Uppdaterad oktober 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 372 verk av Godfrey Kneller i vår katalog
Kortfattat
Den mest kända målningen av Godfrey Kneller är Isaac Newton (1702). Omedelbart därefter följer Portrait of Pyotr Potyomkin (1682) och William Russell, 1st Duke of Bedford (1690). Av 372 verk av Godfrey Kneller i vår katalog är dessa 100 de mest kända. Varje verk åtföljs av sitt årtal, sitt museum och en kort kommentar om vad som gör det unikt.
This portrait of Isaac Newton was executed by Sir Godfrey Kneller, Bt. in 1702. The sitter, recognized as one of the greatest of all scientists and thinkers, is presented through the meticulous technique of a painter who served the courts of Charles II, James II, William and Mary, and George I. Kneller’s position as a prominent portraitist is reflected in this depiction of a man whose intellectual contributions fundamentally altered…
Sir Godfrey Kneller’s “Portrait of Pyotr Potyomkin” (1682) is more than just a likeness; it's a meticulously crafted tableau of power, ambition, and the carefully constructed image of a formidable Russian statesman. Painted during the reign of Charles II in England, this remarkable work offers a rare glimpse into the intricate world of European diplomacy and the burgeoning influence of Russia on the continent. The portrait depicts Potyomkin, a high-ranking…
A single figure occupies the center of the frame, anchored by the gravity of his own station. William Russell, 1st Duke of Bedford, is rendered in a moment of stillness, his presence defined by the heavy architecture of his ceremonial robes. The light catches the sharp, white edges of a lace cravat and the powdered texture of a voluminous periwig. He is a pillar of fabric and bone against a…
A single light source strikes from the upper left, carving the face of Thomas Wharton out of a deep, somber shadow. He sits in a three-quarter pose, his gaze fixed directly upon the viewer with a steady, unblinking authority. The darkness behind him is a warm, muted brown, pushing his figure forward into the room. His hair, a voluminous mass of light brown curls, frames a face of smooth skin…
A single, heavy shadow anchors the room. Within this darkness, Richard Lumley, 2nd Earl of Scarbrough, emerges through a sudden collision of light and texture. He is positioned in a three-quarter view, his body turned slightly away while his eyes lock onto the viewer with a steady, direct gaze. A voluminous, light brown periwig frames a face rendered with smooth, pale precision. The light catches the crest of his white…
In this 1690 portrait, Queen Anne is presented with a quiet, commanding dignity that defines the Baroque era. She is captured in a three-quarter length pose, standing with a poised elegance that suggests both her royal status and a certain personal composure. The composition draws the eye through the sweeping curves of her heavy drapery and the fluid folds of her gown, creating a sense of movement within a formal…
The portrait presents Robert Harley, 1st Earl of Oxford, in a vertical three-quarter length composition. He is positioned slightly off-center against a muted, dark ochre background. The subject wears a large powdered wig and an elaborate lace cravat. A heavy blue mantle, lined with white ermine fur, drapes over his shoulders and falls in voluminous, flowing curves. Beneath this, his period clothing features structured silhouettes and textures of silk and…
The room falls away into a deep, impenetrable darkness, leaving only the man to emerge from the gloom. He sits in a three-quarter view, his body angled toward the right while his gaze meets the viewer from the left, creating an immediate sense of encounter. A strong, singular light source strikes his face and the voluminous, snowy curls of his powdered wig, casting the rest of his form into a…
This oil on canvas portrait by Sir Godfrey Kneller, Bt. depicts Charles Townshend, 2nd Viscount Townshend. The subject is presented in a full-length, vertical composition, positioned slightly off-center against a dark, atmospheric background. He is shown wearing voluminous red velvet robes accented by white ermine fur and a lace cravat. A large, white wig frames his face, which is illuminated by a light source from the side, creating a chiaroscuro…
The subject is a young man positioned in a three-quarter length view against a dark, indistinct background. He wears a deep reddish-orange velvet jacket that catches the light, creating highlights on the folds of the fabric. A white, ruffled shirt is visible at the neck, providing a sharp tonal contrast to the darker tones of his attire. On his head, he wears a turban-like cap with voluminous folds. The lighting…
Unknown man, formerly known as Henry Sidney, Earl of Romney1700 · National Portrait Gallery
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Sidney Godolphin, 1st Earl of Godolphin1707 · National Portrait Gallery
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Aubrey de Vere, 20th Earl of Oxford1690 · National Portrait Gallery
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Charles Seymour, 6th Duke of Somerset1703 · National Portrait Gallery
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Portrait of Johann Philipp Schönborn, elector of Mainz1666 · Kunsthistorisches Museum
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Edward Russell, Earl of Orford, Captain John Benbow and Admiral Ralph Delavall1692 · Government Art Collection
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Sir Henry Booth, 1st Earl of Warrington (1651-1694)1674 · Dunham Massey Hall
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Abraham banishes Hagar and Ishmael1670 · Bavarian State Painting Collections
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Portrait of Johann Adam Reincken1674 · Museum für Hamburgische Geschichte
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Walter Charleton MD (1619-1707)1670 · The Hunterian Museum and Art Gallery
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Margrave Johann Friedrich von Brandenburg-Ansbach1681 · Bavarian State Painting Collections
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Barbara Talbot, Viscountess Longueville (c.1670-1763) as a girl1677 · Lacock Abbey
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Catherine Sedley, Countess of Dorchester (1657-1717)1685 · Kedleston Hall
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Charles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704)1680 · Hardwick Hall
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Possibly Colonel William Windham I, MP (1647-1689)1684 · Felbrigg Hall
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Sir Richard Onslow, 1st Baron Onslow (1654-1717), Speaker of the House of Commons, 1708 - 17101680 · Clandon Park
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Catherine Wheatley, Mrs Thomas Lucy, later Duchess of Northumberland (d.1714)1680 · Charlecote Park
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Sarah Churchill, Duchess of Marlborough (1660–1744)1680 · Antony House
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Sir George Mackenzie, 1636 - 1691. Founder of the Advocates Library1680 · Scottish National Portrait Gallery
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Sir George Mackenzie, 1636 - 1691. Founder of the Advocates Library1680 · Scottish National Portrait Gallery
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Sarah Jennings, Duchess of Marlborough (1660-1744)1694 · Petworth House
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Sir Thomas Osborne, 1st Earl of Danby, later 1st Duke of Leeds (1631 - 1712) in Garter Robes1691
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Charles Sackville, 6th Earl of Dorset and 1st Earl of Middlesex (1638-1706)1694 · Knole House
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Rachel Russell, Duchess of Devonshire (1674 – 1725)1692 · Hardwick Hall
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Charles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704)1695 · Hardwick Hall
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Catherine Bower, Lady Ashe or Mrs Packer (c.1671 - 1717)1690 · Felbrigg Hall
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Admiral Edward Russell, 1652-1727, 1st Earl of Orford1693 · National Maritime Museum
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Charles Sackville, 6th Earl of Dorset1697 · National Portrait Gallery
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Charles Townshend, 2nd Viscount Townshend1690 · National Portrait Gallery
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Charles Montagu, 1st Earl of Halifax1690 · National Portrait Gallery
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William, Duke of Gloucester (1689-1700), when a Child1691 · Royal Collection
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Diana De Vere, Duchess of St. Albans (d.1742)1691 · Hampton Court Palace
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Carey Fraser, Countess of Peterborough (d.1709)1690 · Hampton Court Palace
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Mary Bentinck, Countess of Essex (d.1726)1690 · Hampton Court Palace
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Mary Compton, Countess of Dorset (1669-91)1690 · Hampton Court Palace
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Isabella Bennett, Duchess of Grafton (1667-1723)1690 · Hampton Court Palace
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Frances Whitmore, Lady Middleton (c. 1666-94)1690 · Hampton Court Palace
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Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss1697 · Yale Center for British Art
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Portrait of canon Frans de Cock, cantor of the cathedral of Antwerp1697 · Koninklijk Museum voor Schone Kunsten Antwerpen
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John Drummond, 1st Earl of Melfort, Secretary of State for Scotland and Jacobite1688 · Scottish National Portrait Gallery
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King William III of England Returning from the Peace of Ryswick, Margate, 16971701 · National Gallery of Ireland
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Sir Richard Onslow, 1st Baron Onslow (1654-1717), Speaker of the House of Commons (1708 - 1710)1710 · Clandon Park
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Charles Sackville, 6th Earl of Dorset (1638-1706)1700 · Sissinghurst Castle
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De fyra motiv som förekommer oftast i dessa verk, var och ett med sitt mest kända exempel.
De 8 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Godfrey Kneller | Målningar från denna lista |
|---|---|---|---|
 National Portrait Gallery |
London | 70 | William Russell, 1st Duke of Bedford, Thomas Wharton, 1st Marquess of Wharton, Richard Lumley, 2nd Earl of Scarbrough |
 Hampton Court Palace |
London | 10 | Diana De Vere, Duchess of St. Albans (d.1742), Mary Scrope, later Mrs Pitt (b.1676), Carey Fraser, Countess of Peterborough (d.1709) |
 Royal Collection |
London | 12 | James II (1633-1701) when Duke of York, William, Duke of Gloucester (1689-1700), when a Child, Mary II (1662-1694) |
 National Maritime Museum |
London | 23 | Admiral Sir Thomas Allin, 1612-85, Samuel Pepys, 1633-1703, Admiral Edward Russell, 1652-1727, 1st Earl of Orford |
 Felbrigg Hall |
Norwich | 4 | Possibly Colonel William Windham I, MP (1647-1689), Catherine Bower, Lady Ashe or Mrs Packer (c.1671 - 1717), Ashe Windham, MP (1673-1749) |
 Hardwick Hall |
9 | Charles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704), Rachel Russell, Duchess of Devonshire (1674 – 1725), Charles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704) | |
 Scottish National Portrait Gallery |
Edinburgh | 6 | Sir George Mackenzie, 1636 - 1691. Founder of the Advocates Library, Sir George Mackenzie, 1636 - 1691. Founder of the Advocates Library, John Drummond, 1st Earl of Melfort, Secretary of State for Scotland and Jacobite |
 Yale Center for British Art |
New Haven | 6 | Self-Portrait, Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss |
Välj ett decennium för att se dess mest framstående verk.
The Portrait of Johann Philipp Schönborn, elector of Mainz is an oil on canvas work created by the artist Godfrey Kneller. Painted in 1666, this portrait captures Johann Philipp von Schönborn in a moment of formal stillness. The subject sits within a dark, quiet space, his presence defined by the sharp contrast of his white collar against heavy, dark ecclesiastical attire. Light finds the planes of his face and the…
Sir Godfrey Kneller’s “Portrait of Pyotr Potyomkin” (1682) is more than just a likeness; it's a meticulously crafted tableau of power, ambition, and the carefully constructed image of a formidable Russian statesman. Painted during the reign of Charles II in England, this remarkable work offers a rare glimpse into the intricate world of European diplomacy and the burgeoning influence of Russia on the continent. The portrait depicts Potyomkin, a high-ranking…
A single figure occupies the center of the frame, anchored by the gravity of his own station. William Russell, 1st Duke of Bedford, is rendered in a moment of stillness, his presence defined by the heavy architecture of his ceremonial robes. The light catches the sharp, white edges of a lace cravat and the powdered texture of a voluminous periwig. He is a pillar of fabric and bone against a…
This portrait of Isaac Newton was executed by Sir Godfrey Kneller, Bt. in 1702. The sitter, recognized as one of the greatest of all scientists and thinkers, is presented through the meticulous technique of a painter who served the courts of Charles II, James II, William and Mary, and George I. Kneller’s position as a prominent portraitist is reflected in this depiction of a man whose intellectual contributions fundamentally altered…
A single light source strikes from the upper left, carving the face of Thomas Wharton out of a deep, somber shadow. He sits in a three-quarter pose, his gaze fixed directly upon the viewer with a steady, unblinking authority. The darkness behind him is a warm, muted brown, pushing his figure forward into the room. His hair, a voluminous mass of light brown curls, frames a face of smooth skin…
Högst upp på listan står Isaac Newton (1702). Direkt efter följer Portrait of Pyotr Potyomkin (1682) och William Russell, 1st Duke of Bedford (1690).
56 år gammal. Godfrey Kneller föddes 1646 och Isaac Newton är från 1702.
Isaac Newton, Portrait of Pyotr Potyomkin, William Russell, 1st Duke of Bedford, Thomas Wharton, 1st Marquess of Wharton, Richard Lumley, 2nd Earl of Scarbrough, Queen Anne, Robert Harley, 1st Earl of Oxford, Sir Samuel Garth, Charles Townshend, 2nd Viscount Townshend och Charles Fitzroy, 2nd Duke of Grafton. Du hittar årtal och museum för varje verk i listan ovan.
Vi har 372 verk av Godfrey Kneller i vår katalog, daterade från 1666 till 1717.
Du hittar de flesta av dem i National Portrait Gallery (London), Hampton Court Palace (London) och Royal Collection (London). Listan över museer ovan ger en fullständig sammanställning.
Under 1690s, mer än någon annan tid: 38 av de 100 verk som finns på denna sida är från den tiden, varav William Russell, 1st Duke of Bedford.
Det äldsta verket här är Portrait of Johann Philipp Schönborn, elector of Mainz (1666); det senaste är Richard Lumley, 2nd Earl of Scarbrough (1717).
Man (19), Wig (9) och Dark background (8) av 100 verk på denna sida.
Oil On Canvas, som används i 19 av de 100 verk som finns på denna sida.
Baroque painting, som du kan se i verken på denna sida.
Du kan se 23 av verken på denna sida på National Portrait Gallery, London, inklusive William Russell, 1st Duke of Bedford, Thomas Wharton, 1st Marquess of Wharton och Richard Lumley, 2nd Earl of Scarbrough.
Ja. Varje målning på denna sida finns tillgänglig som en handmålad oljereproduktion eller som ett tryck, i den storlek som passar dig. Gå bara in på målningens sida för att beställa.
