Kasım 2026 tarihinde güncellendi · popülerlik puanımıza göre sıralanmıştır (her bir eser için aramalar, ziyaretler ve siparişler) · 2 eser Samuel Spode kataloğumuzda
Özetle
Samuel Spode'in en bilinen eseri A Dark Bay Racehorse held by a Trainer in a Landscape (1833)'dir. Bu eseri Florence Court bünyesinde bulabilirsiniz. Kataloğumuzda Samuel Spode tarafından yapılmış 2 eser bulunmaktadır; bu rehber, her bir eserin yılı, bulunduğu müze ve hikayesiyle birlikte en çok bilinen 2 parçayı seçip sunmaktadır.
Bu sayfadaki tabloların büyük bir kısmına ev sahipliği yapan müze.
| Müzeler | Şehir | Samuel Spode Eserleri | Bu listedeki tablolar |
|---|---|---|---|
 Florence Court |
1 | A Dark Bay Racehorse held by a Trainer in a Landscape |
Bu sayfadaki 1833 tarihli Samuel Spode eserlerinin tamamı 1833 yılına aittir. İşte popülerlik sırasına göre eserler.
Eserleri görmek için bir yıl seçin.
Listenin başında A Dark Bay Racehorse held by a Trainer in a Landscape (1833) yer alıyor.
35 yaşında. Samuel Spode, 1798 yılında doğmuştur ve A Dark Bay Racehorse held by a Trainer in a Landscape, 1833 yılına aittir.
Kataloğumuzda Samuel Spode tarafından yapılmış 2 eser bulunmaktadır.
Çoğunu Florence Court içerisinde bulabilirsiniz. Yukarıdaki müze listesi tüm detayları içermektedir.
Evet. Bu sayfadaki her tablo, size uygun boyutlarda, el yapımı yağlı boya reprodüksiyon veya baskı olarak mevcuttur. Sipariş vermek için tablonun sayfasını açmanız yeterlidir.
Samuel Spode was a British painter who specialized in equestrian sporting scenes, with a particular focus on the portraiture of military and sporting horses. His work often captured the essence of horse racing and fox hunting, frequently featuring prominent animals such as Birdcatcher, Caractacus, and Voltager. He also portrayed significant historical horses, including the Duke of Wellington's war horse, Copenhagen, and the charger Ronald, which was ridden by Lord Cardigan during the Charge of the Light Brigade.
Spode's career was marked by significant movement; he emigrated to Van Diemen's Land with his wife, Mary Crewe, and his brother Josiah, before returning to England in 1826. During his time in England, he stayed at Heron Cottage in the Staffordshire Potteries. His artistic output included works for various patrons, such as the Earl of Lonsdale and John Dawson Duckett, and some of his paintings were reproduced in The Sporting Magazine.
In the 1830s, Spode traveled frequently to Ireland to seek commissions, and he also spent time working as a horse trainer at the Curragh Racecourse. His dedication to his passion for animal painting meant that he worked solely on commissions, and as a result, he never exhibited at well-known exhibitions. Around 1845, he painted several works with Stonehenge in the background, suggesting a period of residence near Amesbury.
Spode's life was characterized by several marriages; he was widowed three times before eventually marrying a girl named Delia in Dublin. He died in Dublin, leaving behind a legacy defined by the many famous horses he depicted throughout his career.
