dönem

hareket

1. Portrait, Osgood Perkins — Edward Steichen, 1923

hava/atmosfer

1. Film Arka Planı, Ayaklar — Edward Steichen, 1922
2. Portrait, Osgood Perkins — Edward Steichen, 1923
3. Studio Site Fotoğrafı, Famous Players-Lasky, Hollywood, CA - Yönetmenlik Yapılanların Çalışma Ortamı Fotoğrafı — Edward Steichen, 1922
4. Orpheum Tiyatrı Programı Philadelphia PA — Edward Steichen, 1915
5. In Memoriam — Edward Steichen, 1906
6. Lobby Kartı, Rosita — Edward Steichen, 1923
7. Lobby kartı, Sevgi Özel — Edward Steichen, 1921

konular

anahtar kelimeler

ton

1. Film Arka Planı, Ayaklar — Edward Steichen, 1922
2. Orpheum Tiyatrı Programı Philadelphia PA — Edward Steichen, 1915
3. Lobby Kartı, Rosita — Edward Steichen, 1923
4. Lobby kartı, Kuzeyin Kalbi — Edward Steichen, 1921

ana renk

1. Lobby kartı, Kuzeyin Kalbi — Edward Steichen, 1921
2. no swimming — Norman Rockwell
3. Marcelle Earle — Raphael Kirchner
4. Lobby card, The Blue Fox, Episode 10 — Edward Steichen, 1921
5. Choosin Up — Norman Rockwell
6. Lobby Kartı, Rosita — Edward Steichen, 1923
7. Portrait, Osgood Perkins — Edward Steichen, 1923
8. Backblock ballads — dennis orme shaw, 1913
9. Lobby kartı, Sevgi Özel — Edward Steichen, 1921
10. 'The Chap-Book', (54 x 35 CM) (1896) — frank hazenplug
11. Film still, Experience — Edward Steichen, 1921
12. Herald, The Kid Brother — Edward Steichen, 1927
13. Orpheum Tiyatrı Programı Philadelphia PA — Edward Steichen, 1915
14. Studio Site Fotoğrafı, Famous Players-Lasky, Hollywood, CA - Yönetmenlik Yapılanların Çalışma Ortamı Fotoğrafı — Edward Steichen, 1922
15. Film Arka Planı, Ayaklar — Edward Steichen, 1922

diğer

1. Fan magazine, Motion Picture Magazine, vol. 9, no. 6 — Edward Steichen, 1915
2. election day — Norman Rockwell
3. Preview slide, The Immigrant — Edward Steichen, 1919
4. Film still, Behind the Scenes — Edward Steichen, 1914
5. Film Still, Footlights - Sahne Fotoğrafı — Edward Steichen, 1921
6. Residence of Thomas Hilborn — Edward Hicks, 1845
7. Sunflower — Edward Steichen, 1920
8. Study for illustration — Mario Sironi