Uppdaterad november 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 5 verk av Carl Ebert i vår katalog
Kortfattat
Om du känner till ett verk av Carl Ebert, är det förmodligen Forest Landscape with Bathing Children (1867), som hänger på Bavarian State Painting Collections i München. Evening Landscape (1875) och Isar Landscape utgör de tre verk som folk omedelbart känner igen. Vår katalog innehåller 5 verk av Carl Ebert. Nedan följer de 3 mest kända verken, med årtal, var de finns och vad som gör dem speciella.
De 2 museer som innehar flest av målningarna på denna sida.
| Museum | Stad | Verk av Carl Ebert | Målningar från denna lista |
|---|---|---|---|
 Bavarian State Painting Collections |
München | 2 | Forest Landscape with Bathing Children, Evening Landscape |
 Lenbachhaus |
München | 1 | Isar Landscape |
9 år, från 1867 till 1875: det är hela tidsspannet för Carl Eberts daterade verk här. Utforska dem år för år.
Välj ett år för att se dess verk.
Högst upp på listan står Forest Landscape with Bathing Children (1867), Bavarian State Painting Collections, München. Direkt efter följer Evening Landscape (1875) och Isar Landscape.
46 år gammal. Carl Ebert föddes 1821 och Forest Landscape with Bathing Children är från 1867.
Vi har 5 verk av Carl Ebert i vår katalog, daterade från 1867 till 1875.
Du hittar de flesta av dem i Bavarian State Painting Collections (München) och Lenbachhaus (München). Listan över museer ovan ger en fullständig sammanställning.
Det äldsta verket här är Forest Landscape with Bathing Children (1867); det senaste är Evening Landscape (1875).
Du kan se 2 av verken på denna sida på Bavarian State Painting Collections, München, inklusive Forest Landscape with Bathing Children och Evening Landscape.
Ja. Varje målning på denna sida finns tillgänglig som en handmålad oljereproduktion eller som ett tryck, i den storlek som passar dig. Gå bara in på målningens sida för att beställa.
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.
