Ažurirano: новембар 2026 · rangirano prema našem koeficijentu popularnosti (pretrage, posete i porudžbine za svako delo) · 5 dela Robert Atkinson u našem katalogu
Ukratko
Ako znate bilo koju sliku koju je stvorio Robert Atkinson, to je verovatno A Spanish Soldier of the 16th Century (1885), koja se nalazi u muzeju Auckland Art Gallery Toi o Tāmaki, Oklend. Portrait of Albin Martin (1886) i A Settler’s Kitchen, Opua Whanga, New Zealand 1886 (1886) dopunjuju tri dela koja ljudi odmah prepoznaju. Naš katalog sadrži 5 dela umetnika Robert Atkinson. Ispod su 5 najpoznatijih dela, sa informacijama o godini nastanka, mestu gde se mogu pronaći i onome što ih čini posebnim.
1 muzeja u kojima se nalazi najviše slika sa ove stranice.
| Muzej | Grad | Radovi umetnika Robert Atkinson | Slike iz ovog spiska |
|---|---|---|---|
 Auckland Art Gallery Toi o Tāmaki |
Oklend | 5 | A Spanish Soldier of the 16th Century, Portrait of Albin Martin, A Settler’s Kitchen, Opua Whanga, New Zealand 1886 |
Radovi umetnika Robert Atkinson ovde obuhvataju samo 2 godina, od 1885 do 1886. Evo šta je svaka godina donela.
Izaberite godinu da biste videli njena dela.
Na vrhu liste je A Spanish Soldier of the 16th Century (1885), Auckland Art Gallery Toi o Tāmaki, Oklend. Odmah za njim su: Portrait of Albin Martin (1886) i A Settler’s Kitchen, Opua Whanga, New Zealand 1886 (1886).
22 godina. Robert Atkinson je rođen/a 1863, a delo A Spanish Soldier of the 16th Century datira iz 1885.
U našem katalogu imamo 5 dela umetnika Robert Atkinson, datiranih od 1885 do 1886.
Većinu njih možete pronaći u Auckland Art Gallery Toi o Tāmaki (Oklend). Na spisku muzeja iznad nalazi se detaljan pregled.
U 1886, više nego ikada ranije: 2 od 5 dela na ovoj stranici potiče iz tog vremena, od čega je Portrait of Albin Martin među njima.
Najstarije delo ovde je A Spanish Soldier of the 16th Century (1885); najnovije je Portrait of Albin Martin (1886).
Na ovoj stranici možete videti 5 dela u muzeju Auckland Art Gallery Toi o Tāmaki, Oklend, uključujući A Spanish Soldier of the 16th Century, Portrait of Albin Martin i A Settler’s Kitchen, Opua Whanga, New Zealand 1886.
Da. Svaka slika na ovoj stranici dostupna je kao ručno slikano ulje na platnu ili kao štampa, u veličini koja vam odgovara. Samo otvorite stranicu slike da biste izvršili porudžbinu.
Born in the industrial heart of Leeds, Robert Atkinson sought a different air, eventually finding himself in the studios of Antwerp. It was under the guidance of Verlat that his hand first learned the discipline of form and light. By 1885, driven by a need for better health, he turned his gaze toward the southern reaches of the globe, arriving in New Zealand. He established a studio in the Victoria Arcade in Auckland, a space where the quiet intensity of his studies began to take shape. His presence in the colonies was marked by a steady hand and a desire to capture the essence of his surroundings, from the intimate details of a settler's kitchen in Opua Whanga to the formal dignity of a portrait of Albin Martin.
His time in the colonies was a period of constant movement and connection. He moved between the art circles of Melbourne, Sydney, and Auckland, building friendships with fellow painters like Kate McCosh Clark. These years were defined by a search for subject matter that could bridge the gap between his European training and the raw reality of his new environment. Even when he returned to England in 1889 to work as an illustrator, the pull of the southern lands remained, drawing him back to New Zealand in 1895.
The works he left behind reveal a man deeply interested in the structure of life, whether through the study of the human form or the depiction of social scenes. His paintings often focused on the immediate and the tangible:
His death in Dunedin in 1896 cut short a career that was still finding its footing in the colonial landscape. Though his life was brief, the rarity of his New Zealand genre subjects ensures that his vision remains a distinct part of the historical record. He was a painter of specific moments, capturing the light of a new world through the lens of an old-world education.
