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Najpoznatija slika koju je Макс Бекман stvorio je Ноћ (Плакат 7) (1919), a možete je videti u muzeju Kunstsammlung Nordrhein-Westfalen, Diseldorf. Odmah nakon toga slede Velika scena agonije (1906) i Гвоздена мост (Поглед на Франкфурт) (1922). Od 401 dela umetnika Макс Бекман u našem katalogu, ovih 100 su najpoznatija. Svako od njih sadrži godinu nastanka, muzej u kojem se nalazi i kratak opis onoga što ga izdvaja.
Max Beckmannova Nacht (Blatt 7) z roku 1919 představuje jedno z nejvýraznějších dílů německého umění první světové války. Tento obraz, vytvořený v rámci skupiny „Hell“ (Die Hölle), není jen estetickou záležitostí; je to komplexní vyjádření sociální traumy a filozofické reflexe doby, která poznala rozklad hodnot a ztrátu víry.
Naslikano 1906. godine, ovo moćno delo Maks Beckmanna predstavlja ključni primer ranog ekspresionizma, najavljujući anksioznosti i psihološka istraživanja koja će definisati veliki deo umetnosti 20. veka. Više od običnog prikaza figura, ovo je visceralno istraživanje ranjivosti, izolacije, a možda čak i smrtnosti.
„Gvozdene mostove (Pogled na Frankfurt)" Maksima Bekmana, nastao 1922. godine, nije samo slika grada; to je snažna vizija urbane energije, industrijskog napretka i dubokih ljudskih odnosa u dobu posle Prvog svetskog rata. Ova kompozicija, koja pripada ekspresionističkom pokretu, ali se istovremeno oslanja na elemente nove objektivnosti, poziva nas da razmotrimo slojeve značenja koji se kriju iza očigledne scene gradskog života.
„Kolumbina” Maksa Bekmana predstavlja upečatljiv primer nemačkog ekspresionizma, nastao 1950. godine tokom umetnikovih poznih godina. Ovo monumentalno ulje na platnu prikazuje sednu žensku figuru ukrašenu maskom, okruženu odvažnim arhitektonskim elementima i živopisnim bojama. Slikarsko delo je savršen primer Bekmanovog prepoznatljivog stila, koji karakterišu izobličene figure, bogata simbolika i emocionalni intenzitet.
Exploring Human Condition and Society This powerful triptych by Max Beckmann captures the complex tapestry of human existence and societal roles through a vivid, emotionally charged composition. Each panel presents a dynamic scene filled with distorted figures, symbolic objects, and expressive gestures that invite viewers to reflect on themes of confinement, identity, and social interaction. Beckmann’s portrayal of human figures—some seated, others standing or behind bars—evokes a sense of tension,…
The gaze of Max Beckmann meets the viewer directly in Selfportrait in tuxedo, Busch-Reisinger M. This oil-on-canvas work, executed in 1927, captures the artist in a moment of poised, formal presence. He stands before us, a figure of quiet strength, wearing the elegant attire of a tuxedo that marks a specific era of social transition. The painting exists as a significant presence within the German Expressionism movement, embodying the tension…
Max Beckmann, a renowned German Expressionist painter, created his masterpiece Temptation in 1937. This oil on canvas painting is housed at the Bayerische Staatsgemäldesammlungen (Munich, Germany), and it exemplifies Beckmann's unique style and thematic exploration of human nature. The Artistic Context Beckmann was a key figure in the Expressionist movement, which emphasized subjective emotional experience. His work often drew upon historical and mythological themes to convey contemporary moral and spiritual…
The oil on canvas titled Woman with Mandolin in Yellow and Red is a work by Max Beckmann. Created in 1950, the painting carries the artist's signature in the bottom right corner. The inscription reads Beckmann NY 50 in Latin script.
The artwork is a triptych titled The Argonauts, created between 1949 and 1950. The composition features a middle panel containing several figures: the poet Orpheus is positioned at the center, with Jason located at his right and the sea god Glaucus at his left. The painting depicts a variety of people in different positions, including individuals who are standing, sitting, or lying down. The scene includes at least 12 people,…
We are looking at Temptation, a significant work by Max Beckmann. Created in 1937, this oil on canvas painting is a triptych, a format that allows the artist to structure a complex narrative across three distinct panels. The work is a definitive example of German Expressionism within the Modern era.
Quappi in blue in a boat1950
12
Apachentanz1938 · Kunsthalle Bremen
13
Still Life with Large Green Fruits
14
Galleria Umberto1925
15
Siesta
16
Bathing Scene (The Green Cloak)1934 · National Gallery of Art
17
Christ in Limbo1947 · National Gallery of Art
18
Still Life with Cigar Box1926 · Bavarske državne slikopisne kolekcije
19
Self Portrait in Olive and Brown1945 · Detroit Institute of Arts
20
The Argonauts: Music1949 · National Gallery of Art
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Self-Portrait in Gray Robe1941 · Bavarske državne slikopisne kolekcije
22
Portrait of Carl Couple1918 · Städel Museum
23
Leave-Taking1942 · Музеј Тисен-Борнемиза
24
Cabins1948 · Kunstsammlung Nordrhein-Westfalen
25
Reclining Woman by the Sea1950 · Hamburger Kunsthalle
26
Farmers Carrying Wood1941 · Bavarske državne slikopisne kolekcije
27
The Duchess of Malvedi1926 · Bavarske državne slikopisne kolekcije
28
The Circus Carriage1940 · Städel Museum
29
Lady in gray cap1944 · Kunsthalle Bremen
30
Declaration of War
31
Family Scene (Beckmann Family)
32
Maternidad
33
Departure1935
34
Portrait of Edie Rickey1949 · Saint Louis Art Museum
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Double image. People on the street1914 · Berlinische Galerie
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Hotel de l’Ambre1949 · Bavarske državne slikopisne kolekcije
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Small cafe, revolving door1944 · Kunstmuseum Den Haag
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The argonauts, Detalj, Private collect1950
39
Conversation (Society I)1908 · Alte Nationalgalerie
40
Vampire1948 · Museum Folkwang
41
The removal of the sphinxes1945 · Staatliche Kunsthalle Karlsruhe
42
Studio with Table and Glasses1931 · Bavarske državne slikopisne kolekcije
43
Woman Reading at the Beach
44
FisherwomenSaint Louis Art Museum
45
Resting Woman with Carnations
46
Small italian Landscape
47
SinagogaStädel Museum
48
Family Picture1920 · MoMA - Muzej moderne umetnosti
49
Girl in Black on Gray / Young Girl1940 · Bavarske državne slikopisne kolekcije
50
Floral still life with mirror1927
51
Rugby players, Wilhelm-Lehmbruck-Museum,1929
52
Sculpture Studio / Studio Corner1950 · Bavarske državne slikopisne kolekcije
53
Red Clown / Man with Crown1941 · Bavarske državne slikopisne kolekcije
54
The Argonauts: Painting1949 · National Gallery of Art
55
Still life with yellow rosesМузеј Тисен-Борнемиза
56
The argonauts, Private collection, New1950 · National Gallery of Art
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Carnival Paris1930 · Bavarske državne slikopisne kolekcije
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The Trapeze1923 · Toledo Museum of Art
59
Baccarat1947 · Nelson-Atkins Museum of Art
60
Portrait of Augusta Countess vom Hagen1908 · Staatliche Kunstsammlungen Dresden
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Self-Portrait in Black1944 · Bavarske državne slikopisne kolekcije
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Woman with Mirror and Orchids1947 · Muzej fine umetnosti u Hjustonu
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The Harbor of GenoaSaint Louis Art Museum
64
The Rape of Europa
65
The acrobats1939 · Saint Louis Art Museum
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Flower Shop / In Front of the Hotel1936 · Bavarske državne slikopisne kolekcije
67
Self-Portrait1905 · Städel Museum
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Self-portrait1899
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Self-portrait1901
70
Self-portrait with champagne glass1919 · Städel Museum
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The street1914 · Berlinische Galerie
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Self-Portrait with Raised Hand1908 · Музеј Тисен-Борнемиза
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Dance halls1909
74
Company III. Family Battenberg1915
75
Before the Masked Ball1922 · Bavarske državne slikopisne kolekcije
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Carnival1920
77
Women's Bath1919
78
Carnival (Pierrette and Clown)1925
79
Double Portrait1923 · Städel Museum
80
Portrait of Käthe von Porada1924 · Städel Museum
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Portrait of an Argentinean1929 · Bavarske državne slikopisne kolekcije
82
The Beach1927 · Städel Museum
83
Two Ladies at the Window1928
84
Carnival (Pierrette and Clown)1925 · Kunsthalle Mannheim
85
Portrait of S.H.1928
86
Still Life with Gramophone and Irises1924
87
Reclining woman with book and irises1931
88
The Skaters1932 · Minneapolis Institute of Art
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Departure: The Castle1933 · MoMA - Muzej moderne umetnosti
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Lute Player / Banjo-Playing Woman1930
91
Margarethe Wichert (daughter of Professor Wichert)1930
92
Girls Playing with Dogs1933
93
Woman in Bed1932
94
Claridge II1930
95
Portrait of the Family Lütjens1944 · Museum Boijmans Van Beuningen
96
Self-Portrait1938 · Solomon R. Guggenheim Museum
97
Artist1936
98
Portrait of a Frenchmen1933 · Centre Pompidou
99
Heinrich George Family Portrait1935
100
Death1938
Četiri teme koje se najčešće pojavljuju u ovim delima, svaka sa svojim najpoznatijim primerom.
8 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Макс Бекман | Slike iz ovog spiska |
|---|---|---|---|
 Bavarske državne slikopisne kolekcije |
Minhen | 39 | Velika scena agonije, Woman with Mandolin in Yellow and Red, Temptation |
 Städel Museum |
Frankfurt | 18 | Portrait of Carl Couple, The Circus Carriage, Sinagoga |
 Saint Louis Art Museum |
Sent Luis | 39 | Колумбина, Portrait of Edie Rickey, Fisherwomen |
 National Gallery of Art |
Washington | 8 | Bathing Scene (The Green Cloak), Christ in Limbo, The Argonauts: Music |
 Музеј Тисен-Борнемиза |
Madrid | 4 | Leave-Taking, Still life with yellow roses, Self-Portrait with Raised Hand |
 Kunstsammlung Nordrhein-Westfalen |
Diseldorf | 3 | Ноћ (Плакат 7), Гвоздена мост (Поглед на Франкфурт), Cabins |
 MoMA - Muzej moderne umetnosti |
New York City | 5 | Family Picture, Departure: The Castle |
 Kunsthalle Bremen |
Bremen | 4 | Apachentanz, Lady in gray cap |
Izaberite deceniju da biste videli njeno najistaknutije delo.
Naslikano 1906. godine, ovo moćno delo Maks Beckmanna predstavlja ključni primer ranog ekspresionizma, najavljujući anksioznosti i psihološka istraživanja koja će definisati veliki deo umetnosti 20. veka. Više od običnog prikaza figura, ovo je visceralno istraživanje ranjivosti, izolacije, a možda čak i smrtnosti.
Max Beckmannova Nacht (Blatt 7) z roku 1919 představuje jedno z nejvýraznějších dílů německého umění první světové války. Tento obraz, vytvořený v rámci skupiny „Hell“ (Die Hölle), není jen estetickou záležitostí; je to komplexní vyjádření sociální traumy a filozofické reflexe doby, která poznala rozklad hodnot a ztrátu víry.
„Gvozdene mostove (Pogled na Frankfurt)" Maksima Bekmana, nastao 1922. godine, nije samo slika grada; to je snažna vizija urbane energije, industrijskog napretka i dubokih ljudskih odnosa u dobu posle Prvog svetskog rata. Ova kompozicija, koja pripada ekspresionističkom pokretu, ali se istovremeno oslanja na elemente nove objektivnosti, poziva nas da razmotrimo slojeve značenja koji se kriju iza očigledne scene gradskog života.
Max Beckmann, a renowned German Expressionist painter, created his masterpiece Temptation in 1937. This oil on canvas painting is housed at the Bayerische Staatsgemäldesammlungen (Munich, Germany), and it exemplifies Beckmann's unique style and thematic exploration of human nature. The Artistic Context Beckmann was a key figure in the Expressionist movement, which emphasized subjective emotional experience. His work often drew upon historical and mythological themes to convey contemporary moral and spiritual…
Exploring Human Condition and Society This powerful triptych by Max Beckmann captures the complex tapestry of human existence and societal roles through a vivid, emotionally charged composition. Each panel presents a dynamic scene filled with distorted figures, symbolic objects, and expressive gestures that invite viewers to reflect on themes of confinement, identity, and social interaction. Beckmann’s portrayal of human figures—some seated, others standing or behind bars—evokes a sense of tension,…
„Kolumbina” Maksa Bekmana predstavlja upečatljiv primer nemačkog ekspresionizma, nastao 1950. godine tokom umetnikovih poznih godina. Ovo monumentalno ulje na platnu prikazuje sednu žensku figuru ukrašenu maskom, okruženu odvažnim arhitektonskim elementima i živopisnim bojama. Slikarsko delo je savršen primer Bekmanovog prepoznatljivog stila, koji karakterišu izobličene figure, bogata simbolika i emocionalni intenzitet.
Na vrhu liste je Ноћ (Плакат 7) (1919), Kunstsammlung Nordrhein-Westfalen, Diseldorf. Odmah za njim su: Velika scena agonije (1906) i Гвоздена мост (Поглед на Франкфурт) (1922).
35 godina. Макс Бекман je rođen/a 1884, a delo Ноћ (Плакат 7) datira iz 1919.
Ноћ (Плакат 7), Velika scena agonije, Гвоздена мост (Поглед на Франкфурт), Колумбина, Актери, Selfportrait in tuxedo, Busch-Reisinger M, Temptation, Woman with Mandolin in Yellow and Red, The argonauts i Temptation. Godinu i muzej za svako od njih možete pronaći u gornjem spisku.
U našem katalogu imamo 401 dela umetnika Макс Бекман, datiranih od 1899 do 1950.
Većinu njih možete pronaći u Bavarske državne slikopisne kolekcije (Minhen), Städel Museum (Frankfurt) i Saint Louis Art Museum (Sent Luis). Na spisku muzeja iznad nalazi se detaljan pregled.
U 1930s, više nego ikada ranije: 22 od 100 dela na ovoj stranici potiče iz tog vremena, od čega je Temptation među njima.
Najstarije delo ovde je Self-portrait (1899); najnovije je Колумбина (1950).
Woman (17), Man (15) i People (14) od ukupno 100 dela na ovoj stranici.
Oil On Canvas, korišćeno u 42 od 100 dela na ovoj stranici.
Early expressionism, kao što možete videti u delima na ovoj stranici.
Na ovoj stranici možete videti 17 dela u muzeju Bavarske državne slikopisne kolekcije, Minhen, uključujući Velika scena agonije, Woman with Mandolin in Yellow and Red i Temptation.
Da. Svaka slika na ovoj stranici dostupna je kao ručno slikano ulje na platnu ili kao štampa, u veličini koja vam odgovara. Samo otvorite stranicu slike da biste izvršili porudžbinu.
