Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 419 verk av Edward Lear i vår katalog
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Edward Lears mest kända verk är Cogoleto, Italy. Nästa på listan är Crescenza och Blue And Yellow Macaw. Vi har 419 verk av Edward Lear i vår katalog; denna guide lyfter fram de 100 mest kända, med årtal, museum och historien bakom varje verk.
The sun rests upon a sandy shore in Cogoleto, Italy. A mountain rises in the background, its silhouette watching over the water. Along the edge of the sea, small figures move through the light. Some people gather near the tide, while others linger further away, lost in the vastness of the landscape. A single dog wanders toward the right, a small presence against the expanse of the beach. The scene…
Edward Lear’s Crescenza presents a hilly terrain defined by rolling elevations and a prominent fortress perched atop one of the heights. This landscape, likely inspired by Lear's travels through Europe or the Middle East, focuses on the relationship between the natural topography and the man-made structure. The castle dominates the background, overlooking the terrain below.
The painting Blue And Yellow Macaw brings a vivid presence to the viewer, capturing a moment of stillness in the life of a bird. Created by the artist Edward Lear, this work focuses on the striking features of a Blue-and-yellow Macaw. This particular subject is also recognized by the name Blue-and-gold Macaw. The bird sits poised, its plumage a central focus of the composition.
This 1852 oil on canvas presents a wide-angle view of the Sicilian landscape, looking toward the silhouette of Mount Etna. The composition is organized through a series of receding planes. In the immediate foreground, the terrain is rugged and rocky, rendered in shades of ochre, terracotta, and sienna. Small figures and animals occupy this lower section, providing a sense of scale against the stone. The middle ground contains the remains…
In "The Pyramids of Ghizeh" by Edward Lear, the composition is dominated by the pyramids positioned centrally against a muted sky. These massive, triangular shapes provide a strong visual anchor for the entire scene. Below them, a body of water occupies the foreground, its surface reflecting the soft colors of the landscape. A line of small figures in boats is positioned along the water’s edge, offering a sense of scale…
The ruins of the Temple of Apollo at Bassae emerge from a rugged landscape, defined by heavy stone columns that support a weathered roof structure. In the foreground, the primary temple dominates the view, its pillars standing as silent witnesses to a lost era. Beyond this central structure, two smaller temples are visible in the distance, partially obscured by the natural terrain. The composition places the viewer amidst a scattering…
Plains Of Ashdod, Israel is a landscape painting by Edward Lear. The work depicts the Plains of Ashdod in Israel, focusing on the specific geography of the region. The scene presents a wide, flat expanse of land that characterizes the local terrain. This landscape captures the essential physical features of the area through a series of horizontal planes.
View Of Eze, Italy is a landscape painting by Edward Lear. The work captures a coastal scene in Italy, focusing on a village perched amidst rugged cliffs. The Mediterranean Sea extends toward the horizon, providing a vast backdrop to the terrestrial features. A distant castle sits atop one of the peaks, adding a sense of history to the topography.
Ithaca, Ionian Islands is a watercolor sketch by Edward Lear, executed in April 1863. The work captures a landscape scene of Ithaca, one of the Ionian Islands, focusing on the region's topography and vegetation. It was produced during a period when Lear was documenting the natural beauty of the Mediterranean through intimate observations of place.
Edward Lear presents A Great Green Macaw with the precision of a trained draughtsman. The subject is rendered with scientific accuracy and meticulous artistic detail, focusing on the specific anatomical features of the bird. Every feather and the texture of the wood are documented with clarity, suggesting the work was intended as an ornithological illustration. The macaw is positioned on a branch, its form defined by fine lines that distinguish…
The Plains of Lombardy from Monte Generoso1880 · The Ashmolean Museum of Art and Archaeology
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A View of the Roman Campagna, a Villa and Aqueduct in the Distance1841
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A View of the Roman Campagna with Travelers Passing a Ruined Brick Tomb, an Aqueduct in the Distance1841
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Study of Rocks, Shrubs, and Tree Trunks at Monte Casale near Sansepolcro, Tuscany1842
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Corfu from near the Village of Virós1858 · Rhode Island School of Design Museum of Art
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View of Florence from Villa San Firenze1862 · Government Art Collection
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De fyra motiv som förekommer oftast i dessa verk, var och ett med sitt mest kända exempel.
De 8 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Edward Lear | Målningar från denna lista |
|---|---|---|---|
 Yale Center for British Art |
New Haven | 16 | Philae, Egypt, Between Olavano and Civitella, A Study of Ferns, Civitella |
 Government Art Collection |
London | 4 | View of Florence from Villa San Firenze, A View of Adam's Peak, Ceylon |
 The Ashmolean Museum of Art and Archaeology |
Oxford | 3 | The Plains of Lombardy from Monte Generoso, Thermopylae |
 Fitzwilliam College |
Cambridge | 1 | The Temple of Apollo at Bassae |
 Bristol Museum - Art Gallery |
Bristol | 1 | Bergarna vid Termopylae |
 Rhode Island School of Design Museum of Art |
Providence | 1 | Corfu from near the Village of Virós |
 Israel Museum |
Jerusalem | 1 | Jerusalem from the Mount of Olives |
 Fine Arts Museums of San Francisco |
San Francisco | 1 | Masada on the Dead Sea |
Välj ett decennium för att se dess mest framstående verk.
In this watercolor titled Civita Castellana, Edward Lear captures a quiet moment within a picturesque landscape. Created about 1839, the work reflects the artist's ability to translate the atmosphere of the Italian countryside into a delicate medium. The scene focuses on a field that stretches toward a backdrop of mountains, establishing a sense of depth through the layering of natural forms. It is a study of light and space, rendered…
Between Olavano and Civitella by Edward Lear presents a serene and atmospheric landscape. In the right foreground, a large, detailed tree dominates the composition, its heavy branches extending over a dirt path. The bark of the tree appears gnarled and textured. Near a stone structure in the mid-ground, small figures of people and a pack animal are positioned, providing a sense of scale to the surrounding environment. The background opens…
This 1852 oil on canvas presents a wide-angle view of the Sicilian landscape, looking toward the silhouette of Mount Etna. The composition is organized through a series of receding planes. In the immediate foreground, the terrain is rugged and rocky, rendered in shades of ochre, terracotta, and sienna. Small figures and animals occupy this lower section, providing a sense of scale against the stone. The middle ground contains the remains…
Edward Lear's "Philae, Egypt, 1863" isn’t merely a landscape painting; it’s a portal. A meticulously rendered vista of the ancient Egyptian island city of Philae, nestled within the embrace of a vast, shimmering lake, it invites us to step back in time and experience the serenity and grandeur of this once-sacred site. The scene unfolds with a quiet dignity – a majestic mountain range dominates the background, its peaks softened…
In "The Pyramids of Ghizeh" by Edward Lear, the composition is dominated by the pyramids positioned centrally against a muted sky. These massive, triangular shapes provide a strong visual anchor for the entire scene. Below them, a body of water occupies the foreground, its surface reflecting the soft colors of the landscape. A line of small figures in boats is positioned along the water’s edge, offering a sense of scale…
In the quiet majesty of The Plains of Lombardy from Monte Generoso, we are invited to stand upon a precipice of history and nature. Created in 1880 by the master of landscape and whimsy, Edward Lear, this oil on canvas is far more than a mere topographical record; it is an emotional journey through the heart of the European landscape. The painting captures the sweeping grandeur of the Italian plains…
Högst upp på listan står Cogoleto, Italy. Direkt efter följer Crescenza och Blue And Yellow Macaw.
Cogoleto, Italy, Crescenza, Blue And Yellow Macaw, View of Taormina in Sicily with Etna in the distance, The Pyramids of Ghizeh, The Temple of Apollo at Bassae, Plains Of Ashdod, Israel, View Of Eze, Italy, Ithaca, Ionian Islands och A Great Green Macaw. Du hittar årtal och museum för varje verk i listan ovan.
Vi har 419 verk av Edward Lear i vår katalog, daterade från 1839 till 1882.
Du hittar de flesta av dem i Yale Center for British Art (New Haven), Government Art Collection (London) och The Ashmolean Museum of Art and Archaeology (Oxford). Listan över museer ovan ger en fullständig sammanställning.
Under 1860s, mer än någon annan tid: 14 av de 100 verk som finns på denna sida är från den tiden, varav Philae, Egypt.
Det äldsta verket här är Civita Castellana (1839); det senaste är The Marble Rocks - Nerbudda Jubbolpore (1882).
Landscape (25), Sky (23) och Mountains (13) av 100 verk på denna sida.
Watercolor, som används i 23 av de 100 verk som finns på denna sida.
Romanticism, som du kan se i verken på denna sida.
Du kan se 14 av verken på denna sida på Yale Center for British Art, New Haven, inklusive Philae, Egypt, Between Olavano and Civitella och A Study of Ferns, Civitella.
Ja. Varje målning på denna sida finns tillgänglig som en handmålad oljereproduktion eller som ett tryck, i den storlek som passar dig. Gå bara in på målningens sida för att beställa.
