Updated октобар 2026 · ranked by our popularity score (searches, visits and orders for each work) · 241 works by Јан Госарт in our catalogue
In short
The Јан Госарт painting most people know is Adam and Eve (1525), and you can see it at the Rhode Island School of Design Museum of Art, Providens. Right after it come Portrait of a man (1528) and Man of Sorrow (1525). Out of 241 works by Јан Госарт in our catalogue, these 100 are the best known. Each one comes with its year, its museum and a short note on what makes it stand out.
In the profound stillness of Jan Gossaert’s 1525 masterpiece, Adam and Eve, we are invited into a moment of primordial intimacy that transcends the boundaries of time. This breathtaking oil painting serves as a cornerstone of Northern Renaissance artistry, capturing the very dawn of humanity with a level of anatomical precision and dramatic flair that was revolutionary for its era. The composition centers on the tender, almost vulnerable embrace of…
The gaze of the subject in Portrait of a man by Jan Gossaert meets the viewer with a steady, unwavering presence. Created about 1530, this work captures a man seated within a space that feels both cramped and cozy, a private nook where the tools of a specific life reside. The artist, Jan Gossaert, who is also known by the moniker Mabuse, renders the figure with a profound sense of…
The body of Christ hangs heavy, a pale anchor in a sea of deep reds and shadows. Every muscle is rendered with a sharp, anatomical clarity that feels almost tactile, as if the skin might still hold warmth despite the stillness of death. Light strikes the torso from a single direction, carving out the hollows of the ribs and the tension in the limbs. Around this central suffering, figures gather…
Step closer and observe the stillness of this young man. He is presented in a bust-length view, framed within a gentle oval that focuses our attention entirely on his psychological state. There is a certain gravity in his gaze, a stoic and thoughtful expression that suggests a life of intellectual depth and high social standing. He does not perform for us; he simply exists in a moment of quiet contemplation.…
The heavy wooden panels of the triptych stand partially open, revealing a world caught in a moment of sacred stillness. These two exterior wings, crafted in 1521, act as a threshold between the mundane and the divine. On one side, a woman holds a book, her gaze steady and quiet; on the other, an angel appears, bringing a celestial presence to the earthly realm. They exist within a framework of…
To gaze upon Jan Gossaert’s Virgin and Child Enthroned is to step directly into the luminous, deeply spiritual atmosphere of the Northern Renaissance. This masterpiece, painted in 1527, transcends mere portraiture; it is a profound theological statement rendered with breathtaking technical skill. At its heart sits the Virgin Mary, regal and serene, enthroned as she cradles the infant Jesus. The immediate visual impact is drawn to the vibrant sweep of…
A middle-aged man is captured in a bust-length composition, his gaze directed toward the left of the frame. He wears a dark, beret-style hat and a black doublet over a white undershirt, with a single gold ring featuring a gemstone visible on his hand. The lighting is directional, descending from the upper left to cast soft shadows across the right side of his face and neck. This chiaroscuro effect provides…
The Holy Family is a painting by Jan Gossaert, executed in 1507. This oil on panel work captures a quiet, domestic moment within a grander architectural framework. The Virgin Mary occupies the center of the scene, her hands cradling the Christ Child. Their presence forms the heart of the composition, anchored by the weight of their figures against the stone and sky.
Two figures sit locked in a quiet, muscular embrace. Hercules and Deianeira occupy a marble-paneled niche, their limbs entwined in a way that feels both heavy and strangely delicate. The man’s skin carries the sculptural weight of antiquity, his form defined by the tension of bone and muscle. Beside him, Deianeira rests, her pose a study in soft curves and sudden stillness. They do not look at the viewer; they…
The Virgin preparing the bath of the Child1500 · Bob Jones University Museum and Gallery
12
Madonna with the Child1500 · Hämeenlinna Art Museum
13
Virgin and child in the veil1500 · Kraljevski muzeji fine umetnosti Belgije
14
Madonna with child1495
15
Portrait of Isabella of Austria1514
16
Floris van Egmond, Count of Buren1510 · Brighton Museum & Art Gallery
17
Saint Jerome1512 · Statens Museum For Kunst
18
Christ on the Mount of Olives1507 · Gemäldegalerie
19
Portrait of a Man1515 · Pushkin State Museum
20
The Beheading of St John the Baptist1510 · École Nationale Supérieure des Beaux-Arts
21![Saint Jerome Penitent [right panel] (1512) by Јан Госарт](/media/artworks/images-thumb/95/ad/95ada119db2ef8e277bc791f8836200f.jpg)
Saint Jerome Penitent [right panel]1512 · National Gallery of Art
22![Saint Jerome Penitent [left panel] (1512) by Јан Госарт](/media/artworks/images-thumb/d3/f3/d3f3c45e9279abe486979f615cf3518c.jpg)
Saint Jerome Penitent [left panel]1512 · National Gallery of Art
23
The Malvagna Altarpiece (centre panel, detail)1513
24
Agony in the Garden1510
25
Holy Family with Coats of Arms of Charles...1528 · Saint Louis Art Museum
26
Virgin and Child in a Landscape1531 · Cleveland Museum of Art
27
Self-portrait1525 · Currier Gallery of Art
28
Madonna and Child1529 · Rijksmuseum Twenthe
29
Christ on Mount Olive1525 · Bavarske državne slikopisne kolekcije
30
The Holy Family1520 · Muzej fine umetnosti u Hjustonu
31
Portrait of Henry III, Count of Nassau1530 · Museu Nacional d'Art de Catalunya
32
Christ sitting on the Cold Stone1531 · Kraljevski muzej lepih umetnosti u Antverpenu
33
Virgin and Child with a Patron1530 · Statens Museum For Kunst
34
Portrait of Anna de Bergh, Marquise de Veere1530 · McNay Art Museum
35
Saint Luke painting the Virgin1520 · Narodna galerija Prag
36
Portrait of a Man1524
37
Madonna with Child Jesus1531 · Narodni muzej u Varšavi
38
Christus rust na de geseling1527 · Staatliche Kunsthalle Karlsruhe
39
Madonna and Child1532
40
Madonna and Child playing with the veil1530
41
Cain Killing Abel1525
42
Portrait of a Man1524
43
Danaë1527 · Alte Pinakothek
44
Scenes from the Life of St Giles1520 · Statens Museum For Kunst
45
The Martyrdom of St Cyriacus and His Companions1520 · Statens Museum For Kunst
46
An Elderly Couple1525 · National Gallery
47
Young Girl with Astronomic Instrument1530
48
Virgin Mary, Christ Blessing, and St John the Baptist (Deesis)1525
49
Abbot Johann Ingenray1535 · Detroit Institute of Arts
50
The Adoration of the Kings1510 · National Gallery
51
Wings of the Norfolk Triptych1525 · Musées Royaux des Beaux-Arts
52
Virgin and Child1525 · Art Institute of Chicago
53
Adam and Eve1510 · Музеј Тисен-Борнемиза
54
Danaë (detail)1527 · Alte Pinakothek
55
The Carondelet Diptych: Jean Carondelet (left panel), Virgin and Child (right panel)1517 · Luvr
56
Danaë1527 · Alte Pinakothek
57
Two Kings and a Woman Leaving a Palace1510
58
Madonna and Child1527 · Музеј Прадо
59
The Adoration of the Kings (detail)1500
60
The Adoration of the Kings1500
61
Holy Family with St. Catherine and St. Barbara1515
62
St Jerome Penitent1510
63
Hercules and Deianira1517 · Barber Institute of Fine Arts
64
Neptune and Amphitrite, - (188x123.)1516
65
Hercules of the Forum Boarium1509
66
Neptune and Amphitrite1516
67
Virgin and Child with Musical Angels1510
68
A Reliquary1510 · Pierpont Morgan Library
69
The Agony in the Garden1510
70
Standing Warrior in Fantastic Armour1509
71
The Carondelet Diptych left wing, Jean Carondelet1517
72
St John the Evangelist on Patmos1515
73
The Holy Family Seated at the Foot of a Tree1510
74
Apollo Citharoedus of the Casa Sassi1509
75
Neptune and Amphitrite (detail)1516
76
The Malvagna Altarpiece (right wing, detail)1513
77
Jean Carondelet1503 · Toledo Museum of Art
78
The Adoration of the Magi1515
79
Agony in the Garden (detail)1510
80
Bust of a Warrior in Fantastic Armour1509
81
Study after the Spinario (detail)1509 · Universiteitsbibliotheek
82
Virgin and Child with Sts Catherine and Barbara1510
83
The Doria Pamphilj Diptych (right wing)1510 · Galleria Doria Pamphilj
84
Carondelet Diptych (left wing)1517
85
Study after the Spinario (recto)1509 · Universiteitsbibliotheek
86
Neptune and Amphitrite1516
87
The Malvagna Altarpiece (exterior wings)1513
88
The Mystic Marriage of St Catherine1503 · Statens Museum For Kunst
89
Carondelet Diptych (right wing)1517
90
Emperor Augustus and the Tiburtine Sibyl1503
91
Carondelet Diptych1517
92
The Malvagna Altarpiece (side wings)1513
93
View of the Colosseum Seen from the West1509
94
Carondelet Diptych (verso)1517
95
The Malvagna Altarpiece (centre panel)1513
96
Portrait of a Man, possibly Jan Snoeck1530 · National Gallery of Art
97
Mary with Child1525 · Gemäldegalerie
98
The Mocking of Christ or the Man of Sorrows1525
99
King Christian II of Denmark1525
100
Virgin and Child Seated at the Foot of a Tree1522
The four subjects that come up most often in these pieces, each with its best-known example.
The 8 museums that hold the most of the paintings on this page.
| Museum | City | Works by Јан Госарт | Paintings from this list |
|---|---|---|---|
 Statens Museum For Kunst |
Kopenhagen | 5 | Saint Jerome, Virgin and Child with a Patron, Scenes from the Life of St Giles |
 National Gallery of Art |
Washington | 4 | Saint Jerome Penitent [right panel], Saint Jerome Penitent [left panel], Portrait of a Man, possibly Jan Snoeck |
 Alte Pinakothek |
Minhen | 3 | Danaë, Danaë (detail), Danaë |
 Gemäldegalerie |
Berlin | 9 | Christ on the Mount of Olives, Mary with Child |
 National Gallery |
London | 7 | An Elderly Couple, The Adoration of the Kings |
 Kraljevski muzeji fine umetnosti Belgije |
Brisel | 4 | Portrait of a man, Virgin and child in the veil |
 Kraljevski muzej lepih umetnosti u Antverpenu |
Antverpen | 4 | Portrait of a Man, Christ sitting on the Cold Stone |
 Kunsthistorisches Museum |
Beč | 3 | Virgin and child enthroned, Portrait of a man |
Pick a decade to see its standout piece.
The Holy Family is a painting by Jan Gossaert, executed in 1507. This oil on panel work captures a quiet, domestic moment within a grander architectural framework. The Virgin Mary occupies the center of the scene, her hands cradling the Christ Child. Their presence forms the heart of the composition, anchored by the weight of their figures against the stone and sky.
Two figures sit locked in a quiet, muscular embrace. Hercules and Deianeira occupy a marble-paneled niche, their limbs entwined in a way that feels both heavy and strangely delicate. The man’s skin carries the sculptural weight of antiquity, his form defined by the tension of bone and muscle. Beside him, Deianeira rests, her pose a study in soft curves and sudden stillness. They do not look at the viewer; they…
In the profound stillness of Jan Gossaert’s 1525 masterpiece, Adam and Eve, we are invited into a moment of primordial intimacy that transcends the boundaries of time. This breathtaking oil painting serves as a cornerstone of Northern Renaissance artistry, capturing the very dawn of humanity with a level of anatomical precision and dramatic flair that was revolutionary for its era. The composition centers on the tender, almost vulnerable embrace of…
Top of the list is Adam and Eve (1525), Rhode Island School of Design Museum of Art, Providens. Right behind it: Portrait of a man (1528) and Man of Sorrow (1525).
47 years old. Јан Госарт was born in 1478, and Adam and Eve dates from 1525.
Adam and Eve, Portrait of a man, Man of Sorrow, Portrait of a Man, Two Wings from a Triptych (exterior), Virgin and child enthroned, Portrait of a man, The Holy Family, Hercules and Deianeira and Triptych of the Holy Family. You'll find the year and the museum of each in the list above.
We have 241 works by Јан Госарт in our catalogue, dated 1495 to 1532.
You'll find most of them in Statens Museum For Kunst (Kopenhagen), National Gallery of Art (Washington) and Alte Pinakothek (Minhen). The museum list above has the full breakdown.
In 1510s, more than any other time: 39 of the 100 pieces on this page date from then, Hercules and Deianeira among them.
The earliest piece here is Madonna with child (1495); the most recent is Madonna and Child (1532).
Woman (12), Man (10) and Renaissance (7), out of the 100 pieces on this page.
Oil On Panel, used in 15 of the 100 pieces on this page.
Severna renesansa, as you can see in the pieces on this page.
You can see 5 of the pieces on this page at the Statens Museum For Kunst, Kopenhagen, including Saint Jerome, Virgin and Child with a Patron and Scenes from the Life of St Giles.
Yes. Every painting on this page is available as a hand-painted oil reproduction or a print, in the size that suits you. Just open the painting's page to order.
U promenljivom pejzažu ranog šesnaestog veka, malo je umetnika uspelo tako majstorski da premosti jaz između pedantnih tradicija Severa i naglo buđenja humanizma Juga kao Jan Gosaert. Istoriji poznat po upečatljivom nadimku Mabuse, ovaj vizionarski slikar proizašao je iz Maubeuge-a u Francuskoj kako bi postao kamen temeljac romanističkog pokreta. Delo njegovog života predstavlja duboku metamorfozu u umetnosti Niskih zemalja, gde se oštri, taktilni realizam flamanskih majstora susreo sa veličanstvenom, skulpturalnom elegancijom italijanske renesanse. Proučavati Gosaerta znači biti svedok samog trenutka kada je srednjovekovna duša počela da prihvata klasičnu svetlost antike.
Iako precizni detalji njegovog ranog obrazovanja ostaju skriveni u magli vremena, umetnički DNK Gosaerta bio je duboko ukorenjen u tradicijama Niskih zemalja. Široko je verovanje da su njegove formativne godine provedene upijanjem tehničke rigoroznosti majstora kao što su Rogjer van der Weyden i Hugo van der Goes. Od ovih prethodnika nasledio je neprevaziđenu posvećenost detalju — način prikazivanja tekstura, tkanina i svetlosti koji je posmatraču delovao gotovo opipljivo. Međutim, Gosaert je bio daleko od običnog imitatora prošlosti; posedovao je nezasitu radoznalost za novo, okrećući se jugu kako bi integrisao anatomsku preciznost i arhitektonski grandioznost italijanske renesanse u svoj rodni stil.
Pravi genije Mabusea leži u njegovoj sposobnosti da uskladi dva naizgled nepovezana sveta. Njegov razvoj kao romanističkog slikara označio je odstupanje od čisto gotičkih senzibiliteta koji su dugo dominiracija severnu Evropu. Tamo gde su raniji umetnici težili simboličkoj dubini i duhovnoj ikonografiji, Gosaert je uveo osećaj fizičke težine i klasične proporcije. On je proučavao ljudsku formu sa novom, naučnom vigoroznošću, omogućavajući svojim figurama da zauzmu prostor sa skulpturalnim prisustvom koje je za njegovo doba bilo revolucionarno.
Ova stilska evolucija najočiglednija je u njegovom tretmanu svetlosti i atmosfere. U njegovim rukama, svetlost ne osvetljava scenu samo po sebi; ona je izranja poput dleta koji oblikuje materiju. Koristio je atmosfersku perspektivu kako bi stvorio prostrane, uranjajuće pejzaže koji kao da se beskonačno povlače u daljinu, pružajući dramatičnu scenu svojim motivima. Njegove kompozicije često sadrže složenu igru senki i sjaja, tehniku koja religioznim i mitološkim scenama daje gotovo teatralni intenzitet. Ova majstorština omogućila mu je da balansira između dubokog duhovnog kontempliranja koje su zahtevali religiozni narudžbine i intelektualne veličine koju su zahtevali humanisti svog vremena.
Gosaertova plodna karijera bila je održavana prestižnom mrežom pokrovitelja, koji su se protezali od bogatih trgovaca do visokog rimokatoličkog klera i plemstva. Njegov opus bio je izuzetno raznolik, obuhvatajući monumentalne oltare koji su činili temelj enterijera katedrala, pa sve do intimnih portreta koji su hvatali psihološku suštinu svojih modela. Neki od njegovih najtrajnijih doprinosa uključuju:
Istorijski značaj Jana Gosaerta ne može se preuveličati. On je delovao kao vitalni posrednik, prenoseći klasične ideale Italije preko Alpa i čvrsto ih zasadivajući u plodno tlo Niskih zemalja. Spajanjem pedantnog umeća flamanske tradicije sa strukturnim inovacijama rimske renesanse, on je utroio put budućim generacijama severnih umetnika. Njegovo nasleđe ostaje utisnuto u samu tkaninu istorije umetnosti, predstavljajući trijumfalnu eru kulturne sinteze i umetničkog ponovnog rađanja.
