Portrait of Dora Maar

Dora Maar's Most Famous Paintings: All 13, Ranked

Updated Ekim 2026 · ranked by our popularity score (searches, visits and orders for each work) · 13 works by Dora Maar in our catalogue

In short

The Dora Maar painting most people know is Pere Ubu (1936), and you can see it at the Metropolitan Sanat Müzesi, New York. Right after it come Portrait de Frida Kahlo and Portrait of Picasso (1938). Out of 13 works by Dora Maar in our catalogue, these 13 are the best known. Each one comes with its year, its museum and a short note on what makes it stand out.

1907 – 1997, 6th arrondissement of Paris Surrealism Most works: San Francisco Modern Sanat Müzesi

Dora Maar's top 10: the pieces everyone knows

1
Pere Ubu (1936) by Dora Maar

Pere Ubu

1936 · Giclée Print · Metropolitan Sanat Müzesi, New York

Dora Maar’s “Pere Ubu,” painted in 1936, isn't merely a portrait; it’s an unsettling plunge into the subconscious, a meticulously crafted tableau of primal fear and distorted humanity. This arresting image, rendered in stark monochrome with a dramatic interplay of light and shadow, captures the essence of Surrealism at its most potent – a deliberate disruption of reality designed to evoke profound emotional responses. The painting immediately confronts the viewer…

Keep exploring Dora Maar: 11 to 13

Where you can see Dora Maar's paintings

The 3 museums that hold the most of the paintings on this page.

Museum City Works by Dora Maar Paintings from this list
San Francisco Modern Sanat Müzesi, San FranciscoSan Francisco Modern Sanat Müzesi San Francisco 2 Untitled, Double Portrait
Metropolitan Sanat Müzesi, New YorkMetropolitan Sanat Müzesi New York 1 Pere Ubu
İsrail Müzesi, Kudüsİsrail Müzesi Kudüs 1 Portrait of Picasso

One famous Dora Maar piece for every decade

Works per decade

Pick a decade to see its standout piece.

Dora Maar paintings: what people want to know

What painting is Dora Maar best known for?See the answer

Top of the list is Pere Ubu (1936), Metropolitan Sanat Müzesi, New York. Right behind it: Portrait de Frida Kahlo and Portrait of Picasso (1938).

How old was Dora Maar at the time of Pere Ubu?See the answer

29 years old. Dora Maar was born in 1907, and Pere Ubu dates from 1936.

Which 10 Dora Maar paintings are the most famous?See the answer

Pere Ubu, Portrait de Frida Kahlo, Portrait of Picasso, Untitled, The years lie in wait for you, Double Portrait, Untitled (Hand-Shell), The Pretender, Monster on the Beach and Cavalier. You'll find the year and the museum of each in the list above.

How many Dora Maar works are there?See the answer

We have 13 works by Dora Maar in our catalogue, dated 1934 to 1960.

Which museums have Dora Maar's best-known paintings?See the answer

You'll find most of them in San Francisco Modern Sanat Müzesi (San Francisco), Metropolitan Sanat Müzesi (New York) and İsrail Müzesi (Kudüs). The museum list above has the full breakdown.

When were Dora Maar's most famous pieces painted?See the answer

In 1930s, more than any other time: 9 of the 13 pieces on this page date from then, Pere Ubu among them.

What are the oldest and newest famous paintings by Dora Maar?See the answer

The earliest piece here is Untitled (Hand-Shell) (1934); the most recent is Untitled Landscape (1960).

Which art movement is Dora Maar linked to?See the answer

Surrealism, as you can see in the pieces on this page.

What can you see by Dora Maar at the San Francisco Modern Sanat Müzesi?See the answer

You can see 2 of the pieces on this page at the San Francisco Modern Sanat Müzesi, San Francisco, including Untitled and Double Portrait.

Meet Dora Maar

Dora Maar: A Surrealist Visionary and Political Witness

Dora Maar (Henriette Theodora Markovitch, 1907-1997) remains a captivating figure in the annals of 20th-century art – a photographer, painter, and intellectual whose life was inextricably intertwined with the turbulent currents of Surrealism, political activism, and the passionate intensity of her relationship with Pablo Picasso. Often overshadowed by the brilliance of her collaborator, Maar’s unique vision, marked by psychological depth, social critique, and a strikingly unconventional approach to both photography and painting, deserves far greater recognition. Her story is not merely one of a muse; it's that of an artist who forged her own path amidst a world grappling with war, revolution, and the shifting landscapes of artistic expression.

  • Early Life and Artistic Beginnings: Born in Paris to a Croatian architect father and a French mother, Maar’s early years were spent in Buenos Aires. She began her artistic journey formally at the École de Beaux-Arts and the Académie Julian in Paris, honing her skills in painting before gravitating towards photography. Her initial work focused on commercial assignments for fashion magazines and advertising campaigns, providing a crucial foundation for her later explorations of form and composition.
  • Collaboration with Kéfer and Cartier-Bresson: A pivotal moment arrived in 1930 when she joined forces with Pierre Kéfer, establishing a shared studio that became a hub for artistic experimentation. This collaboration extended to the influential photographer Brassaï, with whom she shared the darkroom, absorbing his techniques and developing her own distinctive style.

The Surrealist Years: Politics, Photography, and Picasso’s Influence

Maar's involvement in the Surrealist movement was profound, extending beyond mere aesthetic affiliation to encompass a deep engagement with its political ideals. Following her introduction to Pablo Picasso in 1935, she became deeply involved in leftist groups like “masses” and the Union of Intellectuals against Fascism, reflecting a commitment to social justice that permeated much of her work. This period witnessed a significant shift in her artistic practice, influenced by both Picasso’s mentorship and her own evolving sensibilities.

  • Political Activism: Her participation in demonstrations, convocations, and the signing of manifestos like ‘When Surrealists Were Right’ demonstrated her unwavering commitment to anti-fascist causes. She documented the social and economic hardships of the Depression era through her photography, offering a starkly realistic portrayal of poverty and displacement.
  • The Picasso Connection: Her relationship with Picasso was complex and transformative. He recognized her unique perspective and incorporated her influence into his work, most notably in *Guernica*, where her photographic documentation played a crucial role. However, Maar herself acknowledged that Picasso’s portraits often obscured her true identity, stating, “All his portraits of me are lies. They're all Picassos. Not one is Dora Maar.”
  • Photographic Innovations: During this time, Maar experimented with photographic techniques, pushing the boundaries of the medium through photomontage and exploring themes of psychology, dreams, and inner states. Her work in the darkroom was particularly innovative, utilizing unconventional methods to create hauntingly evocative images.

A Photographic Legacy: Portraits, Fashion, and Social Commentary

Maar’s photographic output spanned a diverse range of subjects, from glamorous fashion shoots to poignant depictions of social unrest. Her portraits are particularly striking – characterized by their psychological intensity, fragmented forms, and often unsettling gazes. She possessed an uncanny ability to capture the essence of her subjects, revealing both their beauty and their vulnerability.

  • Iconic Portraits: Among her most celebrated photographs are portraits of Jacqueline Lamba (Picasso’s wife), André Breton, and, of course, Pablo Picasso himself. These images are not merely representations of appearance but rather explorations of personality and inner life.
  • Fashion and Advertising: Her work in the fashion industry showcased a keen eye for composition and an understanding of visual aesthetics, while her documentary photographs documented the realities of poverty and social inequality during the Depression.
  • The ‘Weeping Woman’ Influence: Picasso's iconic *Weeping Woman* series, inspired by Maar’s own emotional state, stands as a testament to the profound impact she had on his artistic vision.

Beyond Picasso: A Lasting Artistic Contribution

While often remembered primarily as Picasso's muse and lover, Dora Maar’s artistic legacy extends far beyond this association. Her pioneering work in photography – particularly her exploration of psychological themes and unconventional techniques – established her as a significant figure within the Surrealist movement. Her commitment to social justice and political activism further enriched her artistic practice, imbuing her work with a powerful sense of empathy and critical awareness. Today, Maar’s photographs continue to resonate with viewers, offering a glimpse into a complex and fascinating life—a testament to an artist who defied expectations and left an indelible mark on the world of art.

All 13 works by Dora Maar →