Porträtt av Keisai Eisen

Möte de 13 mest kända målningarna av Keisai Eisen

Uppdaterad oktober 2026 · rangordnad efter vår popularitetspoäng (sökningar, besök och beställningar för varje verk) · 13 verk av Keisai Eisen i vår katalog

Kortfattat

Om du känner till ett verk av Keisai Eisen, är det förmodligen Woman with a Veil (1790), som hänger på Ermitaget i Sankt Petersburg. Courtesan (1834) och The Feast of Seven Herbs (Imayo musume nanakusa) - YT - (3037) utgör de tre verk som folk omedelbart känner igen. Vår katalog innehåller 13 verk av Keisai Eisen. Nedan följer de 13 mest kända verken, med årtal, var de finns och vad som gör dem speciella.

1790 – 1848, Edo Ukiyo-e Flest verk: Saitama Prefectural Museum of History and Folklore

Börja här: de 10 främsta Keisai Eisen-målningarna

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Woman with a Veil (1790) av Keisai Eisen

Woman with a Veil

1790 · Woodblock Print · Ermitaget, Sankt Petersburg

We are looking at Woman with a Veil, a work by the Japanese artist Keisai Eisen. This piece dates to about 1790, a period marking the beginning of the artist's life and creative presence. It is a significant example of the ukiyo-e tradition, specifically within the genre of bijin-ga, which focuses on the depiction of beautiful women.

Handmålad oljereproduktion från $175 20 × 50 cm
Beställ detta verk Mer om detta verk

Fler favoriter av Keisai Eisen, 11 till 13

Mest målat av Keisai Eisen

De fyra motiv som förekommer oftast i dessa verk, var och ett med sitt mest kända exempel.

Där du kan se Keisai Eisens målningar

De 6 museer som innehar flest av målningarna på denna sida.

Museum Stad Verk av Keisai Eisen Målningar från denna lista
Saitama Prefectural Museum of History and Folklore, SaitamaSaitama Prefectural Museum of History and Folklore Saitama 7 Kiso-Road, Warabi Station, Toda River Ferry Landing, Kiso Road, Okegawa Station, View of Hirohra, Kiso Road, Konosu Station, Distant View of Fukiagefuji
Ermitaget, Sankt PetersburgErmitaget Sankt Petersburg 1 Woman with a Veil
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 1 Courtesan
Art Museum, SeattleArt Museum Seattle 1 Courtesan in Moonlight
Peabody Essex Museum, SalemPeabody Essex Museum Salem 1 The Oiran Michitose of the Miuraya and Her Child Attendants
Art Gallery of South Australia, AdelaideArt Gallery of South Australia Adelaide 1 Carp ascending a waterfall

Keisai Eisen decennium för decennium: ett framstående verk för varje

Verk per decennium

Välj ett decennium för att se dess mest framstående verk.

Dina frågor om Keisai Eisens målningar

Vilken målning av Keisai Eisen är mest känd?Se svaret

Högst upp på listan står Woman with a Veil (1790), Ermitaget, Sankt Petersburg. Direkt efter följer Courtesan (1834) och The Feast of Seven Herbs (Imayo musume nanakusa) - YT - (3037).

Vilka är de 10 mest kända Keisai Eisen-målningarna?Se svaret

Woman with a Veil, Courtesan, The Feast of Seven Herbs (Imayo musume nanakusa) - YT - (3037), Courtesan in Moonlight, The Oiran Michitose of the Miuraya and Her Child Attendants, Carp ascending a waterfall, Kiso-Road, Warabi Station, Toda River Ferry Landing, Kiso Road, Okegawa Station, View of Hirohra, Kiso Road, Konosu Station, Distant View of Fukiagefuji och Kiso Road, Kumagaya Station, View of Hacchozutsumi. Du hittar årtal och museum för varje verk i listan ovan.

Hur många målningar skapade Keisai Eisen?Se svaret

Vi har 13 verk av Keisai Eisen i vår katalog, daterade från 1825 till 1840.

Var kan man se Keisai Eisens berömda målningar?Se svaret

Du hittar de flesta av dem i Saitama Prefectural Museum of History and Folklore (Saitama), Ermitaget (Sankt Petersburg) och Cleveland Museum of Art (Cleveland). Listan över museer ovan ger en fullständig sammanställning.

När målade Keisai Eisen sina mest kända verk?Se svaret

Under 1820s, mer än någon annan tid: 2 av de 13 verk som finns på denna sida är från den tiden, varav Courtesan in Moonlight.

Vilka kända målningar av Keisai Eisen kom först respektive sist?Se svaret

Det äldsta verket här är The Oiran Michitose of the Miuraya and Her Child Attendants (1825); det senaste är Carp ascending a waterfall (1840).

Vilka motiv förekommer oftast i Keisai Eisens målningar?Se svaret

Kimono (2), People (2) och Street (2) av 13 verk på denna sida.

Vilka material använde Keisai Eisen mest av när hen målade?Se svaret

Woodblock Print, som används i 4 av de 13 verk som finns på denna sida.

Vilken konstinriktning tillhörde Keisai Eisen?Se svaret

Ukiyo-e, som du kan se i verken på denna sida.

Vilka verk av Keisai Eisen kan du se på Saitama Prefectural Museum of History and Folklore?Se svaret

Du kan se 7 av verken på denna sida på Saitama Prefectural Museum of History and Folklore, Saitama, inklusive Kiso-Road, Warabi Station, Toda River Ferry Landing, Kiso Road, Okegawa Station, View of Hirohra och Kiso Road, Konosu Station, Distant View of Fukiagefuji.

Kan jag få en reproduktion av en målning av Keisai Eisen?Se svaret

Ja. Varje målning på denna sida finns tillgänglig som en handmålad oljereproduktion eller som ett tryck, i den storlek som passar dig. Gå bara in på målningens sida för att beställa.

Lär känna Keisai Eisen

The Soul of the Bunsei Era: The Life and Legacy of Keisai Eisen

In the vibrant, flickering light of 19th-century Edo, few artists captured the pulse of the "floating world" with as much evocative intensity as Keisai Eisen. Born into the prestigious Ikeda samurai clan as Ikeda Yoshinobu, his early life was a tapestry of privilege and profound hardship. The son of a respected calligrapher, Shigeharu, Eisen was raised in an environment steeped in the delicate arts of poetry and brushwork. However, the untimely loss of his parents thrust him into the life of a rōnin—a wandering samurai. This transition from the structured world of the elite to the unpredictable streets of the urban commoner did more than just alter his social standing; it infused his artistic vision with a raw, rebellious spirit and a deep empathy for the transient beauty found in the everyday.

Eisen’s artistic journey was shaped by a rigorous lineage of masters. He first sought formal training under Hakkeisai, a practitioner of the prestigious Kano school, which provided him with a foundation in classical technique and structural precision. Yet, it was his subsequent apprenticeship under Kikugawa Eizan, a titan of bijin-ga (pictures of beautiful women), that truly ignited his creative fire. While he inherited the grace of his predecessors, Eisen possessed an irrepressible urge to innovate. He moved away from the idealized, ethereal beauties of earlier eras, choosing instead to portray women with a more worldly, palpable sensuality. This shift defined the aesthetic of the Bunsei era (1818–1830), a period often characterized by its decadent and psychologically complex atmosphere.

A Master of Sensuality and Landscape

The brilliance of Eisen’s work lies in his ability to balance the intimate with the expansive. He became a master of ōkubi-e, or large-head portraits, where he utilized bold compositions and arresting gazes to convey a spectrum of human emotion—from quiet confidence to a haunting, melancholic longing. His subjects were not mere icons of beauty but characters with depth, their identities woven into the intricate patterns of their meticulously rendered kimonos. Through his brush, the fashion of the Edo period became a language of itsability and social nuance.

Beyond the intimate portraits of women, Eisen demonstrated a remarkable command over the Japanese landscape. His series documenting the Kisokaidō highway stands as a testament to his ability to capture the rhythmic movement of travel and the rugged spirit of the countryside. In works such as his depictions of Fukaya Station or Ageo Station, he transformed mere topographical records into cinematic snapshots of life in motion. He possessed a unique gift for:

  • Atmospheric Depth: Using light and shadow to create a sense of temporal presence, making the viewer feel the humidity of a summer afternoon or the chill of a mountain pass.
  • Narrative Detail: Integrating small, humanizing elements—a wandering dog, a traveler’s handbag, or a distant silhouette—to ground his landscapes in a relatable reality.
  • Collaborative Vision: Engaging in grand-scale projects, such as the joint series with Utagawa Hiroshige, which helped define the visual identity of Japan's most important travel routes.

Historical Significance and Enduring Influence

Keisai Eisen’s contribution to ukiyo-e extends far beyond the aesthetic; he was a chronicler of an era’s soul. While his contemporaries like Kunisada focused on the theatrical drama of Kabuki, and Kuniyoshi explored the heroic legends of warriors, Eisen turned his gaze toward the psychological and the atmospheric. His work bridged the gap between the classical elegance of the past and the more visceral, "decadent" realism that would characterize much of late Edo art. He was not only a printmaker but also a man of letters, contributing to the literary landscape through biographies and historical texts.

Today, Eisen is remembered as one of the most prominent masters of 19th-century Japanese woodblock prints. His ability to capture the ephemeral nature of the "floating world"—the fleeting moment, the passing traveler, the subtle glance—ensures his place in the pantheon of great artists. His legacy continues to resonate, offering modern observers a window into a vanished world where every line and color served to celebrate the profound beauty found within the transient and the everyday.