Ekim 2026 tarihinde güncellendi · popülerlik puanımıza göre sıralanmıştır (her bir eser için aramalar, ziyaretler ve siparişler) · 5 eser Carl Ebert kataloğumuzda
Özetle
Eğer bir Carl Ebert tablosu biliyorsanız, bu muhtemelen Bavarian State Painting Collections, Münih adresinde sergilenen Forest Landscape with Bathing Children (1867) adlı eserdir. Evening Landscape (1875) ve Landscape society in a park, insanların hemen tanıyabileceği üç eseri tamamlıyor. Kataloğumuzda Carl Ebert tarafından yapılmış 5 eser bulunmaktadır. Aşağıda, her biri yapıldığı yıl, bulunabileceği yer ve onu özel kılan detaylarla birlikte, en çok bilinen 5 kişi yer almaktadır.
Bu sayfadaki tabloların çoğuna ev sahipliği yapan 2 müze.
| Müze | Şehir | Carl Ebert Eserleri | Bu listedeki tablolar |
|---|---|---|---|
 Bavarian State Painting Collections |
Münih | 2 | Forest Landscape with Bathing Children, Evening Landscape |
 Lenbachhaus |
Münih | 1 | Isar Landscape |
9 yıl, 1867 ile 1875 arası: bu, Carl Ebert tarafından tarihlenen eserlerin tüm kapsamını kapsıyor. Yıl yıl inceleyin.
Eserleri görmek için bir yıl seçin.
Listenin başında Bavarian State Painting Collections, Münih, Forest Landscape with Bathing Children (1867) yer alıyor. Hemen ardından ise Evening Landscape (1875) ve Landscape society in a park geliyor.
46 yaşında. Carl Ebert, 1821 yılında doğmuştur ve Forest Landscape with Bathing Children, 1867 yılına aittir.
Kataloğumuzda 1867 ile 1875 tarihleri arasında değişen, Carl Ebert tarafından yapılmış 5 eser bulunmaktadır.
Çoğunu Bavarian State Painting Collections (Münih) ve Lenbachhaus (Münih) içerisinde bulabilirsiniz. Yukarıdaki müze listesi tüm detayları içermektedir.
Buradaki en eski eser Forest Landscape with Bathing Children (1867); en yeni eser ise Evening Landscape (1875).
Bavarian State Painting Collections, Münih bünyesinde yer alan Forest Landscape with Bathing Children ve Evening Landscape dahil olmak üzere, bu sayfada 2 adet eser görebilirsiniz.
Evet. Bu sayfadaki her tablo, size uygun boyutlarda, el yapımı yağlı boya reprodüksiyon veya baskı olarak mevcuttur. Sipariş vermek için tablonun sayfasını açmanız yeterlidir.
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.
