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Krishna

Ім'я Клас Дата

A. Selvaraj, Krishna (2008), Cholamandal Artists' Village. Відтворено для ознайомлення; усі права захищені правовласником. Погляньте на це полотно в рухомому світлі: малюнок, справжній колір під лаком, чистий пігмент

Факти про об'єкт

Автор
A. Selvaraj artsdot.com/uk/artists/a-selvaraj/
Дати створення автором
1943 –
Живопис
2008
Техніка виконання
Oil
Початковий розмір
146 x 146 cm
Рух
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.
Період
Contemporary
Місце проведення
Cholamandal Artists' Village artsdot.com/uk/museums/cholamandal-artists-village-chennai/
Artistic style
Figurative expressionism
Influences
Classical Indian dance
Notable elements or techniques
Vibrant colors, elephant motif, mudras
Subject or theme
Hindu religious themes, classical dance

У контексті

Krishna — A. Selvaraj

Який розмір?

Оригінальні розміри складають 146 × 146 см (висота × ширина), представлено поруч із дорослою людиною середнього зросту.

Коли це було написано?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000

Верхній рядок: роки. Нижній рядок: вік митця на початку та в кінці кожного періоду (відлік від 0 з моменту народження).

Написано, коли художнику було 65. 0 із 2 датованих робіт цього митця в нашому каталозі були створені раніше.

▲ ця робота, 2008 кожна картина з датуванням, десятиліття за десятиліттям

Порівняти з

  • The Ladies artsdot.com/uk/art/a-selvaraj-the-ladies-D8GGHF-en/
  • Lady with Veena artsdot.com/uk/art/a-selvaraj-lady-with-veena-D8GGLD-en/
  • Queen, 2008 artsdot.com/uk/art/a-selvaraj-queen-D82A3U-en/

Оберіть одну з робіт вище: назвіть дві спільні риси з цією роботою та одну відмінність.

Більше творів, що гармоніюють із цим: artsdot.com/uk/art/similar/a-selvaraj-krishna-D82AQM-en/

Кольори

Виміряно за зображенням

    Основний колір

    Phthalo Green #243424

    Каталог палітр

    • #243424
    • #99A8AF
    • #B55105
    • #53656A

    Ці кольори в межах усієї палітри художника Шукати інші картини за кольором

    Палітра
    Dark Переважаюча колірна гама зображення.
    Назва основного кольору
    Phthalo Green
    Насиченість
    Balanced Наскільки насиченими та різноманітними є кольори: від одного приглушеного відтінку до багатьох яскравих.
    Контрастність
    Bold Ступінь відмінності кольорів за світлотою та насиченістю в межах картини.
    Гармонія
    Balanced Harmony Наскільки вдало поєднуються кольори — від контрастних до повністю гармонійних.
    Яскравість
    Shadow Загальна світлотінь картини: від глибокої тіні до яскравого світла.
    Насиченість
    Clear Color Presence Наскільки чистими та насиченими є кольори — від майже сірих до максимально яскравих.

    3 найбільш переглянутих робіт A. Selvaraj

    1. 1 Krishna, 2008 ця картина 64,3%900 переглядів
    2. 2 The Ladies 21,4%300 переглядів
    3. 3 Queen, 2008 14,3%200 переглядів

    Разом ці роботи становлять 100,0% усієї уваги, яку приділяли картинам цього художника протягом останніх дванадцяти місяців. Каталог містить 4 робіт цього митця, з яких 3 були переглянуті принаймні один раз. Ця картина посідає 1 місце у рейтингу, отримавши 64,3% цієї уваги (900 відвідувань). Показники не змінюються, місяць за місяцем

    Смужки вимірюють увагу, а не якість. Оберіть роботу на самому верху та цю: назвіть одну річ, яка може принести картині славу, окрім майстерності її виконання.

    Про цей витвір мистецтва

    Krishna — A. Selvaraj

    The Composition and Form

    In this 2008 painting titled Krishna, several women are positioned around a large central globe. The figures are captured in various stages of dance, with limbs extended into angular lines and distinct postures. Each dancer possesses a unique expression and physical stance. In the upper left corner of the canvas, an elephant is visible, integrated into the scene alongside the human figures. The artist uses oil to create textures that suggest movement across the surface. The work follows a square format, measuring 146 x 146 cm.

    The style belongs to figurative expressionism, utilizing stylized forms and a palette of varied colors. The application of paint focuses on the elongation of limbs and the use of light and shadow to define the dancers. These figures are not rendered with photographic precision but through simplified, expressive shapes that emphasize the rhythm of their motions.

    Context and Symbolism

    The painting draws from Hindu religious themes and the influence of classical Indian dance. The subject matter involves the depiction of Gopikas, or cow-herds, who are shown dancing and dreaming of Krishna. This connection to traditional dance is reflected in the specific mudras, or hand gestures, present in the dancers' poses. The presence of the elephant motif further connects the work to broader Indian iconography.

    Created during the mature period of A. Selvaraj, the piece emerged from his association with the Cholamandal Artists' Village in Chennai, India. This environment encouraged experimentation with color and form. The painting functions as a frozen moment of energy, translating the physical movements of dance into a static medium. Through the use of bold colors and rhythmic placement of figures, the work communicates the essence of the spiritual narratives found in classical Indian traditions.

    Митець та музей

    Автор

    A. Selvaraj

    Народився в Gudiyattam, India

    A Life Immersed in Rhythm and Hue

    Born in the Tamil Nadu town of Gudiyattam in 1943, a. selvaraj’s artistic path was not predetermined but discovered through a passionate surrender to the expressive power of classical Indian dance. Initially destined for an engineering career—a pragmatic choice reflecting his family's background as humble farmers—Selvaraj found himself irresistibly drawn to the sensuous movements and profound storytelling inherent in traditional dance forms. This burgeoning fascination proved transformative, leading him to abandon his technical studies and wholeheartedly dedicate himself to the pursuit of drawing and painting. It was a bold decision, one that signaled the beginning of a lifelong exploration into translating the ephemeral beauty of movement onto the enduring surface of canvas. His early years were marked by this quiet rebellion, secretly honing his skills while immersed in the world of dance, absorbing its rhythms and emotional nuances.

    The Cholamandal Embrace and Artistic Development

    A pivotal moment arrived with Selvaraj’s acceptance as a life member of the prestigious Cholamandal Artists' Village in Madras (now Chennai) in 1966. This community, founded on principles of artistic freedom and collaborative spirit, proved to be an invaluable crucible for his development. Surrounded by fellow artists, he was exposed to diverse perspectives and encouraged to refine his unique voice. The Cholamandal provided not just a physical space but also a nurturing environment where experimentation flourished and individual styles were forged. Selvaraj’s work began to coalesce around a central theme: the depiction of classical Indian dance. He wasn't merely illustrating poses; he was striving to capture the very essence of movement, the underlying emotions, and the spiritual narratives conveyed through this ancient art form. His early training at the Government School of Arts and Crafts provided him with a solid technical foundation, but it was within the Cholamandal that his artistic identity truly began to emerge.

    Figurative Expressionism and the Language of Color

    Selvaraj’s style is best described as figurative expressionism, characterized by stylized forms, angular lines, and a rich, vibrant palette. He employs oil as his primary medium, skillfully manipulating its texture and color to evoke a sense of fluidity and dynamism. His figures are not rendered with photographic realism but rather simplified and imbued with expressive power. The elongation of limbs, the dramatic use of light and shadow, and the bold application of color all contribute to a visual language that is both captivating and emotionally resonant. He doesn’t simply paint what he sees in dance; he paints what he feels. Works like “The Ladies,” “Krishna,” and “Queen” exemplify his ability to distill complex emotions into striking visual statements. "Lady with Veena" showcases his graceful rendering of the human form, highlighting the elegance inherent in Indian artistic traditions. His paintings are not static representations but rather frozen moments of energy, capturing the fleeting grace of a dancer mid-performance.

    Recognition and Enduring Legacy

    Throughout his career, a. selvaraj has received significant recognition for his contributions to contemporary Indian art. He was honored with the Progressive Painters Association Award in 1986 and the National Painting Award in 1987—testaments to the quality and originality of his work. His paintings have been widely exhibited both within India and internationally, finding their way into prestigious collections such as the National Gallery of Modern Art (NGMA) in New Delhi. Beyond exhibitions, Selvaraj has actively shared his knowledge and expertise through workshops at institutions like the National Institute of Design, Ahmedabad, and Gandhigramam Rural Arts and Crafts Centre, Tamil Nadu, nurturing a new generation of artists. His influence extends beyond his immediate circle, inspiring others to explore the intersection of art and cultural heritage. a. selvaraj stands as an important figure in the Cholamandal Artists’ Village legacy, representing a significant contribution to the development of contemporary Indian art through his unique exploration of classical dance as a central theme. His work continues to resonate with audiences, offering a powerful visual celebration of India's rich artistic traditions and the enduring beauty of human expression. His paintings are not merely images; they are poems written in color and movement.

    Музей

    Cholamandal Artists' Village

    Виставлено в Chennai, India

    A Sanctuary of Creative Autonomy

    Nestled along the sun-drenched coast of Chennai, India, lies a place unlike any other—the Cholamandal Artists’ Village. More than just a museum or a gallery, it is a living, breathing testament to the power of collective artistic vision and the enduring pursuit of creative freedom. Founded in 1966 by the visionary K.C.S. Paniker, then principal of the Madras School of Arts, alongside his dedicated students, Cholamandal emerged as a defiant response to the rigid constraints of traditional art institutions. It was born from a profound desire for self-reliance, a movement that sought to bridge the gap between the artist's studio and the necessity of economic survival.

    The genesis of this extraordinary commune can be traced back to 1963 with the formation of the Artists Handicrafts Association (AHA). What began as a humble platform to sell works eventually blossomed into an ambitious dream: a space where artists could live, work, and collaborate in total harmony. Paniker’s genius lay in his ability to integrate art with craft, ensuring that the community remained economically sustainable while nurturing pure artistic endeavor. This philosophy of

    art-meets-craft

    became the very heartbeat of the village, a principle that allowed the settlement to acquire its 8.5-acre plot through the proceeds of batik exhibitions, forever anchoring the community's identity in the soil of its own making.

    An Organic Tapestry of Form and Landscape

    To step into Cholamandal is to enter a sanctuary where architecture and nature exist in a seamless embrace. The landscape is not merely a backdrop but an active participant in the artistic process. Eschewing grand or imposing structures, the village’s design is organically integrated into the coastal environment, reflecting an ethos of simplicity and harmony with the earth. Studios, exhibition galleries, and workshops buzz with a quiet, industrious energy, while a vibrant theatre and communal kitchens foster a sense of shared life. It is a place where inspiration flows as freely as the sea breezes, and where the boundaries between professional practice and daily existence are beautifully blurred.

    <

    p>The collection housed within this creative crucible is remarkably diverse, offering a window into the evolution of the Madras Movement. Visitors will encounter a breathtaking spectrum of styles, from profound abstract explorations to evocative, soulful depictions of South Indian life. The works on display capture a unique tension between traditional Indian aesthetics and a distinctly modern sensibility. One might find themselves mesmerized by the meticulous pen and ink drawings of K.R. Harie, particularly his celebrated

    Rock Series

    , or moved by the intricate sculptures crafted from terra-cotta, stone, and metal that punctuate the landscape. The collection serves as a profound dialogue between the ancient heritage of the Chola dynasty—from which the village derives its name—and the contemporary pulse of post-independence India.

    A Legacy of Innovation and Community

    What truly distinguishes Cholamandal is its role as a continuous engine of innovation. It has served as a fertile ground for countless talented artists, each contributing their unique thread to this rich artistic tapestry. The names that resonate through its halls—such as J. Sultan Ali, K.M. Gopal, S. Kanniappan, and P.S. Nandan—represent a lineage of creators who found in this village the courage to push boundaries. Even contemporary voices, like the sculptor Richard Jesudoss, find their roots here, drawing from a formative environment that encourages the exploration of spirituality, social commentary, and the inherent beauty of the natural world.

    For the art lover, the collector, or the designer seeking authentic inspiration, Cholamandal offers more than just a viewing experience; it offers an encounter with a movement. It remains one of India’s few truly artist-driven communities, standing as a beacon of self-reliance and a reminder that art can be both a powerful form of individual expression and a potent catalyst for social change. To visit Cholamandal is to witness the enduring strength of a community that chose to build its own world, one brushstroke and one sculpted form at a time.

    Де почитати докладніше

    Шукайте онлайн

    QR-код, що веде на сторінку завантаження Krishna

    artsdot.com/uk/art/download/a-selvaraj-krishna-D82AQM-en/

    Як цитувати цей твір

    MLA
    Selvaraj, A.. Krishna. 2008, Cholamandal Artists' Village. https://artsdot.com/uk/art/a-selvaraj-krishna-D82AQM-en/
    APA
    Selvaraj, A. (2008). Krishna [Painting]. Cholamandal Artists' Village. https://artsdot.com/uk/art/a-selvaraj-krishna-D82AQM-en/
    Chicago
    A. Selvaraj. Krishna. 2008. Cholamandal Artists' Village. https://artsdot.com/uk/art/a-selvaraj-krishna-D82AQM-en/
    Harvard
    Selvaraj, A. (2008) Krishna. Cholamandal Artists' Village. Available at: https://artsdot.com/uk/art/a-selvaraj-krishna-D82AQM-en/

    Придивіться уважніше

    Krishna — A. Selvaraj

    Придивіться ближче

    Відповідайте власними словами. Тут немає неправильних відповідей — лише такі, які ви можете пояснити.

    1. Що першим привертає вашу увагу і чому?
    2. Які кольори чи форми створюють настрій — і що це за настрій?
    3. У нашому каталозі ця робота класифікована за тегами: krishna, indian dance, women dancing. Ви згодні? Що б ви додали або прибрали?
    4. Поверніться до The Ladies, що було представлено раніше в цьому посібнику. Назвіть дві спільні риси цього твору з цією роботою та одну відмінність.
    5. Contemporary Realism: Living artists painting the real world with traditional skill, often from photographs as well as from life. Де саме в цій роботі це можна помітити?

    Ваша відповідь

    Напишіть короткий абзац про цей витвір мистецтва, використовуючи факти з попередніх розділів цього посібника та ваші відповіді вище.

    Арт-вікторина

    Krishna — A. Selvaraj

    Наскільки добре ви знаєте цей витвір мистецтва?

    Оберіть одну правильну відповідь на кожне з 5 запитань нижче. Кожне з них має лише одну вірну відповідь.

    1. 1. What is the primary subject depicted in the painting?

      • A A single deity sitting on a throne
      • B Women dancing around a large ball or globe
      • C A landscape of the Indian countryside
    2. 2. Which animal is visible in the top left corner of the artwork?

      • A A tiger
      • B A horse
      • C An elephant
    3. 3. What is the year of creation for this painting?

      • A 1943
      • B 2008
      • C 2015
    4. 4. Who is the artist of the painting 'Krishna'?

      • A A. Selvaraj
      • B K.C.S. Paniker
      • C S.G. Vasudev
    5. 5. What are the dimensions of this artwork?

      • A 100 x 100 cm
      • B 146 x 146 cm
      • C 200 x 200 cm

    Мій результат: ____ із 5

    Ключ до відповідей — для вчителя

    Це починається з окремої друкованої сторінки, тому її можна просто не включати до копій.

    1B · 2C · 3B · 4A · 5B

    Перевірте будь-яку відповідь за каталожним описом цієї картини

    Питання та відповіді

    Який колір домінує в композиції «Krishna» роботи A. Selvaraj?

    Переважаючим кольором у творі «Krishna» роботи A. Selvaraj є Phthalo Green (#243424).

    Скільки років було A. Selvaraj, коли створювався твір "Krishna" у 2008 році?

    A. Selvaraj створив(ла) «Krishna» у віці 65 років. Митець народився(лася) у 1943, а дата створення твору — 2008.

    Які емоції викликають кольори «Krishna» роботи A. Selvaraj?

    «Krishna» роботи A. Selvaraj поєднує в собі Dark палітру та Energetic тональність.