Porträtt av Orcagna

Din guide till de 13 mest kända Orcagna-målningarna

Uppdaterad oktober 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 13 verk av Orcagna i vår katalog

Kortfattat

Orcagnas mest kända verk är Saint John the Baptist (1355). Du hittar det på Yale University Art Gallery i New Haven. Nästa på listan är The Calling of St. Matthew (1367) och Throne of Grace (1400). Vi har 13 verk av Orcagna i vår katalog; denna guide lyfter fram de 13 mest kända, med årtal, museum och historien bakom varje verk.

1315 – 1368, Florence Flest verk: Cappella Strozzi

De 10 viktigaste målningarna av Orcagna att känna till

Nummer 11 till 13: fler målningar av Orcagna

Mest målat av Orcagna

De fyra motiv som förekommer oftast i dessa verk, var och ett med sitt mest kända exempel.

Där du kan se Orcagnas målningar

De 5 museer som innehar flest av målningarna på denna sida.

Museum Stad Verk av Orcagna Målningar från denna lista
Cappella Strozzi, FlorenceCappella Strozzi Florence 2 View of the Chapel, The Strozzi Altarpiece
Yale University Art Gallery, New HavenYale University Art Gallery New Haven 1 Saint John the Baptist
Nationalmuseet i Warszawa, WarszawaNationalmuseet i Warszawa Warszawa 1 Throne of Grace
Palazzo Vecchio, FlorensPalazzo Vecchio Florens 1 The Expulsion of the Duke of Athens
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 1 Triptych with the Virgin and Child, and Saints Mary Magdalene and Ansanus, Andrea di Cione named Orcagna, 1350

Decennium för decennium: det mest kända Orcagna-verket från varje

Verk per decennium

Välj ett decennium för att se dess mest framstående verk.

Orcagna: snabba svar om målningarna

Vilken är Orcagnas mest kända målning?Se svaret

Högst upp på listan står Saint John the Baptist (1355), Yale University Art Gallery, New Haven. Direkt efter följer The Calling of St. Matthew (1367) och Throne of Grace (1400).

Hur gammal var Orcagna när Saint John the Baptist skapades?Se svaret

40 år gammal. Orcagna föddes 1315 och Saint John the Baptist är från 1355.

Vilka är Orcagnas 10 främsta målningar?Se svaret

Saint John the Baptist, The Calling of St. Matthew, Throne of Grace, The Burial of the Virgin, Tabernacle (detail), Tabernacle, Dormition and Assumption of the Virgin, detail of the Tabernacle, View of the Chapel, Hell (fragment) och The Expulsion of the Duke of Athens. Du hittar årtal och museum för varje verk i listan ovan.

Hur många verk av Orcagna finns i din katalog?Se svaret

Vi har 13 verk av Orcagna i vår katalog, daterade från 1343 till 1367.

I vilka museer kan man se Orcagnas berömda verk?Se svaret

Du hittar de flesta av dem i Cappella Strozzi (Florence), Yale University Art Gallery (New Haven) och Nationalmuseet i Warszawa (Warszawa). Listan över museer ovan ger en fullständig sammanställning.

När skapade Orcagna sina mest kända verk?Se svaret

Under 1350s, mer än någon annan tid: 8 av de 13 verk som finns på denna sida är från den tiden, varav Saint John the Baptist.

Vilka är Orcagnas första och sista kända verk?Se svaret

Det äldsta verket här är The Expulsion of the Duke of Athens (1343); det senaste är The Calling of St. Matthew (1367).

Vilka kända målningar av Orcagna finns på Cappella Strozzi?Se svaret

Du kan se 2 av verken på denna sida på Cappella Strozzi, Florence, inklusive View of the Chapel och The Strozzi Altarpiece.

Var kan jag beställa en Orcagna-reproduktion?Se svaret

Ja. Varje målning på denna sida finns tillgänglig som en handmålad oljereproduktion eller som ett tryck, i den storlek som passar dig. Gå bara in på målningens sida för att beställa.

Orcagnas historia

Andrea di Cione: The Architect of Florentine Vision

The name Orcagna—a moniker bestowed upon him by local artisans—encompasses a remarkable figure in the history of Italian art: Andrea di Cione, a painter, sculptor, architect, and master craftsman who dominated the artistic landscape of Florence during the latter half of the 14th century. Born around 1308 within the bustling heart of the city, Orcagna’s life was inextricably linked to its burgeoning wealth, political intrigue, and fervent religious devotion—elements that profoundly shaped his distinctive style and enduring legacy. His story isn't one of solitary genius, but rather a testament to collaborative artistry, meticulous planning, and an unwavering commitment to both technical mastery and expressive power.

Orcagna’s early life remains shrouded in some mystery, though it is believed he apprenticed under the renowned sculptor Andrea Pisano. This formative experience instilled within him a deep appreciation for classical forms and a sophisticated understanding of three-dimensional space—qualities that would later manifest in his monumental marble tabernacle for Orsanmichele. However, Orcagna’s artistic trajectory quickly diverged from his master's, developing a distinctly Florentine style characterized by dramatic figures, vibrant colors, and an innovative approach to composition. He was formally admitted into the painter’s guild in 1343-44 and later joined the stonemasons’ guild in 1352, demonstrating his versatility and ambition across multiple artistic disciplines.

The Grandeur of Orvieto: Mosaic Master

Orcagna's most celebrated achievement undoubtedly lies in his contribution to the magnificent façade of the cathedral in Orvieto. Commissioned in 1358, this project demanded a level of technical skill and artistic vision that pushed Orcagna to the very limits of his abilities. He oversaw the creation of an extensive mosaic decoration, including a breathtaking rose window—a masterpiece of Byzantine-inspired design that exemplifies the lavishness and spiritual intensity characteristic of the period. The mosaics themselves are characterized by their rich palette, intricate detailing, and powerful emotional impact, reflecting Orcagna’s mastery of color theory and his ability to imbue religious subjects with palpable drama.

The scale of this undertaking was immense, requiring meticulous planning and coordination. Orcagna's role extended beyond mere execution; he served as a consultant, guiding the work of numerous skilled artisans and ensuring that every element harmonized within the overall design. The Orvieto mosaics stand as a testament to his organizational prowess and his ability to synthesize diverse artistic talents into a cohesive whole.

The Sculptural Triumph: Orsanmichele’s Tabernacle

Perhaps Orcagna's most enduring legacy resides in the monumental marble tabernacle he designed and oversaw for the Orsanmichele, a former confraternity hall now serving as a public art gallery. Completed between 1352 and 1359, this architectural marvel is a complex and ambitious undertaking that showcases Orcagna’s exceptional skill as an architect and sculptor. The tabernacle's intricate façade is adorned with a multitude of sculpted figures—a veritable encyclopedia of biblical narratives, allegorical symbols, and classical motifs. Each figure is rendered with remarkable detail and expressive power, reflecting Orcagna’s deep understanding of human anatomy and his ability to convey complex emotions through gesture and expression.

The tabernacle's design incorporates a sophisticated system of arches, vaults, and niches, creating a dynamic interplay of light and shadow. The use of color—particularly the vibrant hues of the inlaid marble—further enhances its visual impact. Orcagna’s work on Orsanmichele demonstrates his mastery of both architectural form and sculptural technique, solidifying his reputation as one of Florence's most accomplished artists.

A Legacy of Innovation

Orcagna’s influence extended far beyond the immediate commissions he undertook. His innovative approach to composition—characterized by dynamic figures, dramatic lighting, and a heightened sense of realism—helped to shape the course of Florentine painting in the late 14th century. He bridged the gap between the Gothic traditions inherited from his predecessors and the emerging Renaissance style, paving the way for future generations of artists. His work served as an inspiration to many of Florence’s leading painters, including Jacopo di Cione, his brother, who continued Orcagna's artistic legacy after his death in 1368.

Orcagna’s untimely death at the age of sixty is a poignant reminder of the fragility of life and the immense loss suffered by the Florentine art world. Despite his relatively short career, he left behind a remarkable body of work that continues to captivate audiences today—a testament to his extraordinary talent, unwavering dedication, and enduring vision.

Alla 13 verk av Orcagna →