Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 2 dela Samuel Spode u našem katalogu
Ukratko
Najpoznatije delo umetnika Samuel Spode je A Dark Bay Racehorse held by a Trainer in a Landscape (1833). Možete ga pronaći u muzeju Florence Court. U našem katalogu se nalazi 2 dela umetnika Samuel Spode; ovaj vodič izdvaja 2 najpoznatijih, uz godinu nastanka, muzej i priču o svakom delu.
1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzeji | Grad | Radovi umetnika Samuel Spode | Slike iz ovog spiska |
|---|---|---|---|
 Florence Court |
1 | A Dark Bay Racehorse held by a Trainer in a Landscape |
Radovi umetnika Samuel Spode na ovoj stranici datiraju iz 1833 godine. Evo ih, poređanih prema popularnosti.
Izaberite godinu da biste videli njena dela.
Na vrhu liste je A Dark Bay Racehorse held by a Trainer in a Landscape (1833).
35 godina. Samuel Spode je rođen/a 1798, a delo A Dark Bay Racehorse held by a Trainer in a Landscape datira iz 1833.
U našem katalogu se nalazi 2 dela umetnika Samuel Spode.
Većinu njih možete pronaći u Florence Court. Na spisku muzeja iznad nalazi se detaljan pregled.
Da. Svaka slika na ovoj stranici dostupna je kao ručno slikano ulje na platnu ili kao štampa, u veličini koja vam odgovara. Samo otvorite stranicu slike da biste izvršili porudžbinu.
Samuel Spode was a British painter who specialized in equestrian sporting scenes, with a particular focus on the portraiture of military and sporting horses. His work often captured the essence of horse racing and fox hunting, frequently featuring prominent animals such as Birdcatcher, Caractacus, and Voltager. He also portrayed significant historical horses, including the Duke of Wellington's war horse, Copenhagen, and the charger Ronald, which was ridden by Lord Cardigan during the Charge of the Light Brigade.
Spode's career was marked by significant movement; he emigrated to Van Diemen's Land with his wife, Mary Crewe, and his brother Josiah, before returning to England in 1826. During his time in England, he stayed at Heron Cottage in the Staffordshire Potteries. His artistic output included works for various patrons, such as the Earl of Lonsdale and John Dawson Duckett, and some of his paintings were reproduced in The Sporting Magazine.
In the 1830s, Spode traveled frequently to Ireland to seek commissions, and he also spent time working as a horse trainer at the Curragh Racecourse. His dedication to his passion for animal painting meant that he worked solely on commissions, and as a result, he never exhibited at well-known exhibitions. Around 1845, he painted several works with Stonehenge in the background, suggesting a period of residence near Amesbury.
Spode's life was characterized by several marriages; he was widowed three times before eventually marrying a girl named Delia in Dublin. He died in Dublin, leaving behind a legacy defined by the many famous horses he depicted throughout his career.
