Portrait of Симон Вуе

Симон Вуе's Most Famous Paintings: All 100, Ranked

Updated октобар 2026 · ranked by our popularity score (searches, visits and orders for each work) · 166 works by Симон Вуе in our catalogue

In short

The Симон Вуе painting most people know is Venus and Adonis (1642), and you can see it at the J. Paul Getty Museum, Los Anđeles. Right after it come The Muses of Urania and Calliope (1634) and Annunciation (1640). Out of 166 works by Симон Вуе in our catalogue, these 100 are the best known. Each one comes with its year, its museum and a short note on what makes it stand out.

1590 – 1649, Париз Baroque Most works: Luvr

Симон Вуе's top 10: the pieces everyone knows

1
Venus and Adonis (1642) by Симон Вуе

Venus and Adonis

1642 · Acrylic On Canvas · J. Paul Getty Museum, Los Anđeles

Simon Vouet’s “Venus and Adonis,” painted in 1642, is a striking example of French Baroque art, showcasing the artist’s mastery of color, composition, and his assimilation of Italian artistic trends. This evocative scene depicts the poignant moment from Ovid's *Metamorphoses* where the mortal Adonis, captivated by hunting, rejects Venus’s advances, foreshadowing his tragic demise. The painting isn't merely a depiction of mythology; it's an exploration of love, desire, and mortality…

2
The Muses of Urania and Calliope (1634) by Симон Вуе

The Muses of Urania and Calliope

1634 · Acrylic On Canvas · National Gallery of Art, Washington

Simon Vouet’s “The Muses Urania and Calliope”: A Symphony of Baroque Grace Simon Vouet (1590-1649) stands as a pivotal figure in the artistic landscape of 17th-century France, marking the decisive transition from Mannerism to the opulent grandeur of the Baroque style. His legacy resides not merely in his prolific output but also in his unwavering dedication to mastering Italian influences—a pursuit that fundamentally reshaped French painting and cemented Vouet’s place…

3
Annunciation (1640) by Симон Вуе

Annunciation

1640 · Oil On Canvas · Galerija Ufizi, Firenca

Simon Vouet's "Annunciation," painted in 1640, is more than just a religious depiction; it’s a masterful orchestration of light, shadow, and human emotion. This captivating work transports the viewer to an intimate interior space, where the momentous announcement of Mary’s divine conception unfolds with breathtaking drama. The painting immediately draws the eye to the kneeling figure of the Virgin Mary, bathed in a warm, golden glow emanating from the right…

4
The Fortuneteller (detail) (1617) by Симон Вуе

The Fortuneteller (detail)

1617 · Oil On Canvas · Galleria Nazional d Art Antica, Рим

In the heart of 1617, amidst the vibrant and transformative atmosphere of Roman artistic circles, Simon Vouet captured a moment of profound human connection in his masterpiece, The Fortuneteller. This work, particularly when viewed in its intimate details, serves as much more than a mere portrait; it is an emblem of the burgeoning Baroque style that was beginning to reshape the visual landscape of Europe. The scene unfolds with a…

5
Sleeping Venus (1630) by Симон Вуе

Sleeping Venus

1630 · Acrylic On Canvas · Szépművészeti Múzeum, Budimpešta

Simon Vouet's "Sleeping Venus," painted around 1630, is not merely a depiction of a reclining nude; it’s an exquisite distillation of Renaissance ideals and the burgeoning Baroque aesthetic. This captivating work transcends simple portraiture, offering instead a profound meditation on beauty, repose, and the delicate balance between earthly pleasure and spiritual contemplation. The painting immediately draws the viewer into a world of hushed tranquility, inviting us to share in the…

6
Allegory of Virtue (1634) by Симон Вуе

Allegory of Virtue

1634 · Acrylic On Canvas · Luvr, Pariz

Simon Vouet’s “Allegory of Virtue,” completed around 1634, stands as a testament to the burgeoning Baroque aesthetic infiltrating French artistic circles during Louis XIII's reign. More than just a portrait—though it undeniably depicts a woman radiating grace and authority—the painting delves into profound philosophical concepts rooted in humanist ideals prevalent at the time.

7
The Entombment (1638) by Симон Вуе

The Entombment

1638 · Oil On Canvas · Fitzwilliam College, Cambridge

Simon Vouet's "The Entombment," painted in 1635–1638, is not merely a depiction of a biblical scene; it’s an exquisitely rendered meditation on grief, faith, and the profound dignity of sacrifice. This monumental work, currently residing within the collection of the Fitzwilliam Museum in Cambridge, transcends its subject matter to become a powerful testament to the Baroque era's ability to evoke intense emotion through masterful technique and carefully considered symbolism. Vouet,…

8
Angels with Attributes of the Passion: Angel Holding the Vessel and Towel for washing the hands of Pontius Pilate (1624) by Симон Вуе

Angels with Attributes of the Passion: Angel Holding the Vessel and Towel for washing the hands of Pontius Pilate

1624 · Oil · Minneapolis Institute of Art, Minneapolis

A single celestial figure emerges from a deep, near-black void, commanding the space with an intimate and monumental presence. This angel, caught in a moment of profound spiritual devotion, gazes upward with eyes full of soulful contemplation or sorrow. The light descends from the upper left, carving the figure out of the darkness and casting soft, tender shadows across a face etched with emotion. Every detail feels immediate, from the…

9
Saint John (1623) by Симон Вуе

Saint John

1623 · Oil On Canvas · Philadelphia Museum of Art, Filadelfija

A young man turns his face toward a light that remains unseen. His eyes, wide and searching, catch a glimmer that pulls his gaze upward, away from the dark, murky depths of the background. Thick, dark curls frame a pale face, creating a sharp contrast against the heavy shadows that swallow the space around him. He is caught in a moment of sudden, quiet realization. The light does not merely…

10
Virgin and Child, with an Angel (1642) by Симон Вуе

Virgin and Child, with an Angel

1642 · Oil On Panel · Philadelphia Museum of Art, Filadelfija

The light falls softly upon the skin of the Virgin Mary, catching the curve of her cheek and the small, smooth hands of the Christ Child. They sit within a triangular arrangement that anchors the composition, surrounded by the deep shadows of a dense woodland. An angel leans into this intimate circle, its robes glowing with warm yellows and golds that contrast against the heavy, dark trees behind them. At…

Keep exploring Симон Вуе: 11 to 100

11Madonna with Child (1625) by Симон ВуеMadonna with Child1625 · Ermitaž 12Time Discovering the Love of Venus and Mars (1640) by Симон ВуеTime Discovering the Love of Venus and Mars1640 · John and Mable Ringling Museum of Art 13The Rapture of Saint Theodore (1627) by Симон ВуеThe Rapture of Saint Theodore1627 · Staatliche Kunstsammlungen Dresden 14Heavenly Charity (1640) by Симон ВуеHeavenly Charity1640 · Luvr 15Allegory (1640) by Симон ВуеAllegory1640 · Musei Capitolini 16Parnassus or Apollo and the Muses (1640) by Симон ВуеParnassus or Apollo and the Muses1640 · Szépművészeti Múzeum 17Sacrifice of Isaac (1642) by Симон ВуеSacrifice of Isaac1642 · Milwaukee Art Museum 18Angels with Attributes of the Passion, the Superscription from the Cross (1624) by Симон ВуеAngels with Attributes of the Passion, the Superscription from the Cross1624 · Minneapolis Institute of Art 19The Holy Family with the Infant Saint John the Baptist (1626) by Симон ВуеThe Holy Family with the Infant Saint John the Baptist1626 · Fine Arts Museums of San Francisco 20Ceres and Harvesting Cupids (1634) by Симон ВуеCeres and Harvesting Cupids1634 · National Gallery 21Suicide of Lucrece (1625) by Симон ВуеSuicide of Lucrece1625 · Narodna galerija Prag 22The Muse Clio (1640) by Симон ВуеThe Muse Clio1640 · Staatliche Kunsthalle Karlsruhe 23Allegory with Venus, Mars, Cupid, and Time (1626) by Симон ВуеAllegory with Venus, Mars, Cupid, and Time1626 · John and Mable Ringling Museum of Art 24Vanitas (1621) by Симон ВуеVanitas1621 · Narodni muzej u Varšavi 25Lovers (1614) by Симон ВуеLovers1614 · Pushkin State Museum 26Martyrdom of Saint Catherine (1620) by Симон ВуеMartyrdom of Saint Catherine1620 · Musée des Beaux-Arts de Strasbourg 27The Halberdier (1617) by Симон ВуеThe Halberdier1617 · Dayton Art Institute 28Saint Jerome (c.347–420) (1620) by Симон ВуеSaint Jerome (c.347–420)1620 · National Library of Wales 29self-portrait (1620) by Симон Вуеself-portrait1620 30Saint Agnes (1618) by Симон ВуеSaint Agnes1618 · Blanton Museum of Art 31Annunciation to Mary (1617) by Симон ВуеAnnunciation to Mary1617 · Gemäldegalerie 32Psyche and Cupid (1626) by Симон ВуеPsyche and Cupid1626 · Muzej lepih umetnosti u Lionu 33The Nativity (1632) by Симон ВуеThe Nativity1632 34Squire-at-arms - Saint Guillaume d'Aquitaine (1625) by Симон ВуеSquire-at-arms - Saint Guillaume d'Aquitaine1625 · The Art Museum RIGA BOURSE 35The Entombment (1635) by Симон ВуеThe Entombment1635 · Fitzwilliam Museum 36Saint Catherine (1625) by Симон ВуеSaint Catherine1625 · Slovak National Gallery 37Saint Sebastian (1625) by Симон ВуеSaint Sebastian1625 · Muzej fine umetnosti u Hjustonu 38Model for Altarpiece in St. Peter's (1625) by Симон ВуеModel for Altarpiece in St. Peter's1625 · Los Angeles County Museum of Art 39Model for Altarpiece in St. Peter's (1625) by Симон ВуеModel for Altarpiece in St. Peter's1625 · Los Angeles County Museum of Art 40Saint Cecilia (1626) by Симон ВуеSaint Cecilia1626 · Blanton Museum of Art 41Portrait of Virginia da Vezzo (1625) by Симон ВуеPortrait of Virginia da Vezzo1625 · Gemäldegalerie 42The Charity (1635) by Симон ВуеThe Charity1635 43Saint Sebastian (1623) by Симон ВуеSaint Sebastian1623 44Christ at the Column (1637) by Симон ВуеChrist at the Column1637 45The Holy Family with Saint Elizabeth and the young Saint John (1642) by Симон ВуеThe Holy Family with Saint Elizabeth and the young Saint John1642 46The Four Seasons (1644) by Симон ВуеThe Four Seasons1644 · National Gallery of Ireland 47Head of a Bearded Man (1639) by Симон ВуеHead of a Bearded Man1639 · Hatchlands Park 48The Entombment (1637) by Симон ВуеThe Entombment1637 · Musée d'Art Roger-Quilliot 49Artemisia Building the Mausolaeum (1640) by Симон ВуеArtemisia Building the Mausolaeum1640 · Nationalmuseum 50Allegory of Prudence (1645) by Симон ВуеAllegory of Prudence1645 · Musée Fabre 51The Rest of the Holy Family (1650) by Симон ВуеThe Rest of the Holy Family1650 · Musée de Grenoble 52Christ Appearing to Saint Anthony Abbot, Falsely Called Christ Healing a Possessed Person (1650) by Симон ВуеChrist Appearing to Saint Anthony Abbot, Falsely Called Christ Healing a Possessed Person1650 · Musée de Grenoble 53The Virgin Taking the Society of Jesus Under Her Protection (1650) by Симон ВуеThe Virgin Taking the Society of Jesus Under Her Protection1650 54Olivier de Clisson (1650) by Симон ВуеOlivier de Clisson1650 · Musée Départemental Dobrée 55The Muses Urania and Calliope (1634) by Симон ВуеThe Muses Urania and Calliope1634 · National Gallery of Art 56Time Vanquished by Love, Hope and Fame, 1640-1645 by Симон ВуеTime Vanquished by Love, Hope and Fame, 1640-1645Grand Palais 57Portrait of a Young Man (Le Spadassin) (1617) by Симон ВуеPortrait of a Young Man (Le Spadassin)1617 · Herzog Anton Ulrich Museum 58POLYMNIE, MUSE DE L'ELOQUENCE by Симон ВуеPOLYMNIE, MUSE DE L'ELOQUENCELuvr 59Angel with dice and tunic (1620) by Симон ВуеAngel with dice and tunic1620 · Museo di Capodimonte 60Saint Catherine of Alexandria (1620) by Симон ВуеSaint Catherine of Alexandria1620 · Национални музеј западне уметности 61Mary Adoring the Christ child (1623) by Симон ВуеMary Adoring the Christ child1623 · Museum Boijmans Van Beuningen 62The Virgin and Child (of the Column) (1640) by Симон ВуеThe Virgin and Child (of the Column)1640 · Ashmolean Museum of Art and Archaeology 63Parnassus or Apollo and the Muses (detail) (1640) by Симон ВуеParnassus or Apollo and the Muses (detail)1640 · Szépművészeti Múzeum 64Toilet of Venus (1628) by Симон ВуеToilet of Venus1628 · Art Museum 65Self-Portrait (1615) by Симон ВуеSelf-Portrait1615 · Musée Réattu 66LA VICTOIRE by Симон ВуеLA VICTOIRELuvr 67The Rape of Europa (1640) by Симон ВуеThe Rape of Europa1640 · Музеј Тисен-Борнемиза 68Софонисба примајући чашу отрова (1623) by Симон ВуеСофонисба примајући чашу отрова1623 · Staatliche Museen Kassel 69St Catherine (1614) by Симон ВуеSt Catherine1614 · Palata Quirinale 70Prince Marcantonio Doria (1621) by Симон ВуеPrince Marcantonio Doria1621 · Luvr 71The Holy Family with Sts Elizabeth, John the Baptist and Catherine (1614) by Симон ВуеThe Holy Family with Sts Elizabeth, John the Baptist and Catherine1614 · Музеј Прадо 72Diana on the Hunt (1619) by Симон ВуеDiana on the Hunt1619 · Bavarske državne slikopisne kolekcije 73The Last Supper (1615) by Симон ВуеThe Last Supper1615 · Palazzo Apostolico 74Birth of the Virgin (1620) by Симон ВуеBirth of the Virgin1620 · San Francesco a Ripa 75The Triumph of Galatea (1642) by Симон ВуеThe Triumph of Galatea1642 · Nacionalna galerija Kanade 76Virgin and Child by Симон ВуеVirgin and ChildMusée des Beaux-Arts de Lyon 77Saturn, Conquered by Amor, Venus and Hope (1645) by Симон ВуеSaturn, Conquered by Amor, Venus and Hope1645 · Musée du Berry 78Self-Portrait (1699) by Симон ВуеSelf-Portrait1699 · Museum de Fundatie 79The Holy Family (1630) by Симон ВуеThe Holy Family1630 · Kunsthalle Bremen 80Madonna and Child (1633) by Симон ВуеMadonna and Child1633 · National Gallery of Art 81LA MISE AU TOMBEAU by Симон ВуеLA MISE AU TOMBEAULuvr 82Allegory of Peace (1627) by Симон ВуеAllegory of Peace1627 · Galleria Nazional d Art Antica 83Allegory of Wealth (1630) by Симон ВуеAllegory of Wealth1630 · Luvr 84Eight Satyrs Admiring the Anamorphosis of an Elephant (1625) by Симон ВуеEight Satyrs Admiring the Anamorphosis of an Elephant1625 · Hessisches Landesmuseum 85LA PRESENTATION AU TEMPLE by Симон ВуеLA PRESENTATION AU TEMPLELuvr 86Parnassus or Apollo and the Muses (detail) (1640) by Симон ВуеParnassus or Apollo and the Muses (detail)1640 · Szépművészeti Múzeum 87The Fortune Teller (1618) by Симон ВуеThe Fortune Teller1618 · Nacionalna galerija Kanade 88Saint Guillaume d'Aquitaine ( ) by Симон ВуеSaint Guillaume d'Aquitaine ( )Luvr 89Apollo and the Muses (1875) by Симон ВуеApollo and the Muses1875 · Bratislava City Gallery 90LA PRUDENCE AMENE LA PAIX ET L'ABONDANCE by Симон ВуеLA PRUDENCE AMENE LA PAIX ET L'ABONDANCELuvr 91Gaucher de Châtillon, Connétable (1632) by Симон ВуеGaucher de Châtillon, Connétable1632 · Luvr 92Caritas Romana by Симон ВуеCaritas RomanaNarodni muzej u Varšavi 93St Jerome and the Angel (1622) by Симон ВуеSt Jerome and the Angel1622 · National Gallery of Art 94The Fortune Teller (1617) by Симон ВуеThe Fortune Teller1617 · Galleria Nazional d Art Antica 95LE CHRIST EN CROIX by Симон ВуеLE CHRIST EN CROIXLuvr 96Adoration of the Shepherds (Adoration des bergers) by Симон ВуеAdoration of the Shepherds (Adoration des bergers)La Sauvegarde de l'Art Français 97David with the head of Goliath by Симон ВуеDavid with the head of GoliathPalazzo Bianco 98The Continence of Scipio by Симон ВуеThe Continence of ScipioShipley Art Gallery 99Phaethon in His Chariot with Time by Симон ВуеPhaethon in His Chariot with TimeManchester Art Gallery 100The Conversion of the Magdalen by Симон ВуеThe Conversion of the MagdalenThe Hunterian Museum and Art Gallery

Симон Вуе's paintings, period by period

What Симон Вуе painted most

The four subjects that come up most often in these pieces, each with its best-known example.

Where you can see Симон Вуе's paintings

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Симон Вуе Paintings from this list
Luvr, ParizLuvr Pariz 20 Allegory of Virtue, Heavenly Charity, POLYMNIE, MUSE DE L'ELOQUENCE
Szépművészeti Múzeum, BudimpeštaSzépművészeti Múzeum Budimpešta 5 Sleeping Venus, Parnassus or Apollo and the Muses, Parnassus or Apollo and the Muses (detail)
National Gallery of Art, WashingtonNational Gallery of Art Washington 4 The Muses of Urania and Calliope, The Muses Urania and Calliope, Madonna and Child
Galleria Nazional d Art Antica, РимGalleria Nazional d Art Antica Рим 4 The Fortuneteller (detail), Allegory of Peace, The Fortune Teller
Narodni muzej u Varšavi, VaršavaNarodni muzej u Varšavi Varšava 4 Vanitas, Caritas Romana
Los Angeles County Museum of Art, Los AnđelesLos Angeles County Museum of Art Los Anđeles 3 Model for Altarpiece in St. Peter's, Model for Altarpiece in St. Peter's
Minneapolis Institute of Art, MinneapolisMinneapolis Institute of Art Minneapolis 2 Angels with Attributes of the Passion: Angel Holding the Vessel and Towel for washing the hands of Pontius Pilate, Angels with Attributes of the Passion, the Superscription from the Cross
Philadelphia Museum of Art, FiladelfijaPhiladelphia Museum of Art Filadelfija 2 Saint John, Virgin and Child, with an Angel

One famous Симон Вуе piece for every decade

Works per decade

Pick a decade to see its standout piece.

Симон Вуе paintings: what people want to know

What painting is Симон Вуе best known for?See the answer

Top of the list is Venus and Adonis (1642), J. Paul Getty Museum, Los Anđeles. Right behind it: The Muses of Urania and Calliope (1634) and Annunciation (1640).

How old was Симон Вуе at the time of Venus and Adonis?See the answer

52 years old. Симон Вуе was born in 1590, and Venus and Adonis dates from 1642.

Which 10 Симон Вуе paintings are the most famous?See the answer

Venus and Adonis, The Muses of Urania and Calliope, Annunciation, The Fortuneteller (detail), Sleeping Venus, Allegory of Virtue, The Entombment, Angels with Attributes of the Passion: Angel Holding the Vessel and Towel for washing the hands of Pontius Pilate, Saint John and Virgin and Child, with an Angel. You'll find the year and the museum of each in the list above.

How many Симон Вуе works are there?See the answer

We have 166 works by Симон Вуе in our catalogue, dated 1614 to 1645.

Which museums have Симон Вуе's best-known paintings?See the answer

You'll find most of them in Luvr (Pariz), Szépművészeti Múzeum (Budimpešta) and National Gallery of Art (Washington). The museum list above has the full breakdown.

When were Симон Вуе's most famous pieces painted?See the answer

In 1620s, more than any other time: 31 of the 100 pieces on this page date from then, Angels with Attributes of the Passion: Angel Holding the Vessel and Towel for washing the hands of Pontius Pilate among them.

What are the oldest and newest famous paintings by Симон Вуе?See the answer

The earliest piece here is Lovers (1614); the most recent is Allegory of Prudence (1645).

What did Симон Вуе paint most?See the answer

Woman (15), Renaissance (12) and Mythology (9), out of the 100 pieces on this page.

What did Симон Вуе usually paint with?See the answer

Oil On Canvas, used in 40 of the 100 pieces on this page.

Which art movement is Симон Вуе linked to?See the answer

Baroque, as you can see in the pieces on this page.

What can you see by Симон Вуе at the Luvr?See the answer

You can see 12 of the pieces on this page at the Luvr, Pariz, including Allegory of Virtue, Heavenly Charity and POLYMNIE, MUSE DE L'ELOQUENCE.

Can I order a Симон Вуе reproduction for my home?See the answer

Yes. Every painting on this page is available as a hand-painted oil reproduction or a print, in the size that suits you. Just open the painting's page to order.

Meet Симон Вуе

Симон Вуе: Пионер француске бароке живописи

  • Рођен: 9. јануар 1590, Париз, Француска
  • Умро: 30. јун 1649, Париз, Француска

Симон Вуе је био кључна фигура у преласку француске живописи из манераizma ка барочном стилу. Рођен у umetničkoj породици – његов отац Лоран беше сликар, а брат Обен такође се бавио уметношћу – Вуе је добио рано образовање које је заложило темеље за његољски успех. Нијеком, Лудовико Дорињи, наставиће породичну уметничку наследницу.

Рани каријере и италијански утицаји (1608-1627)

  • Ран портретирање: Вуе је започео кариjerу као портретиста, демонстрирајући рани таленат.
  • Путовање у Енглетан (1608): У младим годинама, уз 14 година, путовао је у Енглетан да нареди портрет, приказујући своју растућу репутацију.
  • Османско ханци и Венеција: Године 1611. Вуе се придружио окружујућем кругу барона де Сансија, француског посланика у Османско ханци, поново за портретирање. Ово путовање га је одвело кроз Константиноপল, а затим и до Венеције 1612. године.
  • Рим (1614-1627): Није време у Риму променило га. Остао је тамо тринаест година, промишљавајући се у живописној umetničkoj сцени нарастајуће бароке периода.

Током свог италијанског боравка, Вуе је апсорбовао различит спектар утицаја. Изучио је драматичне технике осветљења које су пионерирао Караваџо, усвајивши елементе италијанског манераizma, а са посебном пажњом анализирао палете боја и di sotto in su (перспектива испод и изнад) које је користио Паоло Веронезе. Такође се инспирисао радовима Карачија, Гуерцина, Ланфранка и Гуидо Рени, синтетишући ове различите стилове у јединствену umetničку визију.

Развој Вуевог карактеристичног стила

  • Избор у Академију Сан Лука (1624): Његов успех у Риму кулминирао је избором као председник престижној Академије ди Сан Лука, сведочанство о његово вештину и признању у италијанском umetničком свету.
  • Синтеза утицаја: Вуев стил карактерисао се способношћу да апсорбује и дистилира различите уметничке утицаје. Он није само копирао; интегришао је ове елементе у кохерентну и јасно италијански барочну естетику.
  • Увођење бароке у Француску: По свом повратку у Француску 1627. године, Вуе је играо кључну улогу у увођењу италијанског барочног стила у француску живопис, значајно утицавајући на umetnički pejzaж земље.

Главни достигнућа и наслеђе

  • Премјер пејнтер ду Роа (Premier Peintre du Roi): Вуе је именован Premier peintre du Roi (Први сликар краља) – позиција великог престижа и утицаја.
  • Продуктивна раница: Одржавао је велику и активну раницу, обустављајући бројне уметнике који ће обликовати следећу генерацију француских сликара.
  • Запамћени ученици: Међу његовим највтицајнијим ученицима били су Шарл Ле Бран (који касније организује све декоративно сликарство у Версају), Валентин де Булоњ, Шарл Алфонс ду Фресноа, Пјер Мињар, Јусташ Ле Суеур и Клод Мелан.
  • Утицај на француску уметност: Вуев свој утицај проширио изван својих дела; његови ученици носио свој стил и технике шимље кроз Француску, успостављајући јединствено барочну школу живописа. Његов утицај је посебно очигледан у великим декоративним схемима које је наручио Луи XIV.

Историчко значајство

Наслеђе Симона Вуеа почива на његовој кључној uloци као моста између италијанске и француске уметности. Успешно је увозио динамику и великолепије италијанског барока, претварајући га у стил који је резоновао са укусима француског двора и аристократије. Његов утицај је несумњив у развоју француске живописи током 17. века, а његови доприноси данас се и даље препознају код историчара уметности.

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