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The Game Stall

Namn Klass Datum

william gillard, The Game Stall (1852). Allmän egendom

Fakta om verket

Konstnär
william gillard artsdot.com/sv/artists/william-gillard/
Konstnärens levnadstid
1812 – 1897
Målat
1852
Ursprunglig storlek
76 x 122 cm

I sammanhanget

The Game Stall — william gillard

Vilken storlek har den?

Originalet mäter 76 × 122 cm (höjd × bredd), avbildat här bredvid en vuxen person av genomsnittlig längd.

När målades detta?

  1. 1810
  2. 1820
  3. 1830
  4. 1840
  5. 1850
  6. 1860
  7. 1870
  8. 1880
  9. 1890

Skuggat: william gillard livstid (1812–1897) ▲ detta verk, 1852

Liknande verk

Välj ett av verken ovan: nämn två saker som det har gemensamt med detta, och en sak som är annorlunda.

Fler verk som passar tillsammans med detta: artsdot.com/sv/art/similar/william-gillard-the-game-stall-AS83YF-en/

Färger

Mätt från bilden

    Huvudfärg

    Walnut #5d3b1d

    Sparad palett

    • #5D3B1D
    • #D1AC74
    • #2B1A10
    • #986A35
    Färgpalett
    Earthy Den dominerande färggruppen i bilden.
    Huvudfärg
    Walnut
    Intensitet
    Balanced Hur mättade och varierade färgerna är, från en enda dämpad nyans till många klara färger.
    Kontrast
    Bold I vilken utsträckning färgerna skiljer sig åt i ljusstyrka och mättnad över bilden.
    Harmoni
    Strong Color Unity Hur väl färgerna samspelar, från kontrasterande till helt enhetliga.
    Ljusstyrka
    Deep_shadow Hur ljust eller mörkt bilden upplevs som helhet, från djupa skuggor till ljusa högdagrar.
    Mättnad
    Balanced Soft Färgernas renhet och intensitet, från nästan grått till helt livfullt.

    Konstnär och museum

    Konstnär

    william gillard

    William Gillard: A Quiet Master of Victorian Genre Painting

    William Gillard (c. 1812 – 1897) was a British artist whose prolific output—primarily watercolour and oil paintings—captured the nuances of everyday life in Victorian England, particularly within the realm of genre scenes and portraiture. Though largely overlooked by mainstream art historians for decades, recent scholarship has begun to illuminate Gillard’s distinctive artistic vision and his contribution to the decorative arts of his time. Born in Bristol to a family steeped in stonemasonry tradition, Gillard's early training instilled in him an appreciation for craftsmanship and meticulous observation—qualities that would inform his entire oeuvre.

    Early Life & Training: Gillard’s apprenticeship at fourteen with a Bristol carver and gilder provided invaluable practical experience alongside formal artistic instruction. This grounding in technique fostered a lifelong dedication to mastering the subtleties of pigment and brushwork, evident throughout his paintings.

    Irish Influences & Ceramic Sculpture: Drawn to Ireland's landscape and culture, Gillard spent considerable time there, establishing himself as a painter and sculptor of ceramic figures. Notably, he created “Repentance, Faith and Resignation,” a poignant ceramic piece commemorating the centenary of the Battle of Waterloo—a testament to his artistic versatility and engagement with contemporary social concerns.

    Gillard’s artistic style is characterized by a remarkable sensitivity to light and atmosphere, achieved through masterful watercolour washes and carefully blended oil paints. He eschewed grand narratives or dramatic compositions, instead focusing on capturing fleeting moments of domestic life—a mother tending her child, a game stall bustling with activity, or the quiet contemplation of an artist’s son—subjects that resonate with Victorian ideals of family and moral virtue. His paintings are imbued with a palpable sense of realism tempered by lyrical beauty, reflecting his belief in portraying the human condition with honesty and compassion.

    Notable Paintings: Among Gillard's most celebrated works include “Awake The Artist’s Son,” depicting Albert Edwin Gillard (his son), bathed in soft light—a portrait imbued with paternal affection and capturing a moment of youthful repose. Similarly, "The Game Stall" exemplifies his ability to convey the vibrancy of urban life through meticulous detail and atmospheric perspective.

    Technique & Materials: Gillard consistently employed watercolour and oil paints on canvas, prioritizing tonal harmony and subtle colour gradations. He meticulously studied the effects of light upon surfaces—particularly in landscapes—demonstrating a profound understanding of optical principles.

    Despite his prolific output, Gillard’s fame remained elusive during his lifetime. However, his work gained recognition posthumously thanks to the efforts of William Evans Bequest at Bangor University, which houses an impressive collection of British art from the late 19th and early 20th centuries—including several significant pieces by Gillard himself. His legacy continues to inspire artists today who seek to emulate his understated elegance and unwavering commitment to capturing the essence of human experience.

    References: Nine Letters from an Artist The Families of William Gillard, Joan M Richmond, Porphyrogenitus 2015. ISBN 978-1-871328-19-6. 6 artworks by or after William Gillard at the Art UK site

    Här kan du läsa mer

    Hitta detta online

    QR-kod som länkar till nedladdningssidan för The Game Stall

    artsdot.com/sv/art/download/william-gillard-the-game-stall-AS83YF-en/

    Källhänvisning för detta konstverk

    MLA
    gillard, william. The Game Stall. 1852, https://artsdot.com/sv/art/william-gillard-the-game-stall-AS83YF-en/
    APA
    gillard, william (1852). The Game Stall [Painting]. https://artsdot.com/sv/art/william-gillard-the-game-stall-AS83YF-en/
    Chicago
    william gillard. The Game Stall. 1852. https://artsdot.com/sv/art/william-gillard-the-game-stall-AS83YF-en/
    Harvard
    gillard, william (1852) The Game Stall. Available at: https://artsdot.com/sv/art/william-gillard-the-game-stall-AS83YF-en/

    Titta närmare

    The Game Stall — william gillard

    Titta närmare

    Svara med egna ord. Det finns inga felaktiga svar här – bara svar som du kan förklara.

    1. Vad fångar ditt öga först, och varför?
    2. Vilka färger eller former skapar stämningen – och vad är det för stämning?
    3. Titta tillbaka på St John's Church, Chester, tidigare i denna guide. Nämn två saker som den har gemensamt med detta verk, och en sak som är annorlunda.
    4. william gillard var ungefär 40 när detta skapades. Vad i verket påminner om en konstnär i den åldern?
    5. Vad kan konstnären ha velat att du ska känna?

    Ditt svar

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