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Correction #30

Namn Klass Datum

Pablo Rey, Correction #30 (1999). Reproducerad i referenssyfte; alla rättigheter förbehållna upphovsrättsinnehavaren.

Fakta om verket

Konstnär
Pablo Rey artsdot.com/sv/artists/pablo-rey/
Konstnärens levnadstid
1968 – ?
Målat
1999
Ursprunglig storlek
61 x 61 cm

I sammanhanget

Correction #30 — Pablo Rey

Vilken storlek har den?

Originalet mäter 61 × 61 cm (höjd × bredd), avbildat här bredvid en vuxen person av genomsnittlig längd.

När målades detta?

  1. 1960
  2. 1970
  3. 1980
  4. 1990

Skuggat: Pablo Rey livstid (1968–?) ▲ detta verk, 1999

Liknande verk

Välj ett av verken ovan: nämn två saker som det har gemensamt med detta, och en sak som är annorlunda.

Fler verk som passar tillsammans med detta: artsdot.com/sv/art/similar/pablo-rey-correction-30-D7NECC-en/

Färger

Mätt från bilden

    Huvudfärg

    Brown #bd1928

    Sparad palett

    • #BD1928
    • #D4706E
    • #768AA0
    • #3E3F44
    Färgpalett
    Dark Den dominerande färggruppen i bilden.
    Huvudfärg
    Brown
    Intensitet
    Vivid Hur mättade och varierade färgerna är, från en enda dämpad nyans till många klara färger.
    Kontrast
    Gentle I vilken utsträckning färgerna skiljer sig åt i ljusstyrka och mättnad över bilden.
    Harmoni
    Balanced Harmony Hur väl färgerna samspelar, från kontrasterande till helt enhetliga.
    Ljusstyrka
    Bright Hur ljust eller mörkt bilden upplevs som helhet, från djupa skuggor till ljusa högdagrar.
    Mättnad
    Clear Color Presence Färgernas renhet och intensitet, från nästan grått till helt livfullt.

    Konstnär och museum

    Konstnär

    Pablo Rey

    Född i Barcelona, Spain

    The Lineage of Vision: The Formative Years of Pablo Rey

    To understand the canvas of Pablo Rey is to trace a lineage of profound artistic devotion that begins in the heart of Barcelona. Born in 1968, Rey’s entry into the world of fine art was not merely a choice but an inheritance. He was nurtured under the watchful and masterful eye of his father, Gabino Rey, a celebrated Spanish painter whose dedication to the traditions of realism provided Pablo with a rigorous foundation. From these early years, Rey absorbed the discipline of meticulous observation, learning how light interacts with form and how a single brushstroke can anchor a composition in reality. This period of his life was defined by an unwavering commitment to technical excellence, a trait that would later allow him to transcend mere representation and venture into the realms of abstraction.

    The ascent of Rey’s talent was marked by early distinction within the prestigious Catalan art scene. In 1989, his emergence as a significant new voice was solidified when he was awarded the Talens Prize at the Sala Parés Gallery. This recognition was quickly followed by the Raimon Maragall i Noble Prize, accolades that signaled the arrival of an artist capable of synthesizing academic rigor with a burgeoning creative spirit. By the time he graduated with honors in Fine Arts from Barcelona University in 1994, his reputation was already etched into the local cultural fabric, a fact cemented when the university chose to acquire one of his paintings for its permanent collection.

    A Transatlantic Evolution: From Catalonia to Manhattan

    In 1996, a transformative shift occurred that would redefine the trajectory of Rey’s career. Driven by an insatiable ambition to engage with the global epicenter of contemporary art, he relocated to New York City. This move from the historic streets of Barcelona to the frenetic energy of Manhattan acted as a catalyst for profound artistic experimentation. Immersed in the vibrant cultural landscape of New York, Rey began to move beyond the boundaries of his realist training, seeking a new visual language that could capture the complexity of modern existence. His time in the city was characterized by a fascinating dialogue with fellow Spanish expatriates, such as Juan Uslé and Francisco Leiro, whose presence helped foster a spirit of collaborative exploration.

    This period of relocation breathed new life into his subject matter, leading to works that bridged the gap between the tangible and the ethereal. His participation in the ‘New Tide’ exhibition at the Williamsburg Art & Historical Center in Brooklyn in 1997 served as a triumphant introduction to the New York art community. During these years, his work began to reflect the tension between structure and spontaneity, a theme that would become central to his mature style. The documentary film '98 further captured this era of his life, documenting a journey that spanned from the landscapes of Spain to the rugged terrains of Texas, illustrating an artist in constant motion, forever searching for the intersection of memory and perception.

    The Synthesis of Form: Rationality and Lyricism

    The mature work of Pablo Rey is best described as a delicate reconciliation between rationality and lyricism. He possesses a unique ability to command the viewer's attention through structured, almost architectural compositions while simultaneously evoking deep emotional resonance through fluid, expressive elements. This duality is perhaps most evident in his Espacio Regulador series, where he explores the boundaries of space and geometry. In these works, one can observe a modern constructivist influence, utilizing dynamic shapes and precise arrangements to create a sense of ordered movement.

    His technical repertoire is remarkably diverse, ranging from the heavy, tactile presence of impasto in his early New York landscapes to the ethereal, dreamlike qualities of his more abstract drawings. In pieces such as Espacio Combinado #3, Rey utilizes chaotic lines and punctuations of color to mirror the complexities of the subconscious mind. Whether he is working with the stark, graphic power of black and white compositions or the vibrant, bleeding hues of an abstract landscape, his work remains anchored in a profound respect for the medium. Ultimately, Pablo Rey stands as a contemporary master who honors the weight of tradition while fearlessly navigating the limitless possibilities of the modern abstract frontier.

    Här kan du läsa mer

    Hitta detta online

    QR-kod som länkar till nedladdningssidan för Correction #30

    artsdot.com/sv/art/download/pablo-rey-correction-30-D7NECC-en/

    Källhänvisning för detta konstverk

    MLA
    Rey, Pablo. Correction #30. 1999, https://artsdot.com/sv/art/pablo-rey-correction-30-D7NECC-en/
    APA
    Rey, Pablo (1999). Correction #30 [Painting]. https://artsdot.com/sv/art/pablo-rey-correction-30-D7NECC-en/
    Chicago
    Pablo Rey. Correction #30. 1999. https://artsdot.com/sv/art/pablo-rey-correction-30-D7NECC-en/
    Harvard
    Rey, Pablo (1999) Correction #30. Available at: https://artsdot.com/sv/art/pablo-rey-correction-30-D7NECC-en/

    Titta närmare

    Correction #30 — Pablo Rey

    Titta närmare

    Svara med egna ord. Det finns inga felaktiga svar här – bara svar som du kan förklara.

    1. Vad fångar ditt öga först, och varför?
    2. Vilka färger eller former skapar stämningen – och vad är det för stämning?
    3. Se tillbaka på Correction #32 (1998) tidigare i denna guide. Nämn två saker som det har gemensamt med detta verk, och en sak som är annorlunda.
    4. Pablo Rey var ungefär 31 när detta skapades. Vad i verket påminner om en konstnär i den åldern?
    5. Vad kan konstnären ha velat att du ska känna?

    Ditt svar

    Skriv ett kort stycke om detta konstverk. Använd fakta från de tidigare delarna av denna guide samt dina svar ovan.