Kağıt Boyutu

Öğrenci Sanat Rehberi

Still-life

Adı Sınıf Tarih

jefto perić, Still-life (1939), The Pavle Beljanski Memorial Collection. Referans amaçlı çoğaltılmıştır; tüm hakları saklıdır.

Temel Bilgiler

Sanatçı
jefto perić artsdot.com/tr/artists/jefto-peric/
Sanatçının yaşam tarihleri
1895 – 1967
Boyalı
1939
Teknik
Oil
Orijinal boyutlar
58 x 47 cm
Dönem
Modern
Düzenlendiği yer
The Pavle Beljanski Memorial Collection artsdot.com/tr/museums/the-pavle-beljanski-memorial-collection-novi-sad/

Bağlam içinde

Still-life — jefto perić

Boyutları nelerdir?

Orijinal boyutları 58 × 47 cm (yükseklik × genişlik) olan eser, burada ortalama boydaki bir yetişkinin yanında sunulmuştur.

Yapım yılı

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960

Gölgelenmiş: jefto perić'in yaşam süresi (1895–1967) ▲ bu eser, 1939

Renk Paleti

Görüntü üzerinden ölçülmüştür

    Ana renk

    Rosy Brown #b0a893

    Kataloglanmış palet

    • #B0A893
    • #5D6769
    • #583F2C
    • #987752
    Palet
    Earthy Görseldeki baskın renk ailesi.
    Ana renk adı
    Rosy Brown
    Yoğunluk
    Balanced Tek bir mat tondan birçok parlak tona kadar, renklerin ne kadar doygun ve çeşitli olduğudur.
    Kontrast
    Gentle Renklerin resim genelinde ışıklık ve doygunluk açısından ne kadar farklılık gösterdiği.
    Uyum
    Strong Color Unity Renklerin birbiriyle uyumu; zıtlıktan tam bir bütünlüğe kadar.
    Parlaklık
    Balanced Resmin derin gölgelerden parlak ışıklara kadar genel olarak ne kadar açık veya koyu göründüğü.
    Doygunluk
    Balanced Soft Griye yakın tonlardan tamamen canlı renklere kadar, renklerin ne kadar saf ve güçlü olduğu.

    Bu sanat eseri hakkında

    Still-life — jefto perić

    The painting Still-life with eggs, painted a year after Tabaković’s Still-life with Beans (1940), carries the same message – it symbolizes the social status of the artist in pre-war Belgrade. In addition, this depiction of a modest lunch in the studio once more reveals Perić’s inclination to paint ordinary things from everyday life, which was in accord with his recluse but dignified nature, and his realistic expression. The firm organization of the painting, enlivened by the contrast between the warm brown and yellow tones and the fresh, cool blue tone, is characterized by the simple Cézannean form of the objects in it: a frying pan with two eggs, “sunny side up”, half a bread and a bottle of beer. These objects arranged on the table have somewhat darker colours but were painted in clear colours and broader brushstrokes which lend the surface of the painting a restless shimmering quality, under the influence of the “Paris school.” This cultural idiom implied, above all, the cultivation of the plastic and pictorial practice in the painter’s style, which was clearly not devoid of numerous relations with the material world. And yet, it did not place content in the foreground, but the formal characteristics and qualities of the painting. Among the most expressive representatives of Serbian colouristic realism, this piece was chosen in 1971 for the exhibition entitled The Painting of the Fourth Decade in the Museum of Contemporary Art in Belgrade. One of the most striking paintings with this motif from Beljanski’s collection, Perić’s Still-life is the most frequently rendered subject matter in the children’s visual workshop in the Memorial Collection – no child has ever left the museum without this interesting work of art from 1939 etched deeply into his or her memory.

    Sanatçı ve müze

    Sanatçı

    jefto perić

    ... doğumlu Gacko, Bosnia and Herzegovina

    early life and education

    jefto perić, a renowned serbian painter, was born on december 26, 1895, in gacko, bosnia and hercegovina, then part of the ottoman empire. he later became a professor at the academy of arts (later to become university of arts in belgrade). perić's artistic journey began with his work as a photographer's assistant in the studio of mihailo merćep in zagreb.

    artistic development and style

    perić's inclination towards painting led him to attend various private art academies in zagreb, where he honed his craft. he later studied under notable artists like carl johann becker-gundahl and hans hoffmann in munich, and paul signac at the école nationale supérieure des beaux-arts in paris. perić's artistic style is characterized by colored realism, making him a significant representative of this genre in serbian art.

    notable works and exhibitions

    some of perić's notable works include:

    still-life (1939), a painting that symbolizes the social status of the artist in pre-war belgrade, featuring a modest lunch in the studio.

    this piece is part of the pavle beljanski memorial collection, which can be found on AllPaintingsStore.com (view the painting here).

    perić's work has been exhibited in various locations, including zagreb (1927), belgrade (1936, 1939, and 1951), and as part of the pavle beljanski memorial collection.

    legacy and impact

    jefto perić's legacy extends beyond his artistic contributions. he was a campaigner for artists' rights and an esteemed pedagogist. his influence on serbian art is undeniable, making him one of the most expressive representatives of colored realism.

    view more of jefto perić's works on AllPaintingsStore.com (artist profile).

    explore the pavle beljanski memorial collection on AllPaintingsStore.com (view the collection here).

    conclusion

    jefto perić's remarkable journey, from his humble beginnings to becoming a celebrated artist and professor, is a testament to his dedication to the world of art. his colored realism style continues to inspire artists and art enthusiasts alike, making him an integral part of serbian art history. wikipedia: jefto perić

    Müze

    The Pavle Beljanski Memorial Collection

    Sergilenen yer Novi Sad, Serbia

    A Sanctuary of Serbian Modernity

    Nestled in the heart of Novi Sad, Serbia, stands a testament to one man’s profound passion for art and his enduring gift to the nation – the Pavle Beljanski Memorial Collection. More than just a museum, it is a carefully preserved echo of a discerning eye, a space where the vibrant spirit of 20th-century Serbian and Yugoslav art continues to resonate. The collection itself blossomed from the personal pursuit of Pavle Beljanski, a diplomat whose keen understanding of artistic merit led him to champion emerging talents during a period of immense cultural transformation. He didn’t simply acquire paintings; he fostered relationships with artists, recognizing their potential before it was widely celebrated, and ultimately assembling a body of work that now forms a cornerstone of Serbian art history.

    The architecture of the museum is an integral part of this immersive experience. Designed by the visionary architect Ivo Kurtović and completed in 1961, the building serves as a bold departure from prevailing styles of its era, reflecting a belief that architecture should complement and elevate the treasures it houses. The structure is not merely a container but a harmonious environment where functional elegance meets thoughtful design. Inside, the spaces are bathed in natural light, creating an atmosphere conducive to quiet contemplation and fostering a deep, visceral connection between the viewer and the canvas. For the interior designer or the lover of fine aesthetics, the building itself stands as a masterpiece of mid-century modernism.

    Masterpieces of the Interwar Spirit

    At the core of this sanctuary lies a remarkable assemblage of 185 paintings by 37 artists, representing the zenith of Serbian artistic expression during the interwar period. These works offer a window into an era defined by intellectual currents and shifting societal identities. Among these masterpieces are the landscapes of Sava Šumanović, whose brushstrokes capture the sublime beauty of the Serbian countryside with evocative color palettes that seem to breathe on the canvas. In contrast, the portraits of Milan Konjović delve into profound psychological depth, portraying subjects with a sensitivity and nuance that transcend the mere likeness of the sitter.

    The collection also celebrates the courage of artists like Nadežda Petrović, Milan Milovanović, and Kosta Miličević, who navigated a landscape shaped by political upheaval. These creators masterfully blended influences from European movements such as Cubism and Surrealism with their own unique perspectives, forging a distinctly Serbian artistic identity. To walk through these galleries is to witness the birth of a modern visual language, where every stroke and shade tells a story of a nation finding its voice amidst the complexities of the 20th century.

    A Living Legacy and Personal Intimacy

    What truly distinguishes the Pavle Beljanski Memorial Collection is its profound intimacy. Adding to the museum's character is the Memorial Hall, inaugurated in 1966 as a poignant recreation of Beljanski’s personal living and working space. Stepping inside feels like entering a time capsule; visitors are surrounded by his original furniture, books, photographs, and cherished possessions. This meticulously curated hall allows one to understand the man behind the art, offering insight into the refined sensibility and intellectual curiosity that guided his collecting activities. It is an invitation to step into the life of a diplomat who lived among the very beauty he sought to preserve.

    The museum’s mission extends far beyond the preservation of the past, as it actively nurtures the future of Serbian culture. Through educational programs for young students and the prestigious

    Pavle Beljanski Award

    —which recognizes outstanding scholarly work in art history—the institution ensures that the dialogue between generations remains unbroken. For the connoisseur seeking an authentic cultural journey, the collection offers a compelling encounter with history, culture, and the transformative power of artistic expression, making it an essential destination for anyone captivated by the enduring legacy of Serbian modernism.

    Daha fazla bilgi için

    Çevrim içi inceleyin

    Still-life için indirme sayfasına yönlendiren QR kodu

    artsdot.com/tr/art/download/jefto-peric-still-life-D5GNWD-en/

    Bu esere atıf yapın

    MLA
    perić, jefto. Still-life. 1939, The Pavle Beljanski Memorial Collection. https://artsdot.com/tr/art/jefto-peric-still-life-D5GNWD-en/
    APA
    perić, jefto (1939). Still-life [Painting]. The Pavle Beljanski Memorial Collection. https://artsdot.com/tr/art/jefto-peric-still-life-D5GNWD-en/
    Chicago
    jefto perić. Still-life. 1939. The Pavle Beljanski Memorial Collection. https://artsdot.com/tr/art/jefto-peric-still-life-D5GNWD-en/
    Harvard
    perić, jefto (1939) Still-life. The Pavle Beljanski Memorial Collection. Available at: https://artsdot.com/tr/art/jefto-peric-still-life-D5GNWD-en/

    Yakından inceleyin

    Still-life — jefto perić

    Yakından İnceleyin

    Kendi kelimelerinizle yanıtlayın. Burada yanlış cevap yoktur; sadece açıklayabileceğiniz cevaplar vardır.

    1. İlk olarak gözünüze ne çarpıyor ve neden?
    2. Bu ruh halini hangi renkler veya şekiller oluşturuyor — peki ya bu ruh hali nedir?
    3. jefto perić bu eser yapıldığında yaklaşık 44 yaşındaydı. Eserde, sanatçının o dönemdeki çalışmalarını andıran neler var?
    4. Sanatçı size ne hissettirmek istemiş olabilir?
    5. Bu eser hakkında sanatçıya tek bir soru sorma şansınız olsaydı, bu ne olurdu?

    Yanıtınız

    Bu sanat eseri hakkında kısa bir paragraf yazın. Bu kılavuzun önceki bölümlerindeki bilgilerden ve yukarıdaki yanıtlarınızdan yararlanın.