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Najpoznatija slika koju je Peter Lely stvorio je Queen Mary II (1677), a možete je videti u muzeju National Portrait Gallery, London. Odmah nakon toga slede James VII and II, when Duke of York (1661) i Portrait of a man, thought to be George Booth, Lord Delamere (1660). Od 240 dela umetnika Peter Lely u našem katalogu, ovih 100 su najpoznatija. Svako od njih sadrži godinu nastanka, muzej u kojem se nalazi i kratak opis onoga što ga izdvaja.
In this oil on canvas, Peter Lely captures Queen Mary II at a threshold of life and sovereignty. Painted about 1677, the portrait finds the subject at the age of fifteen. She is the eldest daughter of James, Duke of York, and Anne Hyde. A quiet stillness settles over the young woman, even as her life moves toward the gravity of the throne.
In this commanding 1661 portrait, Sir Peter Lely captures the essence of a man destined for the throne: James VII and II during his tenure as the Duke of York. The painting serves as a breathtaking window into the late Stuart period, presenting a subject of profound importance with an air of effortless sophistication. Clad in a magnificent gold coat that catches the light, accented by a striking red sash,…
A man of significant standing is captured in this mid-seventeenth-century oil on canvas, his presence defined by a heavy, dark suit and a prominent collar. He holds a piece of paper, a gesture suggesting literacy, legal authority, or perhaps a specific political mandate. His long, curly hair and well-groomed beard frame a face marked by intricate detail, conveying a sense of individual temperament. The composition focuses on the interplay between…
The sitter emerges from a shadowed landscape, a vision of 17th-century nobility caught in a moment of quiet poise. Henrietta Boyle, Countess of Rochester, is rendered with a serene expression that masks a subtle, underlying gravity. Her gown, a luminous sky blue, catches the light from the upper left, casting soft shadows into the voluminous folds of silk. A string of pearls rests against her neck, their pale luster contrasting…
The room seems to quiet as Elizabeth Lady Monson meets the viewer's gaze. She sits in a three-quarter length pose, her body angled with a poise that speaks of a life lived within the high circles of the court. A deep, cerulean blue velvet gown envelops her, the heavy fabric catching the light in a way that suggests both weight and a soft, lustrous sheen. This intense blue cuts through…
This formal and somber seventeenth-century oil portrait depicts Oliver Cromwell in a bust-length composition. Positioned slightly off-center and looking toward the right of the frame, the subject is presented within a painted trompe l'oeil oval frame. The color palette is dominated by dark, earthy tones, including deep browns, blacks, and shadows, which contrast sharply against the bright white of the subject's collar and the metallic highlights of his armor.
The air feels heavy with the scent of damp earth and blooming roses as Lady Penelope Spencer pauses in a quiet, shadowed landscape. She exists in a moment of poised stillness, her gaze meeting the viewer with a grace that suggests both high status and a gentle, private thought. The light, streaming from the upper left, washes over her skin with a soft, luminous glow, catching the delicate curve of…
Henrietta Maria of France, Queen of England: An Icon of Baroque Elegance Sir Peter Lely, born in Soest, Westphalia, in 1618, stands as a monumental figure in the annals of English art history—a painter whose career traversed continents and ultimately cemented his reputation as the undisputed court artist during the waning years of the Stuart monarchy. His artistic journey commenced amidst the turbulent backdrop of the Thirty Years’ War, deeply…
The Portrait of George Monck, 1st Duke of Albemarle, English Admiral and Statesman is an oil on canvas work by the artist Pieter Van Der Faes (Peter Lely). This portrait captures George Monk (1608-69), 1st Duke of Albemarle, in a moment of formal stillness. The paint holds the weight of a man defined by his titles and his service to the crown.
Edward Montagu, first Earl of Sandwich, is presented in a formal, full-length Baroque portrait that asserts his high social standing and political importance. He stands with an imposing presence, his figure slightly off-center against a dark, shadowy background. The composition utilizes a vertical arrangement to emphasize his stature. Light enters from the upper left, striking his face and the brilliant white satin of his garments, while the rest of the…
Sir Ralph Bankes1660 · Yale Center for British Art
12
Diana Kirke, later Countess of Oxford1665 · Yale Center for British Art
13
Portrait Of Sir John Nicholas1667 · Birmingham Museum and Art Gallery
14
Arthur Capel, 1st Earl of Essex; Elizabeth, Countess of Essex1655 · National Portrait Gallery
15
Lady Diana Bruce (died 1672)1665 · Scottish National Gallery
16
George Villiers, 2nd Duke of Buckingham1675 · National Portrait Gallery
17
Nymphs by a Fountain1650 · Dulwich Picture Gallery
18
Henrietta Anne, Duchess of Orleans1662 · National Portrait Gallery
19
Anne Hyde, Duchess of York (1637-71)1662 · Hampton Court Palace
20
John Maitland, 2nd Earl and 1st Duke of Lauderdale, 1616 - 1682. Statesman1665 · Scottish National Portrait Gallery
21
Anna Maria Talbot (née Brudenell), Countess of Shrewsbury1670 · National Portrait Gallery
22
Portrait of a Lady1659 · Buckingham Palace
23
Portrait of Aphra Behn1675 · Yale Center for British Art
24
John Hay, 1st Marquess of Tweeddale, 1626 - 1697. Lord High Chancellor of Scotland1662 · Scottish National Portrait Gallery
25
Bust Portrait of a Young Man (so-called Samuel Pepys)1800 · Minneapolis Institute of Art
26
Henry Marten (Martin)1650 · National Portrait Gallery
27
Edward Montagu, 2nd Earl of Manchester1663 · National Portrait Gallery
28
James Sharp, 1618 - 1679. Archbishop of St. Andrews1664 · Scottish National Portrait Gallery
29
Sir Peter Lely1660 · National Portrait Gallery
30
Simon Patrick1680 · National Portrait Gallery
31
Margaret Brooke, Lady Denham (ca 1647-67)1663 · Hampton Court Palace
32
Portrait of a Lady.1650 · Narodni muzej u Varšavi
33
John Ogilby1662 · Bodleian Libraries
34
The Letter1650 · Detroit Institute of Arts
35
Unknown woman, formerly known as Elizabeth Hamilton, Countess de Gramont1665 · National Portrait Gallery
36
Bartholomew Beale1670 · Dulwich Picture Gallery
37
King James II1667 · National Portrait Gallery
38
Portrait of P. Lenéve, Alderman of Norwich1656 · Walters Art Museum
39
Diana and her Nymphs at a Fountain1648 · Yale Center for British Art
40
Lady Anne Percy, Lady Stanhope (1633-1654) or Lady Isabella Sydney, Viscountess Strangford (d.1663)1648 · Petworth House
41
The Three Younger Children of Charles I1647 · Petworth House
42
Elizabeth Murray, Countess of Dysart, later Duchess of Lauderdale (1626-1698)1648 · Ham House
43
Sir George Booth, 1st Baron Delamer of Dunham Massey (1622-1684)1646 · Dunham Massey Hall
44
John Selden (1584–1654)1644 · Yale University Art Gallery
45
Man Playing a Pipe1648
46
Boy Playing a Jew’s Harp1648
47
Abraham Cowley1666 · National Portrait Gallery
48
Sir Edward Nicholas1662 · National Portrait Gallery
49
Anne Hyde, Duchess of York; King James II1660 · National Portrait Gallery
50
Portrait of Anne Digby, Countess of Sunderland1666 · Hampton Court Palace
51
Henry, Duke of Gloucester (1639-60)1647 · Royal Collection
52
John Bainbridge (1582–1643) and daughter1640 · New York Historical Society
53
Portrait of a Man, probably Richard Boyle, 1st Earl of Burlington (1612-1698)1650
54
Susanna And The Elders1650 · Birmingham Museum and Art Gallery
55
Portrait Of The Earl Rivers (?)1655 · Birmingham Museum and Art Gallery
56
Elizabeth Dering, Lady Darell1660 · National Gallery of Ireland
57
Miss Mary Middleton, Plas Newydd, Wrexham1650 · National Library of Wales
58
Portrait of Mrs. Leneve1657 · Cleveland Museum of Art
59
Miss Lawson, Mrs (later Lady) Chicheley1660 · Wimpole Hall
60
Called Frances Cromwell (1638-1720), the daughter of Oliver Cromwell1654
61
Lady Elizabeth Percy, Lady Capel, later Countess of Essex (1636 - 1717/18)1653 · Petworth House
62
Lady Anne Percy, Lady Stanhope (1633-1654)1657 · Petworth House
63
Called (but not) Elizabeth Murray, Countess of Dysart, Duchess of Lauderdale (1626-1698), just possibly Lady Dorothy Sydney, Countess of Sunderland (1618-1684), or Mrs John Greenhill1658 · Petworth House
64
Mrs Sackville1660 · Knole House
65
Robert Spencer, 2nd Earl of Sunderland (1641-1702)1660 · Knole House
66
Cimon and Iphigenia1654 · Knole House
67
N. Wray1655 · Kingston Lacy
68
The Penitent Magdalen1652 · Kingston Lacy
69
Sir Ralph Bankes, MP (?1631-1677)1655 · Kingston Lacy
70
Called Elizabeth Palmer, Lady Wroth (d. before 1672)1650 · Killerton
71
Sir William Compton (1625-1663)1654 · Ham House
72
An Unknown Gentleman, called Lionel Tollemache, 3rd Earl of Dysart (1649-1727)1660 · Ham House
73
Elizabeth Murray, Lady Tollemache, later Countess of Dysart and Duchess of Lauderdale (1626-1698) with a Black Servant1651 · Ham House
74
Possibly Lady Katherine Murray (d.1669/70)1649 · Ham House
75
Called Lady Elizabeth Grey, Lady Delamer (1621/2-1690)1659 · Dunham Massey Hall
76
Called Sir George Booth, 1st Baron Delamer of Dunham Massey (1622-1684)1659 · Dunham Massey Hall
77
Apollonia Yate1655 · Coughton Court
78
A Gentleman Dressed 'alla Romana' wearing a Golden-coloured Cloak1655 · Calke Abbey
79
Sir Robert Long, 1st Bt (1598-1673)1657 · Belton House
80
Sir Christopher Myngs (1625-1666)1650 · National Maritime Museum
81
Edward Montagu, 1st Earl of Sandwich1650 · National Maritime Museum
82
Portrait of a Woman1649 · Bavarske državne slikopisne kolekcije
83
Susanna and the Elders1652
84
Henry Stone1648 · National Portrait Gallery
85
Henry, Duke of Gloucester (1639-1660)1649 · Royal Collection
86
Anne Hyde, Duchess of York, 1637 - 1671. First wife of James VII and II1661 · Scottish National Portrait Gallery
87
Portrait of a Lady with a Blue Drape1660 · Dulwich Picture Gallery
88
Lady Frances Savile, Later Lady Brudenell1668 · Yale Center for British Art
89
Portrait of Samuel Crew1650 · Groeningemuseum
90
Portrait of a Man1656 · Statens Museum For Kunst
91
Family Portrait of Lord Wharton1656
92
Finding of Moses1650 · Musée des Beaux-Arts
93
Portrait Of The Hon Mrs Lucy Loftus1667 · Birmingham Museum and Art Gallery
94
Margaret Brooke (c.1647–1667), Lady Denham1664
95
Joceline Percy, 11th Earl of Northumberland (1644-1670)1671 · Petworth House
96
Lady Elizabeth Wriothesley, Lady Elizabeth Noel (d.c.1680) and her Black Page1662 · Petworth House
97
Elizabeth Alington, Lady Seymour of Trowbridge (c.1632-1691)1664 · Petworth House
98
Called Sophia Fairholme, Marchioness of Annandale (1668-1716)1664 · Petworth House
99
Called Elizabeth Wriothesley, Countess of Northumberland (1646 -1690)1662 · Petworth House
100
Richard Legh (1634-1687)1667 · Lyme Park
Četiri teme koje se najčešće pojavljuju u ovim delima, svaka sa svojim najpoznatijim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Peter Lely | Slike iz ovog spiska |
|---|---|---|---|
 National Portrait Gallery |
London | 18 | Queen Mary II, Arthur Capel, 1st Earl of Essex; Elizabeth, Countess of Essex, George Villiers, 2nd Duke of Buckingham |
 Petworth House |
Petworth | 10 | Lady Anne Percy, Lady Stanhope (1633-1654) or Lady Isabella Sydney, Viscountess Strangford (d.1663), The Three Younger Children of Charles I, Lady Elizabeth Percy, Lady Capel, later Countess of Essex (1636 - 1717/18) |
 Birmingham Museum and Art Gallery |
Birmingem | 6 | Portrait of Elizabeth Lady Monson, Portrait of Oliver Cromwell (1599-1658), Portrait Of Sir John Nicholas |
 Yale Center for British Art |
New Haven | 6 | Edward Montagu, first Earl of Sandwich, Sir Ralph Bankes, Diana Kirke, later Countess of Oxford |
 Ham House |
14 | Elizabeth Murray, Countess of Dysart, later Duchess of Lauderdale (1626-1698), Sir William Compton (1625-1663), An Unknown Gentleman, called Lionel Tollemache, 3rd Earl of Dysart (1649-1727) | |
 Scottish National Portrait Gallery |
Edinburg | 8 | James VII and II, when Duke of York, John Maitland, 2nd Earl and 1st Duke of Lauderdale, 1616 - 1682. Statesman, John Hay, 1st Marquess of Tweeddale, 1626 - 1697. Lord High Chancellor of Scotland |
 Hampton Court Palace |
London | 11 | Henrietta Boyle, Countess of Rochester (1646-1687), Anne Hyde, Duchess of York (1637-71), Margaret Brooke, Lady Denham (ca 1647-67) |
 Kingston Lacy |
Wimborne Minster | 7 | N. Wray, The Penitent Magdalen, Sir Ralph Bankes, MP (?1631-1677) |
Izaberite deceniju da biste videli njeno najistaknutije delo.
The oil painting titled Diana and her Nymphs at a Fountain captures a moment of classical myth. It was executed by the artist Peter Lely. The work dates to about 1648. This period finds the artist in the midst of a career that would eventually define the English court.
This formal and somber seventeenth-century oil portrait depicts Oliver Cromwell in a bust-length composition. Positioned slightly off-center and looking toward the right of the frame, the subject is presented within a painted trompe l'oeil oval frame. The color palette is dominated by dark, earthy tones, including deep browns, blacks, and shadows, which contrast sharply against the bright white of the subject's collar and the metallic highlights of his armor.
In this commanding 1661 portrait, Sir Peter Lely captures the essence of a man destined for the throne: James VII and II during his tenure as the Duke of York. The painting serves as a breathtaking window into the late Stuart period, presenting a subject of profound importance with an air of effortless sophistication. Clad in a magnificent gold coat that catches the light, accented by a striking red sash,…
In this oil on canvas, Peter Lely captures Queen Mary II at a threshold of life and sovereignty. Painted about 1677, the portrait finds the subject at the age of fifteen. She is the eldest daughter of James, Duke of York, and Anne Hyde. A quiet stillness settles over the young woman, even as her life moves toward the gravity of the throne.
This oil on canvas portrait depicts Simon Patrick and was executed by the artist Peter Lely. The work is dated about 1668. It is held within the National Portrait Gallery collection and is identified by the catalog number NPG 1500. The painting is presented in a feigned oval format, a technique that creates the illusion of a framed window within the rectangular plane of the canvas.
Na vrhu liste je Queen Mary II (1677), National Portrait Gallery, London. Odmah za njim su: James VII and II, when Duke of York (1661) i Portrait of a man, thought to be George Booth, Lord Delamere (1660).
59 godina. Peter Lely je rođen/a 1618, a delo Queen Mary II datira iz 1677.
Queen Mary II, James VII and II, when Duke of York, Portrait of a man, thought to be George Booth, Lord Delamere, Henrietta Boyle, Countess of Rochester (1646-1687), Portrait of Elizabeth Lady Monson, Portrait of Oliver Cromwell (1599-1658), Portrait of Lady Penelope Spencer, Хенријатта Марија од Француске, краљица Енглеска, Portrait of George Monck, 1st Duke of Albemarle, English Admiral and Statesman i Edward Montagu, first Earl of Sandwich. Godinu i muzej za svako od njih možete pronaći u gornjem spisku.
U našem katalogu imamo 240 dela umetnika Peter Lely, datiranih od 1640 do 1680.
Većinu njih možete pronaći u National Portrait Gallery (London), Petworth House (Petworth) i Birmingham Museum and Art Gallery (Birmingem). Na spisku muzeja iznad nalazi se detaljan pregled.
U 1660s, više nego ikada ranije: 41 od 100 dela na ovoj stranici potiče iz tog vremena, od čega je James VII and II, when Duke of York među njima.
Najstarije delo ovde je John Bainbridge (1582–1643) and daughter (1640); najnovije je Simon Patrick (1680).
Man (24), Woman (19) i Lace (12) od ukupno 100 dela na ovoj stranici.
Oil On Canvas, korišćeno u 40 od 100 dela na ovoj stranici.
Baroque style, kao što možete videti u delima na ovoj stranici.
Na ovoj stranici možete videti 15 dela u muzeju National Portrait Gallery, London, uključujući Queen Mary II, Arthur Capel, 1st Earl of Essex; Elizabeth, Countess of Essex i George Villiers, 2nd Duke of Buckingham.
Da. Svaka slika na ovoj stranici dostupna je kao ručno slikano ulje na platnu ili kao štampa, u veličini koja vam odgovara. Samo otvorite stranicu slike da biste izvršili porudžbinu.
