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Untitled

Namn Klass Datum

David Smith, Untitled (1964). Reproducerad i referenssyfte; alla rättigheter förbehållna upphovsrättsinnehavaren.

Fakta om verket

Konstnär
David Smith artsdot.com/sv/artists/david-smith/
Konstnärens levnadstid
1906 – 1965
Målat
1964
Ursprunglig storlek
74 x 113 cm

I sammanhanget

Untitled — David Smith

Storlek

Originalet mäter 74 × 113 cm (höjd × bredd), avbildat här bredvid en vuxen person av genomsnittlig längd.

När målades detta?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960

Skuggat: David Smith livstid (1906–1965) ▲ detta verk, 1964

Liknande verk

Välj ett av verken ovan: nämn två saker som det har gemensamt med detta, och en sak som är annorlunda.

Fler verk som passar tillsammans med detta: artsdot.com/sv/art/similar/david-smith-untitled-D38SUJ-en/

Färger

Mätt från bilden

    Huvudfärg

    White #faf3e8

    Sparad palett

    • #FAF3E8
    • #C6C2AE
    • #504F2E
    • #89866C
    Färgpalett
    Pastels Den dominerande färggruppen i bilden.
    Huvudfärg
    White
    Intensitet
    Balanced Hur mättade och varierade färgerna är, från en enda dämpad nyans till många klara färger.
    Kontrast
    Serene I vilken utsträckning färgerna skiljer sig åt i ljusstyrka och mättnad över bilden.
    Harmoni
    Unified Palette Hur väl färgerna samspelar, från kontrasterande till helt enhetliga.
    Ljusstyrka
    Brilliant Hur ljust eller mörkt bilden upplevs som helhet, från djupa skuggor till ljusa högdagrar.
    Mättnad
    Muted Färgernas renhet och intensitet, från nästan grått till helt livfullt.

    Konstnär och museum

    Konstnär

    David Smith

    David Smith: Pioneer of Geometric Sculpture

    Roland David Smith (1906 – 1965) stands as a monumental figure in the history of American abstract sculpture, reshaping perceptions of form and materiality during the mid-century modern era. Born in Decatur, Indiana, his artistic journey began modestly, marked by formative experiences at Ohio University and Notre Dame before he found his true vocation amidst the burgeoning avant-garde movement of New York City. This city became his creative crucible, fostering collaborations with fellow artists like John Graham and nurturing connections to influential figures such as Picasso and Mondrian—artists who profoundly impacted Smith’s artistic vision.

    Early Influences: Smith's initial exposure to modernist art came through Jan Matulka, a Czech sculptor who championed the ideas of Hans Hofmann, introducing him to the groundbreaking explorations of Picasso and Mondrian.

    The Depression Years & The WPA Project: During the Great Depression, Smith participated in the Works Progress Administration’s Federal Art Project, honing his skills and gaining invaluable experience working with industrial materials – a crucial step toward developing his signature style.

    Collaboration & Exploration: His friendship with Stuart Davis, Arshile Gorky, and Willem de Kooning fueled experimentation and broadened his artistic horizons. Notably, Smith’s encounter with Julio González and Pablo Picasso ignited an enduring fascination for welded steel sculpture, pushing him to synthesize painting and construction.

    Smith's sculptural output is characterized by a radical simplification of form—primarily geometric shapes like cubes, spheres, and cylinders—constructed from industrial steel. Rejecting traditional representational art, he sought to express fundamental concepts of space and structure through pure abstraction. His method involved meticulously cutting steel plates into precise segments and welding them together, resulting in monumental sculptures that convey both visual dynamism and intellectual rigor. The artist’s exploration of materiality was equally significant; Smith deliberately utilized the inherent qualities of steel—its coldness, its strength, its capacity for reflection—to communicate ideas about balance, tension, and transformation.

    Notable Works: Among his most celebrated pieces are ‘Suspended Cube,’ a testament to Constructivist principles and dynamic geometric form; ‘Ancient Household,’ (2) which exemplifies Smith’s masterful manipulation of steel and explores the interplay between solidity and emptiness; and ‘5 ½ (Use Half Sign)’—a striking example of Geometric Abstraction featuring bold colors and linear precision.

    Legacy & Influence: David Smith's sculptures continue to inspire artists today, cementing his place as a pivotal figure in the development of postwar American art. His pioneering approach to abstraction challenged conventional artistic norms and established a new aesthetic vocabulary for expressing complex ideas through minimalist forms.

    Smith’s contribution extends beyond individual artworks; he championed the use of industrial materials in sculpture, elevating steel from mere utilitarian substance to expressive medium. He profoundly impacted subsequent generations of sculptors who embraced geometric abstraction and explored the possibilities inherent in manipulating raw materials—a legacy that resonates powerfully within contemporary art discourse. His unwavering commitment to artistic innovation ensured his enduring significance as a visionary artist who reshaped the landscape of modern sculpture.

    Här kan du läsa mer

    Hitta detta online

    QR-kod som länkar till nedladdningssidan för Untitled

    artsdot.com/sv/art/download/david-smith-untitled-D38SUJ-en/

    Källhänvisning för detta konstverk

    MLA
    Smith, David. Untitled. 1964, https://artsdot.com/sv/art/david-smith-untitled-D38SUJ-en/
    APA
    Smith, David (1964). Untitled [Painting]. https://artsdot.com/sv/art/david-smith-untitled-D38SUJ-en/
    Chicago
    David Smith. Untitled. 1964. https://artsdot.com/sv/art/david-smith-untitled-D38SUJ-en/
    Harvard
    Smith, David (1964) Untitled. Available at: https://artsdot.com/sv/art/david-smith-untitled-D38SUJ-en/

    Granska detaljerna

    Untitled — David Smith

    Granska detaljerna

    Svara med egna ord. Det finns inga felaktiga svar här – bara svar som du kan förklara.

    1. Vad fångar ditt öga först, och varför?
    2. Vilka färger eller former skapar stämningen – och vad är det för stämning?
    3. Hur många ansikten kan du hitta? ____ (vår katalog räknar 2 — håller du med?)
    4. Titta tillbaka på Cubi iv, (1963), tidigare i denna guide. Nämn två saker som den har gemensamt med detta verk, och en sak som är annorlunda.
    5. David Smith var ungefär 58 när detta skapades. Vad i verket påminner om arbetet hos en konstnär i den åldern?

    Ditt svar

    Skriv ett kort stycke om detta konstverk. Använd informationen från tidigare delar av denna guide samt dina svar ovan.