця робота, 1913 кожна картини з датою, десятиліття за десятиліттям

Схожі твори мистецтва

  • Самовмісники II (Смерть і чоловік), 1911 artsdot.com/uk/art/%D0%B5%D2%91%D0%BE%D0%BD-%D1%88%D1%96%D0%BB%D0%B5%D0%BB%D1%8C%D1%94-%D1%81%D0%B0%D0%BC%D0%BE%D0%B2%D0%BC%D1%96%D1%81%D0%BD%D0%B8%D0%BA%D0%B8-ii-%D1%81%D0%BC%D0%B5%D1%80%D1%82%D1%8C-%D1%96-%D1%87%D0%BE%D0%BB%D0%BE%D0%B2%D1%96%D0%BA-6WHKNE-uk/
  • Смерть и Девушка, 1915 artsdot.com/uk/art/%D0%B5%D2%91%D0%BE%D0%BD-%D1%88%D1%96%D0%BB%D0%B5%D0%BB%D1%8C%D1%94-%D1%81%D0%BC%D0%B5%D1%80%D1%82%D1%8C-%D0%B8-%D0%B4%D0%B5%D0%B2%D1%83%D1%88%D0%BA%D0%B0-6WHKFW-uk/
  • Мати з двома дітьми, 1917 artsdot.com/uk/art/%D0%B5%D2%91%D0%BE%D0%BD-%D1%88%D1%96%D0%BB%D0%B5%D0%BB%D1%8C%D1%94-%D0%BC%D0%B0%D1%82%D0%B8-%D0%B7-%D0%B4%D0%B2%D0%BE%D0%BC%D0%B0-%D0%B4%D1%96%D1%82%D1%8C%D0%BC%D0%B8-6WHKHN-uk/

Оберіть одну з робіт вище: назвіть дві спільні риси з цією роботою та одну відмінність.

Більше творів, що доповнюють цей: artsdot.com/uk/art/similar/egon-schiele-the-dancer-D3WPYR-en/

Кольорова палітра

Виміряно за зображенням

    Основний колір

    Putty #eae2d0

    Збережена палітра

    • #EAE2D0
    • #D4C3AA
    • #AA9481
    • #715B53

    Ці кольори в межах усієї палітри художника Знайти інші картини за кольором

    Палітра
    Neutrals Переважаюча колірна гама зображення.
    Назва основного кольору
    Putty
    Інтенсивність
    Balanced Наскільки насиченими та різноманітними є кольори: від одного приглушеного відтінку до багатьох яскравих.
    Контрастність
    Serene Ступінь відмінності кольорів за світлотою та насиченістю в межах картини.
    Гармонія
    Strong Color Unity Наскільки вдало поєднуються кольори — від контрастних до повністю гармонійних.
    Яскравість
    Brilliant Загальна світлотінь картини: від глибокої тіні до яскравого світла.
    Насиченість
    Muted Наскільки чистими та насиченими є кольори — від майже сірих до максимально яскравих.

    У яких куточках світу переглядають цю картину?

    • менше ніж 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% і більше
    Ця картина окремо має занадто мало зареєстрованих відвідувачів для створення карти, тому на плакаті представлено всі роботи Еґон Шілельє за останні дванадцять місяців — загалом 61 країн. Звідки беруться ці дані

    Десять провідних країн

    1. 1 Китай 45,1%
    2. 2 Сполучені Штати Америки 7,8%
    3. 3 Гонконг 6,6%
    4. 4 Сінгапур 5,5%
    5. 5 Росія 3,8%
    6. 6 Італія 2,7%
    7. 7 Іспанія 2,6%
    8. 8 Литва 2,3%
    9. 9 Німеччина 2,3%
    10. 10 Франція 2,3%
    11. · 51 інші країни 19,0%

    Знайдіть на карті три найтемніші країни. Чи є серед них та, де розташований музей, у якому зберігається ця картина? Напишіть одну причину, чому люди з далеких країв можуть захотіти її подивитися.

    20 найбільш переглянутих робіт Еґон Шілельє

    1. 1 Самовмісники II (Смерть і чоловік), 1911 5,6%
    2. 2 Сім'я, 1917 3,6%
    3. 3 Мати з двома дітьми, 1917 2,8%
    4. 4 Портрет Валли, 1912 2,2%
    5. 5 Будинок на річці (також відомий як Старий будинок I), 1915 1,7%
    6. 6 Герти Шейле 1,4%
    7. 7 Смерть и Девушка, 1915 1,2%
    8. 8 Black-Haired Girl with Lifted Skirt, 1911 1,2%
    9. 9 Autumn Trees, 1911 1,1%
    10. 10 Моа, 1911 1,1%
    11. 11 Self-Portrait in Yellow Vest, 1914, 1914 1,1%
    12. 12 Lovemaking, 1915 1,1%
    13. 13 Портрет Святого Себастьяна, 1914 1,0%
    14. 14 Sunflower, 1909 1,0%
    15. 15 Crouching Woman with Green Headscarf, 1914 1,0%
    16. 16 Two Women Embracing, 1915 1,0%
    17. 17 Self Portrait, 1912 0,9%
    18. 18 Schiele's Room in Neulengbach, 1911 0,9%
    19. 19 Kneeling Female in Orange-Red Dress, 1910 0,9%
    20. 184 The Dancer, 1913 ця картина 0,1%

    Разом ці роботи становлять 30,9% усієї уваги, яку приділяли картинам цього художника протягом останніх дванадцяти місяців. Каталог містить 635 робіт цього митця, з яких 439 були переглянуті принаймні один раз. Ця картина посідає 184 місце серед них, причому на неї припадає 0,1% цієї уваги. Те саме значення, місяць за місяцем

    Смужки вимірюють увагу, а не якість. Оберіть роботу на самому верху та цю: назвіть одну річ, яка може принести картині славу, окрім майстерності її виконання.

    Про цей витвір мистецтва

    The Dancer — Еґон Шілельє

    A Study in Raw Emotion: Egon Schiele’s “The Dancer”

    Egon Schiele's "The Dancer," painted in 1913, isn’t merely a depiction of a man mid-performance; it’s a visceral exploration of the human condition – a raw and unsettling meditation on mortality, vulnerability, and the inherent drama within existence. Measuring an imposing 323 x 483 cm, this monumental work immediately commands attention, drawing the viewer into its intensely personal space. The painting captures a figure in a loincloth, his posture suggesting both exertion and a strange, almost defiant stillness. His hand rests casually on his hip, a gesture simultaneously vulnerable and assertive, anchoring him within the composition while hinting at an underlying tension.

    Schiele’s artistic journey was profoundly shaped by personal tragedy. The early death of his father due to syphilis cast a long shadow over his life and work, fueling a preoccupation with themes of illness, decay, and the fleeting nature of beauty. This is acutely felt in “The Dancer.” The figure's face, rendered with an unsettling ambiguity – a slight distortion, a hint of pain – speaks volumes about this underlying anxiety. It’s not a celebratory depiction of dance; rather, it feels like a captured moment of intense feeling, perhaps even bordering on despair.

    Decoding the Expressionist Style

    Painted during his most intensely productive and emotionally charged period, “The Dancer” is a quintessential example of Schiele's unique brand of expressionism. He rejected academic conventions in favor of a brutally honest portrayal of the inner self. His technique is characterized by rapid, gestural brushstrokes – visible lines that convey movement and emotion with remarkable immediacy. The figure’s musculature isn’t idealized; it’s rendered with a stark realism, emphasizing the physical strain of the performance. Notice how Schiele uses contrasting values—dark shadows against bright highlights—to heighten the drama and create a sense of depth and volume.

    Schiele's use of color is equally significant. The palette is muted, dominated by earthy tones – ochres, browns, and greys – punctuated by flashes of crimson and violet. These colors aren’t decorative; they contribute to the painting’s overall mood of unease and introspection. The limited range reinforces the feeling that we are witnessing a private, intensely felt moment.

    Symbolism and the Dance of Mortality

    Beyond its immediate visual impact, “The Dancer” is rich in symbolic meaning. The loincloth itself can be interpreted as a stripping away of societal constraints, exposing the raw physicality of the human form. It’s a deliberate rejection of conventional notions of beauty and decorum. The dancer's posture, with his hand on his hip, suggests both strength and vulnerability – a precarious balance that mirrors the complexities of life itself. The act of dancing, often associated with joy and celebration, is here transformed into something far more ambiguous, hinting at an underlying struggle.

    Considering Schiele’s biography, it's reasonable to interpret the dancer as a self-portrait in disguise. The painting becomes a visual representation of his own internal turmoil – his anxieties about mortality, his struggles with identity, and his relentless pursuit of artistic expression. The dance, then, represents a desperate attempt to grapple with these profound emotions, a performance enacted not for an audience but for the silent witness within.

    A Timeless Masterpiece: Reproduction Possibilities

    WahooArt offers meticulously crafted hand-painted reproductions of “The Dancer,” allowing you to bring this powerful and evocative artwork into your home or office. Our skilled artisans replicate Schiele’s distinctive style with exceptional accuracy, capturing the painting's raw emotion and textural nuances. Whether you are an art collector, a design enthusiast, or simply someone seeking a piece that speaks to the depths of human experience, our reproduction provides an authentic connection to this seminal work of expressionism. Choose from various sizes and canvas materials to perfectly complement your space – each reproduction is created with archival quality pigments for lasting beauty and vibrancy.

    Митець та музей

    Автор

    Еґон Шілельє

    Місце народження Тюльн, Австрія

    A Life Forged in Expression

    Egon Schiele’s life, a turbulent and intensely personal journey, unfolded from his birth in Tulln an der Donau in 1890, a small Austrian town nestled along the Danube. His early years were shadowed by profound loss – first the death of his father, Adolf Schiele, a railway station master consumed by syphilis when Egon was just fourteen, and later the untimely passing of his sister Elvira. This early exposure to mortality and grief became deeply ingrained within his artistic vision, fueling an enduring fascination with the fragility of existence and the inevitability of death. Raised initially by his mother and then under the somewhat controlling guardianship of his uncle Leopold Czihaczek, Schiele’s childhood lacked the stability often associated with conventional upbringing, yet it fostered a remarkable sense of independence and self-reliance—qualities that would profoundly shape his artistic approach. Even as a young boy, he exhibited an intense curiosity about trains – a motif that subtly reappeared throughout his career, symbolizing both movement and the passage of time. Simultaneously, he displayed a burgeoning talent for drawing, though this pursuit was initially met with disapproval from his father, who viewed it as a distraction from more “practical” endeavors. The early loss of his sister Elvira cast a long shadow over the young artist’s psyche, contributing to a pervasive sense of melancholy and vulnerability that permeated much of his work. These formative experiences—illness, loss, and a lack of stability—instilled within him an unparalleled sensitivity and emotional rawness, qualities that would become defining characteristics of his artistic expression, constantly grappling with the fundamental questions of life, death, and the human condition.

    The Crucible of Vienna: Artistic Development

    Schiele’s formal artistic training began at the Kunstgewerbeschule (School of Arts and Crafts) in Vienna, but he quickly found himself stifled by its conservative and rigidly academic approach. Seeking a more liberating environment, he transferred to the Akademie der bildenden Künste (Academy of Fine Arts), only to discover that even this institution failed to satisfy his artistic aspirations. The rigid traditions and emphasis on historical precedent clashed sharply with Schiele’s desire for innovation and personal expression. Dissatisfied with these constraints, he ultimately abandoned formal training altogether, choosing instead to forge his own path—a bold decision that underscored his unwavering commitment to his artistic vision. Crucially, during these formative years, Schiele was profoundly influenced by the work of Gustav Klimt, a leading figure in Viennese Secessionism. He admired Klimt’s distinctive decorative style and his exploration of symbolism, even receiving mentorship from the established artist. However, Schiele soon diverged significantly from Klimt's aesthetic, developing a uniquely personal style characterized by its stark honesty, psychological intensity, and unflinching portrayal of human vulnerability. This divergence was further fueled by his encounters with other progressive artists within Vienna’s avant-garde circles, leading to the formation of the Neues Wiener Kunstgruppe (New Viennese Art Group) in 1909—a collective dedicated to challenging conventional artistic norms and pushing the boundaries of modern art. The group included figures like Anton Faistauer, Rudolf Kalvach, and Hans Ehrlich, all seeking to redefine the role of art in a rapidly changing world.

    Raw Emotion and Unflinching Truth

    Egon Schiele’s art is immediately recognizable for its raw honesty and psychological depth. He fearlessly confronted themes often considered taboo – sexuality, death, anxiety, isolation – with an unflinching gaze. His distinctive style features elongated figures, contorted poses, and expressive lines that convey a sense of unease and emotional intensity. The human form, particularly the nude, became his primary subject, not as an object of idealized beauty but as a vehicle for exploring the complexities of human experience. Self-portraits constitute a significant portion of his oeuvre, offering intimate glimpses into his inner world—a world often marked by loneliness and self-doubt. He didn’t shy away from depicting himself in unflattering or vulnerable poses, revealing a profound level of self-awareness and introspection. Beyond self-portraiture, Schiele created numerous portraits of others, capturing their likenesses with an unsettling realism that seemed to penetrate beneath the surface. His landscapes, while less central to his work than his figurative paintings, demonstrate his mastery of form and color, often reflecting the same emotional intensity as his portraits. Recurring motifs like the Physalis plant – symbolizing death and transience with its delicate, papery husk – further underscore this preoccupation with mortality. The use of line is particularly striking in Schiele’s work; it's not merely a tool for defining shape but an expressive force that conveys emotion and psychological tension.

    A Legacy Cut Short: Achievements & Significance

    Despite facing censorship and legal challenges—including a brief imprisonment for allegedly corrupting minors with his art—Schiele gained recognition within Vienna’s avant-garde circles. His work challenged the conventions of the time, provoking both admiration and outrage. By the time of his untimely death during the Spanish flu pandemic in 1918 at the age of twenty-eight, he had established himself as a leading figure in Austrian Expressionism. Significant works such as Self-Portrait with Physalis, Couple Embracing, and Field Landscape (Kreuzberg near Krumau) stand as testaments to his artistic genius. His influence on subsequent generations of artists is undeniable, particularly those interested in exploring psychological themes and challenging conventional artistic norms. Schiele’s bold approach to form and subject matter continues to resonate with audiences today, making him one of the most important and influential figures in early 20th-century art. His paintings are now held in major museum collections worldwide, including the Leopold Museum in Vienna and the Egon Schiele Art Centrum in Český Krumlov, ensuring his artistic legacy endures. He left behind a body of work that is not merely aesthetically compelling but profoundly human—a testament to the power of art to confront the complexities of existence with honesty, courage, and unwavering vision.

    Key Themes: Mortality, sexuality, isolation, psychological turmoil.

    Influences: Gustav Klimt, Viennese Secession, personal trauma.

    Style Characteristics: Elongated figures, contorted poses, expressive lines, raw emotion.

    Музей

    Музей Леопольда

    Експонується в Відень, Австрія

    A Sanctuary of Austrian Modernism: The Leopold Museum’s Enduring Legacy

    Nestled within Vienna’s vibrant MuseumsQuartier, the Leopold Museum isn't merely a gallery; it’s a portal into the heart and soul of Austria’s artistic evolution. Founded by the discerning eye of Rudolf and Elisabeth Leopold – a couple deeply committed to preserving the often-overlooked voices of Austrian modernism – the museum began with an audacious vision: to champion artists who, for decades, were relegated to the fringes of the art world. From the opulent grandeur of the Vienna Secession to the emotionally raw intensity of Expressionism, the Leopold Museum has painstakingly assembled one of the most comprehensive collections of this pivotal period, a testament to their unwavering belief in the significance of these artistic currents and a profound understanding of art history’s intricate tapestry. The building itself – a meticulously restored former stable, a deliberate architectural choice that harmoniously blends historical preservation with modern design – whispers tales of Vienna's imperial past while simultaneously embracing contemporary aesthetics, creating an atmosphere of both reverence and innovation. Sunlight streams through the vast windows, illuminating the canvases within, inviting contemplation and revealing the depth and complexity of each masterpiece.

    The Schiele Phenomenon and Klimt’s Golden Legacy

    At the very core of the Leopold Museum resides its world-renowned collection dedicated to Egon Schiele, an artist whose intensely personal and often unsettling imagery continues to captivate and challenge viewers today. With over 500 paintings and drawings – representing nearly half of his entire artistic output – the museum offers an unparalleled opportunity to trace the evolution of Schiele’s distinctive style. His figures—often rendered with a haunting vulnerability, caught in moments of intense emotion or quiet introspection—are not simply portraits; they are windows into the anxieties, passions, and psychological complexities of a generation grappling with profound societal upheaval. The collection isn't solely focused on Schiele’s darker themes; it also boasts significant masterpieces by Gustav Klimt, including iconic works that exemplify the Secessionist movement’s opulent ornamentation and symbolic language. The Kiss, perhaps Klimt’s most celebrated creation, embodies the era’s fascination with mythology, eroticism, and the transformative power of art – a shimmering testament to beauty, sensuality, and the enduring allure of the human form. Beyond these two titans, the museum showcases remarkable works by Oskar Kokoschka, Richard Gerstl, and other pivotal figures in Austrian art history, providing a comprehensive panorama of artistic innovation during this dynamic period. The juxtaposition of their styles and approaches reveals the multifaceted nature of modernism within Austria – a vibrant dialogue between tradition and rebellion, beauty and despair.

    Navigating Troubled Waters: A Commitment to Ethical Responsibility

    The Leopold Museum’s narrative is inextricably linked to the complex and painful history surrounding Nazi-looted art. The museum has bravely confronted this difficult legacy, undertaking extensive legal battles and engaging in painstaking research to repatriate artworks seized during World War II. This commitment to artistic integrity and a willingness to grapple with historical responsibility – a stance that sets it apart from many institutions—is profoundly commendable. The case of Portrait of Wally by Schiele, once at the center of a protracted and highly publicized legal dispute, exemplifies this dedication. The museum’s journey towards restitution reflects a growing awareness within the art world of the ethical obligations surrounding cultural heritage and the importance of acknowledging past injustices. The Leopold Museum's willingness to confront uncomfortable truths elevates it beyond a mere display space; it transforms it into a forum for dialogue and reflection on the complex relationship between art, history, and morality. The ongoing efforts in repatriation demonstrate a genuine commitment to rectifying historical wrongs and honoring the legacies of artists who were unjustly deprived of their work – a powerful reminder that art can be both a source of beauty and a symbol of struggle.

    A Living Legacy: Exhibitions and Ongoing Dialogue

    The Leopold Museum is not simply a static showcase of historical artifacts; it’s a dynamic cultural hub that continually evolves through its carefully curated exhibition programming. Beyond the permanent collection, the museum regularly hosts temporary exhibitions that explore specific themes within Austrian modernism or delve into the work of lesser-known artists who deserve wider recognition. These thoughtfully designed displays offer fresh perspectives on familiar masterpieces and introduce visitors to new discoveries, fostering an ongoing dialogue between art, scholarship, and the public. The museum also actively engages with contemporary artistic practices, creating a bridge between the past and present and demonstrating the enduring relevance of Austrian modernism in today’s world. The recent exhibition series focusing on “MODERNISM NOW” highlights how these foundational artists continue to resonate with contemporary audiences and inform current artistic trends – proving that their vision remains strikingly relevant in our own time. What truly distinguishes the Leopold Museum is its holistic approach—its ability to illuminate not only individual artists but also the broader cultural trends and intellectual debates that shaped their work, offering a rich and layered experience for every visitor.

    Additional Research & Architectural Notes

    The museum’s architectural design, incorporating elements of the original stable building – exposed brickwork, soaring ceilings, and an abundance of natural light—speaks volumes about the Leopold's respect for Vienna’s heritage. The deliberate choice to preserve these historical features while seamlessly integrating them with modern design creates a unique atmosphere of both reverence and innovation. Furthermore, the museum’s commitment to transparency is evident in its ongoing efforts to address the issue of Nazi-looted art, meticulously documented through extensive research and legal action. The Leopold Museum continues to be a vital center for scholarship and public engagement, fostering a deeper understanding of Austrian modernism and its enduring legacy.

    Useful Links:

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    Vienna:

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    QR-код, що веде на сторінку завантаження The Dancer

    artsdot.com/uk/art/download/egon-schiele-the-dancer-D3WPYR-en/

    Цитування цього твору мистецтва

    MLA
    Шілельє, Еґон. The Dancer. 1913, Музей Леопольда. https://artsdot.com/uk/art/egon-schiele-the-dancer-D3WPYR-en/
    APA
    Шілельє, Еґон (1913). The Dancer [Painting]. Музей Леопольда. https://artsdot.com/uk/art/egon-schiele-the-dancer-D3WPYR-en/
    Chicago
    Еґон Шілельє. The Dancer. 1913. Музей Леопольда. https://artsdot.com/uk/art/egon-schiele-the-dancer-D3WPYR-en/
    Harvard
    Шілельє, Еґон (1913) The Dancer. Музей Леопольда. Available at: https://artsdot.com/uk/art/egon-schiele-the-dancer-D3WPYR-en/

    Придивіться уважніше

    The Dancer — Еґон Шілельє

    Придивіться уважніше

    Відповідайте власними словами. Тут немає неправильних відповідей — лише такі, які ви можете пояснити.

    1. Що першим привертає вашу увагу і чому?
    2. Які кольори чи форми створюють настрій — і що це за настрій?
    3. У нашому каталозі ця робота класифікована за тегами: dance, male figure, nudity. Ви згодні? Що б ви додали або прибрали?
    4. Поверніться до розгляду Самовмісники II (Смерть і чоловік) (1911), що було раніше в цьому посібнику. Назвіть дві спільні риси цього твору з цією роботою та одну відмінність.
    5. Еґон Шілельє було близько 23 років, коли була створена ця робота. Що саме в ній вказує на такий етап творчості митця?

    Ваша відповідь

    Напишіть короткий абзац про цей витвір мистецтва, спираючись на факти з попередніх розділів цього посібника та ваші відповіді вище.

    Арт-вікторина

    The Dancer — Еґон Шілельє

    Наскільки добре ви знаєте цей витвір мистецтва?

    Оберіть одну відповідь на кожне з 4 запитань нижче. Кожне має лише одну правильну відповідь.

    1. 1. What is a prominent theme explored in Egon Schiele’s ‘The Dancer’?

      • A Celebration and joy of movement
      • B Mortality, anxiety, and the fragility of life
      • C Scenes of idyllic rural landscapes
    2. 2. Considering Egon Schiele’s biography, which personal experience most likely influenced the painting's atmosphere?

      • A His fascination with trains and their mechanics.
      • B The early death of his sister Elvira.
      • C His father’s disapproval of his artistic pursuits.
    3. 3. What is a notable characteristic of Schiele's style evident in ‘The Dancer’?

      • A Precise realism and meticulous detail.
      • B Expressive distortion, elongated figures, and raw emotion.
      • C A focus on idealized beauty and classical proportions.
    4. 4. In what year was ‘The Dancer’ painted, reflecting a period of significant artistic exploration for Schiele?

      • A 1908
      • B 1913
      • C 1925

    Мій результат: ____ із 4

    Відповіді на запитання — для вчителя

    Це починається з окремої друкованої сторінки, тому її можна просто не включати до копій.

    1A · 2B · 3B · 4B

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    Запитання та відповіді

    Як мені завантажити зображення «The Dancer» Еґон Шілельє?

    Цифрову копію роботи «The Dancer» Еґон Шілельє можна завантажити на сторінці Завантажити, обравши варіант завантаження цифрового зображення високої роздільної здатності.

    Де сьогодні можна побачити «The Dancer» Еґон Шілельє?

    Ви можете побачити оригінал «The Dancer» у Музей Леопольда, Відень, Австрія.

    Чи дозволено законом відтворювати «The Dancer» Еґон Шілельє, що зберігається в Музей Леопольда?

    Оригінал твору «The Dancer» зберігається в Музей Леопольда, а цей витвір перебуває у є суспільним надбанням — термін дії авторського права закінчився.