Uppdaterad oktober 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 14 verk av Daniel Gran i vår katalog
Kortfattat
Den mest kända målningen av Daniel Gran är Allegory of the Dawn (1723). Omedelbart därefter följer Mary with Child and Saints, Enthroned on Clouds (1730) och Diana's Admission to Olympus (1732). Av 14 verk av Daniel Gran i vår katalog är dessa 14 de mest kända. Varje verk åtföljs av sitt årtal, sitt museum och en kort kommentar om vad som gör det unikt.
De 3 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Daniel Gran | Målningar från denna lista |
|---|---|---|---|
 Nationalmuseet i Warszawa |
Warszawa | 2 | Greeting of Venus at Mount Olympus, Bacchus and Ceres |
 Szépművészeti Múzeum |
Budapest | 2 | St Elizabeth Distributing Alms, The Day Driving away the Night |
 National Museum in Kraków |
Kraków | 1 | Apollo with the Muses – Project for a Plafond |
Välj ett decennium för att se dess mest framstående verk.
Högst upp på listan står Allegory of the Dawn (1723). Direkt efter följer Mary with Child and Saints, Enthroned on Clouds (1730) och Diana's Admission to Olympus (1732).
29 år gammal. Daniel Gran föddes 1694 och Allegory of the Dawn är från 1723.
Allegory of the Dawn, Mary with Child and Saints, Enthroned on Clouds, Diana's Admission to Olympus, Apollo with the Muses – Project for a Plafond, Allegory of the Happy Government of Mähren, Allegory of the Morning, Instruction of Mary by Joachim and Anna, The Holy Family, Madonna and Child och unleserlich. Du hittar årtal och museum för varje verk i listan ovan.
Vi har 14 verk av Daniel Gran i vår katalog, daterade från 1723 till 1747.
Du hittar de flesta av dem i Nationalmuseet i Warszawa (Warszawa), Szépművészeti Múzeum (Budapest) och National Museum in Kraków (Kraków). Listan över museer ovan ger en fullständig sammanställning.
Under 1730s, mer än någon annan tid: 4 av de 14 verk som finns på denna sida är från den tiden, varav Mary with Child and Saints, Enthroned on Clouds.
Det äldsta verket här är Allegory of the Dawn (1723); det senaste är Allegory of the Morning (1747).
Du kan se 2 av verken på denna sida på Nationalmuseet i Warszawa, Warszawa, inklusive Greeting of Venus at Mount Olympus och Bacchus and Ceres.
Ja. Varje målning på denna sida finns tillgänglig som en handmålad oljereproduktion eller som ett tryck, i den storlek som passar dig. Gå bara in på målningens sida för att beställa.
Daniel Gran (1694-1757) was a prominent Austrian Baroque painter who played a crucial role in the transition towards Classicism. His career spanned a period of significant artistic change, and he is remembered for his masterful frescoes, religious scenes, and illusionistic style.
Born in Vienna, Italy in 1694, Daniel Gran came from a family that valued its noble lineage. Successfully asserting his claim to this title was important during his time, as improper use of such distinctions could have severe social consequences. Details regarding his early artistic training remain somewhat scarce, but it is known he developed considerable skill and ambition.
Gran’s initial work firmly rooted in the Baroque tradition, characterized by dramatic compositions, rich colors, and a sense of movement. However, towards the end of his career, his paintings began to exhibit a shift away from purely Baroque aesthetics – particularly in terms of figural dimensions and illusionism. This evolution suggests an increasing interest in the emerging principles of Classicism, emphasizing clarity, balance, and restraint.
While specific influences are not extensively documented, it’s reasonable to assume Gran was impacted by contemporary Italian and Austrian Baroque masters. His later stylistic changes suggest a growing awareness of early Classical art and its emphasis on form and proportion.
Daniel Gran’s significance lies in his role as a bridge between the Baroque and Classical periods. He wasn't merely an imitator of earlier styles but actively contributed to the evolving artistic landscape of 18th-century Austria. His work demonstrates a conscious effort to move beyond the exuberance of the High Baroque towards a more restrained and balanced aesthetic.
Gran’s influence can be seen in the subsequent development of Austrian painting, paving the way for later Classicist artists. In 1894, Vienna honored his legacy by naming the Grangasse street in Rudolfsheim-Fünfhaus (the 15th district) after him. His self-portrait remains a treasured piece within the monastery of Herzogenburg.
Gran’s frescoes continue to captivate viewers with their beauty, technical skill, and historical importance, solidifying his place as a notable figure in Austrian art history.
