Ekim 2026 tarihinde güncellendi · popülerlik puanımıza göre sıralanmıştır (her bir eser için aramalar, ziyaretler ve siparişler) · 189 eser George Caleb Bingham kataloğumuzda
Özetle
İnsanların en çok bildiği George Caleb Bingham eseri The Squatters (1850) adlı tablodur ve bu eseri Boston, Museum of Fine Arts bünyesinde görebilirsiniz. Hemen ardından Country Politician (1849) ve Trappers' Return (1851) gelir. Katalogumuzdaki George Caleb Bingham imzalı 189 eser arasından en çok bilinen 100 tanesi şunlardır. Her bir eserin yanında yapım yılı, bulunduğu müze ve onu öne çıkaran özelliklere dair kısa bir not yer almaktadır.
To gaze upon "The Squatters" is to be transported across time, standing at the threshold of a bygone American era. This painting captures more than just a scene; it encapsulates an entire ethos—the raw, tenacious spirit of early settlement in the vast American West during the mid-nineteenth century. The composition centers on two figures and their loyal dog, positioned before a humble, roughly constructed log cabin. It is a tableau…
Step closer and observe the quiet intensity within this dimly lit interior. We find ourselves in a rural Missouri tavern, a space where the air feels heavy with the weight of local discourse. The scene is centered upon a small group of men, their faces illuminated by a soft, diffused light that seems to emanate from a nearby stove. One man, likely a politician, leans forward in an attempt to…
In the quietude of George Caleb Bingham’s 1851 masterpiece, Trappers' Return, we are transported to the untamed heart of the nineteenth-century American Midwest. This evocative oil on canvas serves as a profound window into the era of westward expansion, capturing a moment of serene triumph along the winding Missouri River. The scene centers upon two rugged men navigating a canoe through the gentle currents, their journey marked by the presence…
The scene unfolds within the frame of The Mill Boy: The Boonville Juvenile Clay Club Banner. This work, painted by George Caleb Bingham, captures a specific moment of life from about 1844. The artist, George Caleb Bingham, focuses his attention on a single figure, presenting a portrait of a young man that feels immediate and present.
Bingham’s background profoundly shaped his artistic vision. Born in Augusta County, Virginia, he witnessed firsthand the challenges and opportunities presented by westward expansion – a theme that permeates much of his work. This experience instilled within him an understanding of the American spirit: resilience, determination, and a belief in self-governance. Washington himself becomes more than just a military commander; he transforms into an archetype of American virtue, representing the values…
This bust-length oil portrait is organized around a central subject who faces slightly toward the viewer's left. The composition is formal and somber, focusing the viewer's attention on the facial features and the character of the elderly man. A chiaroscuro-like lighting technique is employed, where light falls directly onto the subject's forehead, cheek, and collar. This directional light creates a sense of three-dimensional volume against the surrounding shadows. The background…
The room is dim, held in a soft, amber-hued stillness that seems to swallow the sounds of the outside world. An elderly woman sits at the center of this private universe, her body forming a steady, triangular shape that anchors the composition. She is lost in the pages of a large book, her gaze fixed upon the text with a focus that suggests a deep, internal dialogue. A single, unseen…
In this 1835 oil painting, we find ourselves drawn into a nocturnal classroom, a space defined by the heavy presence of shadow and the soft, localized glow of candlelight. The composition relies heavily on a chiaroscuro technique, where the darkness of the room is interrupted by the warm, directional light emanating from a central shaded lamp and small candles. This light directs our attention toward the figures at the heart…
The George Caleb Bingham Self-Portrait is a small-scale portrait painted by George Gillis Haanen. This intimate work, dated 1850, captures a quiet moment of presence. It offers a direct encounter with the subject through its modest dimensions.
A Moment of Quiet Contemplation Old Man in his Study presents us with an intimate glimpse into a private world. The scene is centered on an elderly man, seated and lost in deep thought or perhaps succumbing to the weight of fatigue. He sits within a dimly lit room, where heavy, dark drapery frames the right and top edges of the composition, creating a sense of enclosure that pulls the…
Mrs. Henry Lewis (Elizabeth Morton Woodson)1838 · Saint Louis Art Museum
12
Shooting for the Beef1850 · Brooklyn Müzesi
13
The Student (Dr. Oscar Fitzland Potter)1848 · Saint Louis Art Museum
14
Fiddler (study for the Jolly Flatboatmen)1846 · The Nelson-Atkins Museum of Art
15
Study of a Boatman for Boatmen on the Missouri
16
Judge Henry Lewis1838 · Saint Louis Art Museum
17
Deer in a Stormy Landscape1852
18
Order No. 111868
19
The Checker Players (also known as Playing Checkers)1850 · Detroit Institute of Arts
20
Rachel Spears Johnston (1786-1850)1837 · Minneapolis Institute of Art
21
Dr. John Sappington1834
22
Major James Sidney Rollins1834
23
Miss Sallie Ann Camden1839
24
Landscape with Waterwheel and Boy Fishing1853 · Museum of Fine Arts
25
Captain William Johnston (1776-1850)1850 · Minneapolis Institute of Art
26
Portrait of Reverend John Glanville1845
27
Lighter Relieving the Steamboat Aground1846
28
Family Life on the Frontier1845
29
Untitled (Pastoral Scene)1850 · Pennsylvania Academy of Fine Arts
30
John Locke Hardeman1850
31
Portrait of Mrs. George Caleb Bingham (nee. Eliza K. Thomas)1849
32
The Verdict of the People1854
33
Mississippi Boatman1850
34
The Wood Boat1850 · Saint Louis Art Museum
35
Jolly Flatboatmen in Port1857 · Saint Louis Art Museum
36
Washington Crossing the Deleware1856
37
Jolly Flatboatmen in Port1857
38
Mary Frances Ward1871 · The Nelson-Atkins Museum of Art
39
The Puzzled Witness1874
40
View of Pike's Peak1872 · Amon Carter Museum of American Art
41
Self Portrait1877 · Nelson-Atkins Museum of Art
42
Samuel Bullitt Churchill1838
43
Self Portrait1834 · Saint Louis Art Museum
44
Cottage Scene1845 · National Gallery of Art
45
Raftsmen Playing Cards1847
46
Marketstall at EveningMuseum Boijmans Van Beuningen
47
Wood-Boatmen on a River1854 · Amon Carter Museum of American Art
48
Raftsmen Playing CardSaint Louis Art Museum
49
Canvassing for a Vote1851 · Nelson-Atkins Museum of Art
50
Jane Breathitt Sappington (also known as Mrs. John Sappington)1834
51
Mrs. David Steele Lamme and Son, William Wirt1837
52
Leonidas Wetmore1839
53
Landscape with Cattle1846 · Saint Louis Art Museum
54
part of a forest with figures1846
55
The Jolly Flatboatmen1846
56
Mrs. George Caleb Bingham (Sarah Elizabeth Hutchinson) and Son Newton1842
57
Landscape with Cattle1846
58
Landscape: Rural Scene1845
59
Captured by Indians1848 · Saint Louis Art Museum
60
The Dull Story1843 · Saint Louis Art Museum
61
The Concealed Enemy1845
62
Market By Moonlight1850 · Centraal Museum
63
Mississippi Boatman1850 · National Gallery of Art
64
Sarah (Sallie) thomas1850
65
Stump Speaking1853 · Saint Louis Art Museum
66
The County Election (no.2)1852
67
Watching the Cargo1849
68
In a Quandry (also known as Mississippi Raftsmen Playing Cards)1851
69
Watching the Cargo at Night (also known as Raftsmen at Night)1854
70
Portrait of a Woman with a Red Broach1849
71
In a Quandary, or Mississippi Raftsmen at Cards1851
72
The Emigration of Daniel Boone1851
73
Mrs. Robert Levi Todd (Sallie Woodson Hall) and Daughter Matilda Téte1860
74
Still Life With Jewelry Box1867 · Centraal Museum
75
Martial Law (also known as Order No. 11)1869
76
The Jolly Flatboatmen (2nd version)1877
77
Study of a Figure 41
78
Studies of Figures
79
Study of a Figure 33
80
Study of a Figure 44
81
Study of a Figure 42
82
Study of a Boatman 2
83
Study of a Boatman 3
84
Study of a Flatboatman
85
Study of a Figure 34
86
Study of a Figure 49
87
Study of a Figure 20
88
Study of a Boatman 1
89
Study of a Figure for Stump Speaking
90
Study of a Boatman for Boatmen on the Missouri 1
91
Study of a Figure 11
92
Study of a Young Spectator
93
Study of a Fiddler
94
Study of a Woodboatman 1
95
Study of a Figure 46
96
Study of a Figure 37
97
Study of a Pioneer
98
Study of a Figure 30
99
Study of a Figure 6
100
Study of a Figure 17
Bu eserlerde en sık karşılaşılan ve her biri en bilinen örneğine sahip olan dört konu.
Bu sayfadaki tabloların çoğuna ev sahipliği yapan 8 müze.
| Müze | Şehir | George Caleb Bingham Eserleri | Bu listedeki tablolar |
|---|---|---|---|
 Saint Louis Art Museum |
Saint Louis | 15 | Mrs. Henry Lewis (Elizabeth Morton Woodson), The Student (Dr. Oscar Fitzland Potter), Judge Henry Lewis |
 Detroit Institute of Arts |
Detroit | 4 | Trappers' Return, John Quincy Adams, The Checker Players (also known as Playing Checkers) |
 Rijksmuseum |
Amsterdam | 3 | Old Woman Reading, Night School, Old Man in his Study |
 Amon Carter Museum of American Art |
Fort Worth | 3 | View of Pike's Peak, Wood-Boatmen on a River |
 Nelson-Atkins Museum of Art |
Kansas City | 3 | Self Portrait, Canvassing for a Vote |
 National Gallery of Art |
Washington | 3 | Cottage Scene, Mississippi Boatman |
 Museum of Fine Arts |
Boston | 2 | The Squatters, Landscape with Waterwheel and Boy Fishing |
 The Nelson-Atkins Museum of Art |
Kansas City | 2 | Fiddler (study for the Jolly Flatboatmen), Mary Frances Ward |
Öne çıkan eserini görmek için bir on yıl seçin.
The room is dim, held in a soft, amber-hued stillness that seems to swallow the sounds of the outside world. An elderly woman sits at the center of this private universe, her body forming a steady, triangular shape that anchors the composition. She is lost in the pages of a large book, her gaze fixed upon the text with a focus that suggests a deep, internal dialogue. A single, unseen…
Step closer and observe the quiet intensity within this dimly lit interior. We find ourselves in a rural Missouri tavern, a space where the air feels heavy with the weight of local discourse. The scene is centered upon a small group of men, their faces illuminated by a soft, diffused light that seems to emanate from a nearby stove. One man, likely a politician, leans forward in an attempt to…
To gaze upon "The Squatters" is to be transported across time, standing at the threshold of a bygone American era. This painting captures more than just a scene; it encapsulates an entire ethos—the raw, tenacious spirit of early settlement in the vast American West during the mid-nineteenth century. The composition centers on two figures and their loyal dog, positioned before a humble, roughly constructed log cabin. It is a tableau…
A frontier home stands as the silent witness to a sudden upheaval. Under a heavy sky, a group of men, women, and children gather in the dust, their faces etched with the quiet weight of uncertainty. The domestic peace of the house is broken by the presence of horses and a carriage, signaling a departure that feels both sudden and inevitable. There is a rhythmic balance to the figures, a…
Listenin başında Museum of Fine Arts, Boston, The Squatters (1850) yer alıyor. Hemen ardından ise Country Politician (1849) ve Trappers' Return (1851) geliyor.
39 yaşında. George Caleb Bingham, 1811 yılında doğmuştur ve The Squatters, 1850 yılına aittir.
The Squatters, Country Politician, Trappers' Return, The Mill Boy: The Boonville Juvenile Clay Club Banner, Washington Crossing the Delaware, John Quincy Adams, Old Woman Reading, Night School, George Caleb Bingham Self-Portrait ve Old Man in his Study. Yukarıdaki listede her birinin yapım yılını ve sergilendiği müzeyi bulabilirsiniz.
Kataloğumuzda 1833 ile 1877 tarihleri arasında değişen, George Caleb Bingham tarafından yapılmış 189 eser bulunmaktadır.
Çoğunu Saint Louis Art Museum (Saint Louis), Detroit Institute of Arts (Detroit) ve Rijksmuseum (Amsterdam) içerisinde bulabilirsiniz. Yukarıdaki müze listesi tüm detayları içermektedir.
1850s döneminde, diğer tüm zamanlardan daha fazla: Bu sayfadaki 100 eserin 28 tanesi o döneme aittir, bunların içinde The Squatters adet bulunmaktadır.
Buradaki en eski eser Old Man in his Study (1833); en yeni eser ise Self Portrait (1877).
Bu sayfadaki 100 eser arasından Portrait (13), 19th century (11) ve Man (8) adet.
Bu sayfadaki 100 parçanın 19 tanesinde Oil On Canvas kullanılmıştır.
bu sayfadaki eserlerde görebileceğiniz gibi American realism,
Saint Louis Art Museum, Saint Louis bünyesinde yer alan Mrs. Henry Lewis (Elizabeth Morton Woodson), The Student (Dr. Oscar Fitzland Potter) ve Judge Henry Lewis dahil olmak üzere, bu sayfada 11 adet eser görebilirsiniz.
Evet. Bu sayfadaki her tablo, size uygun boyutlarda, el yapımı yağlı boya reprodüksiyon veya baskı olarak mevcuttur. Sipariş vermek için tablonun sayfasını açmanız yeterlidir.
