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Guide till studentkonst

Learning to fly

Namn Klass Datum

joan coderch and javier malavia, Learning to fly (2018), Asociación Española de Pintores y Escultores. Reproducerad i referenssyfte; alla rättigheter förbehållna upphovsrättsinnehavaren.

Fakta om verket

Konstnär
joan coderch and javier malavia artsdot.com/sv/artists/joan-coderch-and-javier-malavia/
Konstnärens levnadstid
1959 – ?
Målat
2018
Visas på
Asociación Española de Pintores y Escultores artsdot.com/sv/museums/asociacion-espanola-de-pintores-y-escultores-madrid_sv/

I sammanhanget

Learning to fly — joan coderch and javier malavia

När målades detta?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000
  7. 2010

Skuggat: joan coderch and javier malavia livstid (1959–?) ▲ detta verk, 2018

Liknande verk

Välj ett av verken ovan: nämn två saker som det har gemensamt med detta, och en sak som är annorlunda.

Fler verk som passar tillsammans med detta: artsdot.com/sv/art/similar/joan-coderch-and-javier-malavia-learning-to-fly-D4N2P5-en/

Färger

Mätt från bilden

    Huvudfärg

    Espresso #5c5654

    Sparad palett

    • #5C5654
    • #A6A6A6
    • #C8C9C9
    • #33302D
    Färgpalett
    Neutrals Den dominerande färggruppen i bilden.
    Huvudfärg
    Espresso
    Intensitet
    Monochromatic Hur mättade och varierade färgerna är, från en enda dämpad nyans till många klara färger.
    Kontrast
    Bold I vilken utsträckning färgerna skiljer sig åt i ljusstyrka och mättnad över bilden.
    Harmoni
    Discordant Palette Hur väl färgerna samspelar, från kontrasterande till helt enhetliga.
    Ljusstyrka
    Brilliant Hur ljust eller mörkt bilden upplevs som helhet, från djupa skuggor till ljusa högdagrar.
    Mättnad
    Muted Färgernas renhet och intensitet, från nästan grått till helt livfullt.

    Konstnär och museum

    Konstnär

    joan coderch and javier malavia

    Född i Castellar del Vallès, Spain

    Joan Coderch & Javier Malavia: Sculptors of Beauty and Reflection

    Joan Coderch (born 1959 in Castellar del Vallès, Barcelona) and Javier Malavia (born 1970 in Oñati, Guipúzcoa) represent a singular artistic partnership dedicated to exploring the human form as its central focus. Their collaborative project embodies a profound appreciation for idealized figures—a universe brimming with meaningful shapes—guided by a simple yet powerful aspiration: beauty as an everyday tool. Meeting in 2015, their shared passion for sculpture swiftly revealed striking similarities in their artistic sensibilities, propelling them toward this ambitious undertaking that draws inspiration from masters of figuration like Maillol, Rodin, Marini and Bourdelle.

    Early Life & Education: Joan Coderch pursued his formal education at Barcelona’s Faculty of Fine Art in 1984, establishing a solid foundation for his sculptural practice. Javier Malavia graduated from Valencia’s San Carlos Faculty of Fine Art in 1993, similarly honing his artistic skills and broadening his understanding of artistic techniques.

    The Collaborative Spirit: Their encounter marked the genesis of Coderch & Malavia Sculptors, where they embarked on a creative journey characterized by meticulous attention to detail—from initial modeling in the studio to the final casting of bronze. This shared approach fostered a unique synergy, resulting in artworks that resonate with both precision and emotional depth.

    Their artistic vision is deeply rooted in humanist values: unwavering commitment to social justice concerning equality, environmental stewardship, and childhood protection. Beyond mere aesthetics, their sculptures delve into fundamental human attitudes—mimicking nature, actively seeking emotion through creation, revealing the feelings that propel action, capturing the interplay between form and posture, and harmoniously blending beauty with discipline. This exploration reflects a belief in art’s capacity to illuminate the complexities of human experience.

    Technique & Style: Four Hands Shaping Bronze

    Coderch & Malavia's distinctive method distinguishes them from many contemporary sculptors. They operate as a duo, sharing responsibility for every stage of the artistic process—from conceptualization and modeling to casting and finishing. This collaborative effort ensures that each piece embodies a harmonious balance between individual vision and collective execution. The meticulous craftsmanship evident in their sculptures underscores their dedication to mastering traditional techniques while simultaneously pushing boundaries within figurative art. They utilize bronze as their primary medium, selecting it for its durability, tonal richness, and ability to capture subtle nuances of form and texture.

    Modeling & Casting: Their studio practice prioritizes careful observation and anatomical accuracy, translating the human figure into sculptural representations that convey both strength and grace.

    Bronze Casting: The final step involves employing skilled artisans who transform molten bronze into enduring artworks—a testament to their respect for craftsmanship and material science.

    Notable Achievements & Recognition

    Coderch & Malavia’s artistic endeavors have garnered considerable acclaim, solidifying their position as prominent figures in the realm of figurative sculpture. In 2017, they received the Reina Sofía Painting and Sculpture Prize for “Hamlet,” a poignant exploration of human emotion and psychological complexity. Furthermore, they secured First Prize at the 14th ARC International Salon Competition with “The Swan Dance,” demonstrating their ability to captivate audiences and judges alike. Other honors include the Mariano Benlliure Sculpture Medal, the TIAC Art Prize, and the Arcadia Contemporary Award—recognitions that underscore their contribution to artistic discourse.

    Legacy & Influence

    Their sculptures are showcased in private collections across Europe, Asia, and America, traversing geographical boundaries and enriching cultural landscapes. They regularly exhibit their work in both institutional spaces and independent venues—a testament to their enduring relevance and impact on the contemporary art scene. Joan Coderch and Javier Malavia currently reside near Valencia, operating from a former industrial building that serves as a private exhibition space for their extensive oeuvre. Their unwavering dedication to artistic integrity—expressed through honest exploration of human emotions and attitudes—continues to inspire artists and viewers alike.

    References

    Galerie Mokum: https://www.galerieleroyer.com/artists/41-coderch-malavia/

    Coderch & Malavia Sculpture Project: https://www.coderchmalavia.com/en/about-us/

    Museum

    Asociación Española de Pintores y Escultores

    Utställd i Madrid, Spain

    A Living Legacy of Spanish Artistry

    In the vibrant, historic heart of Madrid, where the echoes of tradition meet the pulse of modern creativity, lies the

    Asociación Española de Pintores y Escultores (AEPE)

    . Founded in 1910, this venerable institution is far more than a mere repository for historical relics; it is a breathing, evolving testament to the enduring spirit of Spanish artistic expression. Unlike many museums that focus solely on the preservation of the past, the AEPE distinguishes itself through an unwavering commitment to the vitality of the present. It serves as a crucial bridge between generations, nurturing emerging talents while providing a prestigious stage for established masters to showcase their latest visions.

    The soul of the association is perhaps most famously captured in its

    Salón de Otoño

    (Autumn Salon). Since its inception in 1928, this annual exhibition has acted as a cultural barometer for Spain, reflecting the shifting tides of artistic movements. To walk through the halls during the Salon is to witness a magnificent dialogue between styles; one might find oneself lost in the luminous Impressionism of Joaquín Sorolla, only to be confronted by the sharp, intellectual geometries of Cubism or the dreamlike enigmas of Surrealism. This curated diversity ensures that the AEPE remains a dynamic landscape where the evolution of Spanish painting and sculpture is not just studied, but actively experienced.

    A Sanctuary for Contemporary Innovation

    For the discerning collector and the passionate interior designer, the AEPE offers a unique window into the heart of contemporary Spanish aesthetics. While the institution does not boast a static, monumental permanent collection in the traditional sense, its strength lies in its curated excellence. The exhibitions frequently illuminate a breathtaking breadth of technique—from the raw energy of Abstract Expressionism to the meticulous precision of modern figurative works. This fluidity makes the AEPE an essential destination for those seeking inspiration that transcends time, offering a panoramic view of how Spanish identity is being reshaped through brushstroke and chisel in the modern era.

    Beyond the spectacle of its exhibitions, the association functions as a vital incubator for artistic development. Through organized contests, residencies, and educational initiatives, it provides the scaffolding upon which new careers are built. This dedication to the "living artist" creates an atmosphere of profound importance; when you visit the AEPE, you are not merely observing art—you are participating in its creation. It is this unique ethos, a blend of historical prestige and forward-looking courage, that makes the Asociación Española de Pintores y Escultores a cornerstone of Madrid’s cultural landscape and an indispensable landmark for anyone devoted to the enduring power of the arts.

    Här kan du läsa mer

    Hitta detta online

    QR-kod som länkar till nedladdningssidan för Learning to fly

    artsdot.com/sv/art/download/joan-coderch-and-javier-malavia-learning-to-fly-D4N2P5-en/

    Källhänvisning för detta konstverk

    MLA
    malavia, joan coderch and javier. Learning to fly. 2018, Asociación Española de Pintores y Escultores. https://artsdot.com/sv/art/joan-coderch-and-javier-malavia-learning-to-fly-D4N2P5-en/
    APA
    malavia, joan coderch and javier (2018). Learning to fly [Painting]. Asociación Española de Pintores y Escultores. https://artsdot.com/sv/art/joan-coderch-and-javier-malavia-learning-to-fly-D4N2P5-en/
    Chicago
    joan coderch and javier malavia. Learning to fly. 2018. Asociación Española de Pintores y Escultores. https://artsdot.com/sv/art/joan-coderch-and-javier-malavia-learning-to-fly-D4N2P5-en/
    Harvard
    malavia, joan coderch and javier (2018) Learning to fly. Asociación Española de Pintores y Escultores. Available at: https://artsdot.com/sv/art/joan-coderch-and-javier-malavia-learning-to-fly-D4N2P5-en/

    Titta närmare

    Learning to fly — joan coderch and javier malavia

    Titta närmare

    Svara med egna ord. Det finns inga felaktiga svar här – bara svar som du kan förklara.

    1. Vad fångar ditt öga först, och varför?
    2. Vilka färger eller former skapar stämningen – och vad är det för stämning?
    3. Hur många ansikten kan du hitta? ____ (vår katalog räknar 1 — håller du med?)
    4. Se tillbaka på The swimmer (2018) tidigare i denna guide. Nämn två saker som det har gemensamt med detta verk, och en sak som är annorlunda.
    5. joan coderch and javier malavia var ungefär 59 när detta skapades. Vad i verket påminner om en konstnär i den åldern?

    Ditt svar

    Skriv ett kort stycke om detta konstverk. Använd fakta från de tidigare delarna av denna guide samt dina svar ovan.